A work in constant progress (and occasional regress).
Alias:
David Johnson BSC
David Johnson is a British cinematographer originally from Nottingham.
Assistant Camera:
1982 An Unsuitable Job for a Woman
Camera Operator:
1982 An Unsuitable Job for a Woman
2002 Resident Evil
Cinematography:
1982 An Unsuitable Job for a Woman
1988 The Universe of Dermot Finn
1988 The Yob
2002 Resident Evil
Director:
1982 An Unsuitable Job for a Woman
1988 The Universe of Dermot Finn
1988 The Yob
2002 Resident Evil
2022 The Koala Brothers' Christmas
Director of Photography:
1982 An Unsuitable Job for a Woman
1988 The Universe of Dermot Finn
1988 The Yob
1995 Othello
1996 Saint-Ex
1997 The Mill on the Floss
1998 Basil
1998 Hilary and Jackie
1998 The Very Thought of You
1999 An Ideal Husband
1999 Toy Boys
1999 Tube Tales
2000 Honest
2000 The Sight
2001 Football
2001 The Martins
2002 Resident Evil
2004 AVP: Alien vs. Predator
2007 Resident Evil: Extinction
2010 Wild Target
2016 3 Generations
2016 Despite the Falling Snow
2022 The Independent
2022 The Koala Brothers' Christmas
???? Park Avenue
Other:
1982 An Unsuitable Job for a Woman
1988 The Universe of Dermot Finn
1988 The Yob
1990 The Fool
1995 Othello
1996 Saint-Ex
1997 The Mill on the Floss
1998 Basil
1998 Hilary and Jackie
1998 The Very Thought of You
1999 An Ideal Husband
1999 Toy Boys
1999 Tube Tales
2000 Honest
2000 The Sight
2001 Football
2001 The Martins
2002 Resident Evil
2004 AVP: Alien vs. Predator
2007 Resident Evil: Extinction
2010 Wild Target
2016 3 Generations
2016 Despite the Falling Snow
2022 The Independent
2022 The Koala Brothers' Christmas
???? Park Avenue
Director:
2015 Blindspot
Director of Photography:
2015 Blindspot
2019 His Dark Materials
2020 Professionals
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.