A work in constant progress (and occasional regress).
Alias:
Ίαν Γουάιτ
Birthplace:
Bangor, Wales, UK
Born:
September 17, 1971
Born in Bangor, North Wales and raised in Brighton, on the South coast of England, Ian Whyte was 7'1" tall by the time he was 17 years old. Ian always stood out from the crowd. Tall, slim and athletic, little did he know of his future career in the limelight. Ian discovered basketball in his teens, and quickly caught the attention of national team scouts who saw his physical attributes and determination as valuable assets. He quickly progressed to the junior national team ranks, but uninspired by school at the time, Ian was keen to escape at the earliest possible opportunity. He spent a year at Henry Hudson High School in New Jersey, where he again attracted the attention of basketball scouts, earning sports scholarships to Iona College in New York and Clarion University in Pennsylvania. Ian returned to England in 1994 to play for the London Towers, a new franchise owned by the music promoter Barry Marshall. Still eager to find himself Ian only stayed a season with the Towers, transferring to their crosstown rivals, The London Leopards, but again, only for one season. in 1995, Europe freely opened its doors to sportsmen and women from across the continent. Ian played for teams right across Europe. In France, Belgium, Greece and Portugal, where he won the domestic treble; League, cup and playoff championships with F.C. Porto in 1997 and went to the ¼ finals of the European cup. Ian returned to England soon after to play for the Newcastle Eagles, a place that would become his home until his retirement from the game in 2003. Throughout his career Ian tirelessly distinguished himself, representing his country 80 times. In 2003 Ian received a phone call that would change the whole course of his life. By his own admission he was keen to retire from basketball on his terms rather than through injury or old age, so he responded to a casting call for the new film Alien Vs Predator. His success in gaining the role is a matter of history, but personally it was a tremendous victory for him to finally find an outlet for his emotional creativity. Ian was fortunate to work alongside such luminaries as the Oscar winning special effects duo of Alec Gillis and Tom Woodruff Jr as well as Oscar winning VFX supervisor John Bruno. He also met soon to be double Oscar winning makeup effects artist Mark Coulier who encouraged him to get in touch with Nick Dudman, the creature effects supervisor for the Harry Potter franchise. Upon completion of filming on AVP Ian travelled back to England and straight into the world of Harry Potter. Not credited as an actor this time, Ian was hired to help bring to life the character of Madame Maxime played by the sublime Francis De La Tour. Ian worked full time for an entire year on the film, faithfully doubling The character who stood a glorious 8'6" tall.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.