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Vít Komrzý (b. 1965)

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Born:
March 8, 1965

Additional information:

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Film Production

Co-Producer:
2007  I Served the King of England
2010  Surviving Life (Theory and Practice)
2011  Alois Nebel
2013  Colette
2018  The Cellar

Digital Intermediate Producer:
2007  I Served the King of England
2008  The Red Baron
2010  Surviving Life (Theory and Practice)
2011  Alois Nebel
2013  Colette
2018  The Cellar

Producer:
2003  Národ sobě aneb České moře v 18 přílivech
2004  Fricasse
2007  I Served the King of England
2008  The Red Baron
2010  Surviving Life (Theory and Practice)
2011  Alois Nebel
2013  Colette
2018  The Cellar
2020  O vánoční hvězdě
2020  Viva video, video viva
2021  Jak si nevzít princeznu

Visual Effects Producer:
2003  Národ sobě aneb České moře v 18 přílivech
2004  AVP: Alien vs. Predator
2004  Fricasse
2006  Fallen
2006  The Illusionist
2006  Tristan & Isolde
2007  I Served the King of England
2007  Youth Without Youth
2008  The Red Baron
2009  Pandorum
2010  Salt
2010  Surviving Life (Theory and Practice)
2011  Alois Nebel
2012  Red Tails
2013  Colette
2013  Palo Alto
2013  Snowpiercer
2015  Blackhat
2015  Point Break
2015  The Walk
2016  Allied
2016  London Has Fallen
2018  The Cellar
2020  O vánoční hvězdě
2020  Viva video, video viva
2021  Jak si nevzít princeznu

Click the heading above to show or hide the list.

TV Production

Visual Effects Coordinator:
2004  Frankenstein

Visual Effects Producer:
2004  Frankenstein
2010  The Pillars of the Earth

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.