A work in constant progress (and occasional regress).
Birthplace:
London, England, UK
Born:
March 1, 1969
Jeremy Butterworth (born March 4, 1969) is a British playwright, screenwriter, and film director. He has gained recognition for his unique voice in contemporary theatre, often blending myth, folklore, and realism themes. He has received a Tony Award and two Laurence Olivier Awards. Butterworth started his career with his play, a comedic dark crime drama, Mojo (1995), which earned the Laurence Olivier Award for Best New Comedy. He found acclaim with his play Jerusalem, which has been described as "the greatest British play of the 21st century". He wrote the play The Ferryman (2017) about a former IRA volunteer set in The Troubles, which won the Laurence Olivier Award for Best New Play and the Tony Award for Best Play. His latest play, The Hills of California (2024), debuted in London and made its Broadway transfer in the same year. He made his directorial film debut with Mojo (1997), based on his play of the same name. He has since written the screenplays for films such as the erotic thriller Birthday Girl (2001), the political drama Fair Game (2010), the science fiction action film Edge of Tomorrow (2014), the James Brown biopic Get On Up (2014), the Whitey Bulger crime drama Black Mass (2015), and sports drama Ford v Ferrari (2019). He has also co-written screenplays for the James Bond film Spectre (2015) and the Indiana Jones franchise film Indiana Jones and the Dial of Destiny(2023). Description above from the Wikipedia article Jez Butterworth, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Additional Writing:
2025 Snow White
Director:
1997 Mojo
2001 Birthday Girl
2025 Snow White
Executive Producer:
1997 Mojo
2001 Birthday Girl
2014 Get on Up
2025 Snow White
Producer:
1997 Mojo
2001 Birthday Girl
2010 Fair Game
2014 Get on Up
2025 Snow White
Screenplay:
1997 Mojo
2001 Birthday Girl
2007 The Last Legion
2010 Fair Game
2014 Edge of Tomorrow
2014 Get on Up
2015 Black Mass
2015 Spectre
2019 Ford v Ferrari
2021 Flag Day
2025 Snow White
Theatre Play:
1997 Mojo
2001 Birthday Girl
2007 The Last Legion
2010 Fair Game
2010 Huge
2014 Edge of Tomorrow
2014 Get on Up
2015 Black Mass
2015 Spectre
2019 Ford v Ferrari
2021 Flag Day
2025 Snow White
Writer:
1995 Out Of My Head
1997 Mojo
2001 Birthday Girl
2007 The Last Legion
2009 Digital Theatre: Parlour Song
2010 Fair Game
2010 Huge
2014 Edge of Tomorrow
2014 Get on Up
2015 Black Mass
2015 Spectre
2019 Ford v Ferrari
2021 Flag Day
2023 Indiana Jones and the Dial of Destiny
2025 Snow White
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???? The Beatles: George
???? The Beatles: John
???? The Beatles: Paul
???? The Beatles: Ringo
???? The Silence
Creator:
2018 Britannia
2022 Mammals
2024 The Agency: Central Intelligence
Executive Producer:
2018 Britannia
2022 Mammals
2024 The Agency: Central Intelligence
2025 MobLand
Screenplay:
2018 Britannia
2022 Mammals
2024 The Agency: Central Intelligence
2025 MobLand
Teleplay:
2018 Britannia
2022 Mammals
2024 The Agency: Central Intelligence
2025 MobLand
Writer:
2018 Britannia
2022 Mammals
2024 The Agency: Central Intelligence
2025 MobLand
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.