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Brian Oliver (b. 1971)

Born:
January 29, 1971

Additional information:

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Film Production

Co-Producer:
2002  Auto Focus

Executive Producer:
2002  Auto Focus
2002  The Badge
2002  Welcome to Collinwood
2006  Half Light
2013  The Young and Prodigious T.S. Spivet
2017  Flatliners
2017  Roman J. Israel, Esq.
2019  Rocketman
2019  The Vanishing
2021  Clifford the Big Red Dog
2021  Infinite
2021  Tom Clancy's Without Remorse
2023  Transformers: Rise of the Beasts
2023  Under the Boardwalk

Producer:
2002  Auto Focus
2002  The Badge
2002  Welcome to Collinwood
2006  Half Light
2009  Give 'em Hell, Malone
2010  Black Swan
2011  2nd Take
2011  The Ides of March
2012  Aftershock
2012  Arthur Newman
2012  The Woman in Black
2013  Rush
2013  The Young and Prodigious T.S. Spivet
2014  A Walk Among the Tombstones
2014  Clown
2015  Black Mass
2015  Everest
2015  Legend
2016  Hacksaw Ridge
2017  American Made
2017  Flatliners
2017  Roman J. Israel, Esq.
2019  Rocketman
2019  The Vanishing
2021  Clifford the Big Red Dog
2021  Coming 2 America
2021  Infinite
2021  Tom Clancy's Without Remorse
2023  Transformers: Rise of the Beasts
2023  Under the Boardwalk
????  A Childhood History Plan
????  A Manual for Cleaning Women
????  Cut and Run
????  He Wanted the Moon
????  Oblivion Song
????  Queen Bitch and the High Horse
????  The Champions
????  The Creed of Violence

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.