Tatiana S. Riegel

Alias:
Tatiana S. Riegel, ACE

Birthplace:
USA

Tatiana S. Riegel A.C.E., is an American film editor known for independent films such as Lars and the Real Girl, The Way Way Back and I, Tonya. She received an ACE Eddie award for "Best Edited Miniseries or Motion Picture for Non-Commercial Television". Riegel was a long-time assistant to the late editor Sally Menke, editor of seven films by Quentin Tarantino. Riegel became a member of Academy of Motion Picture Arts and Sciences in 2014 and was nominated for Best Film Editing in 2018 for I,Tonya.

Additional information:

The Search Form


Assistant Editor:
1988  Pulse
1992  Honey, I Blew Up the Kid

Associate Editor:
1988  Pulse
1992  Honey, I Blew Up the Kid
1997  Jackie Brown

Co-Editor:
1988  Pulse
1990  Denial
1992  Honey, I Blew Up the Kid
1997  Jackie Brown

Editor:
1988  Pulse
1990  Denial
1992  Honey, I Blew Up the Kid
1993  Doppelganger
1996  Lover's Knot
1997  Jackie Brown
1999  Splendor
2000  The Million Dollar Hotel
2001  Off Season
2006  Pu-239
2007  Lars and the Real Girl
2008  What We Take from Each Other
2009  The Men Who Stare at Goats
2011  Fright Night
2011  Glee: The Concert Movie
2013  Bad Words
2013  The Way Way Back
2014  Million Dollar Arm
2016  The Finest Hours
2017  I, Tonya
2018  Gringo
2018  The Girl in the Spider's Web
2021  Cruella
2023  Guardians of the Galaxy Vol. 3

First Assistant Editor:
1988  Pulse
1990  Denial
1990  Love at Large
1992  Honey, I Blew Up the Kid
1993  Doppelganger
1994  Pulp Fiction
1996  Lover's Knot
1997  Jackie Brown
1997  Nightwatch
1999  Splendor
2000  The Million Dollar Hotel
2001  Off Season
2006  Pu-239
2007  Lars and the Real Girl
2008  What We Take from Each Other
2009  The Men Who Stare at Goats
2011  Fright Night
2011  Glee: The Concert Movie
2013  Bad Words
2013  The Way Way Back
2014  Million Dollar Arm
2016  The Finest Hours
2017  I, Tonya
2018  Gringo
2018  The Girl in the Spider's Web
2021  Cruella
2023  Guardians of the Galaxy Vol. 3

Music Editor:
1988  Pulse
1990  Denial
1990  Love at Large
1992  Honey, I Blew Up the Kid
1993  Doppelganger
1994  Pulp Fiction
1996  Lover's Knot
1997  Jackie Brown
1997  Nightwatch
1999  Splendor
2000  The Million Dollar Hotel
2001  Off Season
2006  Pu-239
2007  Lars and the Real Girl
2008  What We Take from Each Other
2009  The Men Who Stare at Goats
2011  Fright Night
2011  Glee: The Concert Movie
2013  Bad Words
2013  The Way Way Back
2014  Million Dollar Arm
2016  The Finest Hours
2017  I, Tonya
2018  Gringo
2018  The Girl in the Spider's Web
2021  Cruella
2023  Guardians of the Galaxy Vol. 3

Second Film Editor:
1988  Pulse
1990  Denial
1990  Love at Large
1992  Honey, I Blew Up the Kid
1993  Doppelganger
1994  Pulp Fiction
1996  Lover's Knot
1997  Jackie Brown
1997  Nightwatch
1999  Splendor
2000  The Million Dollar Hotel
2001  Off Season
2006  Pu-239
2007  Lars and the Real Girl
2008  What We Take from Each Other
2009  The Men Who Stare at Goats
2011  Fright Night
2011  Glee: The Concert Movie
2013  Bad Words
2013  The Way Way Back
2014  Million Dollar Arm
2016  The Finest Hours
2017  I, Tonya
2018  Gringo
2018  The Girl in the Spider's Web
2021  Cruella
2023  Guardians of the Galaxy Vol. 3

Visual Effects Assistant Editor:
1988  Pulse
1990  Denial
1990  Love at Large
1992  Honey, I Blew Up the Kid
1993  Doppelganger
1993  Last Action Hero
1994  Pulp Fiction
1996  Lover's Knot
1997  Jackie Brown
1997  Nightwatch
1999  Splendor
2000  The Million Dollar Hotel
2001  Off Season
2006  Pu-239
2007  Lars and the Real Girl
2008  What We Take from Each Other
2009  The Men Who Stare at Goats
2011  Fright Night
2011  Glee: The Concert Movie
2013  Bad Words
2013  The Way Way Back
2014  Million Dollar Arm
2016  The Finest Hours
2017  I, Tonya
2018  Gringo
2018  The Girl in the Spider's Web
2021  Cruella
2023  Guardians of the Galaxy Vol. 3

Editor:
2004  House

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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