A work in constant progress (and occasional regress).
Alias:
Tatiana S. Riegel, ACE
Birthplace:
USA
Tatiana S. Riegel A.C.E., is an American film editor known for independent films such as Lars and the Real Girl, The Way Way Back and I, Tonya. She received an ACE Eddie award for "Best Edited Miniseries or Motion Picture for Non-Commercial Television". Riegel was a long-time assistant to the late editor Sally Menke, editor of seven films by Quentin Tarantino. Riegel became a member of Academy of Motion Picture Arts and Sciences in 2014 and was nominated for Best Film Editing in 2018 for I,Tonya.
Assistant Editor:
1988 Pulse
1992 Honey, I Blew Up the Kid
Associate Editor:
1988 Pulse
1992 Honey, I Blew Up the Kid
1997 Jackie Brown
Co-Editor:
1988 Pulse
1990 Denial
1992 Honey, I Blew Up the Kid
1997 Jackie Brown
Editor:
1988 Pulse
1990 Denial
1992 Honey, I Blew Up the Kid
1993 Doppelganger
1996 Lover's Knot
1997 Jackie Brown
1999 Splendor
2000 The Million Dollar Hotel
2001 Off Season
2006 Pu-239
2007 Lars and the Real Girl
2008 What We Take from Each Other
2009 The Men Who Stare at Goats
2011 Fright Night
2011 Glee: The Concert Movie
2013 Bad Words
2013 The Way Way Back
2014 Million Dollar Arm
2016 The Finest Hours
2017 I, Tonya
2018 Gringo
2018 The Girl in the Spider's Web
2021 Cruella
2023 Guardians of the Galaxy Vol. 3
First Assistant Editor:
1988 Pulse
1990 Denial
1990 Love at Large
1992 Honey, I Blew Up the Kid
1993 Doppelganger
1994 Pulp Fiction
1996 Lover's Knot
1997 Jackie Brown
1997 Nightwatch
1999 Splendor
2000 The Million Dollar Hotel
2001 Off Season
2006 Pu-239
2007 Lars and the Real Girl
2008 What We Take from Each Other
2009 The Men Who Stare at Goats
2011 Fright Night
2011 Glee: The Concert Movie
2013 Bad Words
2013 The Way Way Back
2014 Million Dollar Arm
2016 The Finest Hours
2017 I, Tonya
2018 Gringo
2018 The Girl in the Spider's Web
2021 Cruella
2023 Guardians of the Galaxy Vol. 3
Music Editor:
1988 Pulse
1990 Denial
1990 Love at Large
1992 Honey, I Blew Up the Kid
1993 Doppelganger
1994 Pulp Fiction
1996 Lover's Knot
1997 Jackie Brown
1997 Nightwatch
1999 Splendor
2000 The Million Dollar Hotel
2001 Off Season
2006 Pu-239
2007 Lars and the Real Girl
2008 What We Take from Each Other
2009 The Men Who Stare at Goats
2011 Fright Night
2011 Glee: The Concert Movie
2013 Bad Words
2013 The Way Way Back
2014 Million Dollar Arm
2016 The Finest Hours
2017 I, Tonya
2018 Gringo
2018 The Girl in the Spider's Web
2021 Cruella
2023 Guardians of the Galaxy Vol. 3
Second Film Editor:
1988 Pulse
1990 Denial
1990 Love at Large
1992 Honey, I Blew Up the Kid
1993 Doppelganger
1994 Pulp Fiction
1996 Lover's Knot
1997 Jackie Brown
1997 Nightwatch
1999 Splendor
2000 The Million Dollar Hotel
2001 Off Season
2006 Pu-239
2007 Lars and the Real Girl
2008 What We Take from Each Other
2009 The Men Who Stare at Goats
2011 Fright Night
2011 Glee: The Concert Movie
2013 Bad Words
2013 The Way Way Back
2014 Million Dollar Arm
2016 The Finest Hours
2017 I, Tonya
2018 Gringo
2018 The Girl in the Spider's Web
2021 Cruella
2023 Guardians of the Galaxy Vol. 3
Visual Effects Assistant Editor:
1988 Pulse
1990 Denial
1990 Love at Large
1992 Honey, I Blew Up the Kid
1993 Doppelganger
1993 Last Action Hero
1994 Pulp Fiction
1996 Lover's Knot
1997 Jackie Brown
1997 Nightwatch
1999 Splendor
2000 The Million Dollar Hotel
2001 Off Season
2006 Pu-239
2007 Lars and the Real Girl
2008 What We Take from Each Other
2009 The Men Who Stare at Goats
2011 Fright Night
2011 Glee: The Concert Movie
2013 Bad Words
2013 The Way Way Back
2014 Million Dollar Arm
2016 The Finest Hours
2017 I, Tonya
2018 Gringo
2018 The Girl in the Spider's Web
2021 Cruella
2023 Guardians of the Galaxy Vol. 3
Editor:
2004 House
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.