Home

Pulp Fiction (1994) [R]

Release Date:
September 10, 1994

Original Title:
Pulp Fiction

Alternate Titles:
Fiction pulpeuse
Lubene
Makulatura
Pulp Fiction
Pulp Fiction - Chronological Cut
Pulp Fiction - Tarinoita väkivallasta
Pulp Fiction: Historky z podsvetia
Sifrut Zolla
Sund
Tiempos Violentos
parup fikusyon
μυθοπλασία πολτού
Евтини приказни
Кримiнальне чтиво
Криминальное чтиво
Петпарачке приче
पल्प फिक्शन
低俗小说
危險人物
黑色追緝令
펄프 픽션

Genres:
Crime | Thriller

Production Companies:
A Band Apart
Jersey Films
Miramax

Production Countries:
United States of America

Ratings / Certifications:
AR: 18  AU: R 18+  BR: 18  CA: 18A  CH: 16  CL: 18|14  CZ: 18+  DE: 16  DK: 15  ES: 18  FI: 18  FR: 16  GB: 18  GR: 16  HK: III  HU: 18  IE: 18  IT: VM18  JP: R15+|PG12  KR: 18  LT: N-16  MX: C  NL: 16  NO: 18  NZ: 18  PE: 18  PH: R-18  PL: 15  PT: M/16  RU: 18+  SE: 15  SG: R21  TR: 18+  TW: R-18  US: R 

Runtime: 154

You won't know the facts until you've seen the fiction.

Overview from TheMovieDB

A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Clip

Featurette

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

American Film Institute (AFI)
1998
#95 		100 Years: 100 MOVIES
100 Greatest American Movies Of All Time
2001
#53 		100 Years: 100 THRILLS
100 Most Thrilling American Films
2007
#94 		100 Years: 100 MOVIES — 10TH ANNIVERSARY EDITION
100 Greatest American Films Of All Time
2008
#7 		Top 10: GANGSTER
10 Greatest GANGSTER Films of All Time

Performers

Click the heading above to show or hide the list.

Production

ADR Mixer:
Jeff Courtie

ADR Voice Casting:
Barbara Harris

Art Department Coordinator:
Emily Wolfe

Art Direction:
Charles Collum

Assistant Accountant:
Zane

Assistant Art Director:
Samantha Gore

Assistant Costume Designer:
Mary Claire Hannan

Assistant Craft Service:
Michael Haddad

Assistant Decorator:
Liz Chiz

Assistant Editor:
Donald Likovich

Assistant Location Manager:
John A. Johnston

Assistant Music Supervisor:
Kristen Becht
Billy Gottlieb

Assistant Production Coordinator:
Cheryl Cain

Assistant Property Master:
John Felgate

Assistant Sound Editor:
Dana Gustafson

Best Boy Electric:
Anthony Hall

Best Boy Grip:
Robbie Meckler

Boom Operator:
Larry Scharf

Camera Loader:
Angelo de la Cruz

Camera Operator:
Michael Levine

Carpenter:
Gary L. Brennan

Casting:
Gary M. Zuckerbrod
Ronnie Yeskel
Jeff Olan

Casting Associate:
Ruth Lambert

Charge Scenic Artist:
Chris L. Winslow

Co-Executive Producer:
Richard N. Gladstein
Bob Weinstein
Harvey Weinstein

Color Timer:
Mike Stanwick

Construction Coordinator:
Brian Markey

Construction Foreman:
Ray Maxwell

Costume Design:
Betsy Heimann

Costume Supervisor:
Jacqueline Aronson

Costumer:
Kristin Dangl

Craft Service:
Derek Hurd

Director:
Quentin Tarantino

Director of Photography:
Andrzej Sekula

Dolly Grip:
Alan Parr

Driver:
Alonzo Brown Jr.

Editor:
Sally Menke

Editorial Staff:
Andrew Dickler

Electrician:
Bruce Jagoda

Executive Producer:
Danny DeVito
Michael Shamberg
Stacey Sher

First Assistant Camera:
Ziad Doueiri

First Assistant Director:
Francis R. Mahony III

First Assistant Editor:
Tatiana S. Riegel

Foley Artist:
Catherine Rowe

Foley Mixer:
Ezra Dweck

Gaffer:
Vance Trussell

Graphic Designer:
Chris Cullen

Grip:
Chris Ahern

Hair Designer:
Iain Jones

Hairstylist:
Linda Arnold

Key Grip:
Mark Shane Davis

Key Hair Stylist:
Audrey Futterman-Stern

Key Rigging Grip:
Michael Stocks

Lead Painter:
Marc Gillson

Leadman:
Peter Borck

Location Assistant:
Haley Sweet

Location Scout:
Adam Silver

Makeup Artist:
Michelle Bühler

Makeup Effects:
Thomas L. Bellissimo

Music Consultant:
Chuck Kelley

Music Coordinator:
Mary Ramos

Music Editor:
Rolf Johnson

Music Supervisor:
Karyn Rachtman
Kathy Nelson

Painter:
Giuseppe Maini III

Post Production Assistant:
Ben Parker

Post Production Coordinator:
Kara Mazzola

Post Production Supervisor:
Heidi Vogel

Producer:
Lawrence Bender

Production Coordinator:
Anna-Lisa Nilsson

Production Design:
David Wasco

Production Manager:
Paul Hellerman

Production Secretary:
Bradley Morris

Production Sound Mixer:
Ken King

Property Master:
Jonathan R. Hodges

Rigging Gaffer:
Marc Meisenheimer

Screenplay:
Quentin Tarantino

Script Supervisor:
Martin Kitrosser

Second Assistant Camera:
Gregory C. Smith

Second Assistant Director:
Kelly Kiernan

Second Second Assistant Director:
John W. Hyde Jr.

Security:
Ruben Cortez

Set Costumer:
Patia Prouty

Set Decoration:
Sandy Reynolds-Wasco

Set Designer:
Daniel Bradford

Set Dressing Artist:
Joseph W. Grafmuller

Set Production Assistant:
Iain Jones

Sound:
Rick Ash

Sound Editor:
Dean Beville

Sound Recordist:
Matthew C. Beville

Special Effects Assistant:
Kevin McTurk
Andrew Ambrose

Special Effects Coordinator:
Larry Fioritto

Special Effects Technician:
Kevin McTurk

Stand In:
Cameron
Rory Dauson

Steadicam Operator:
Bob Gorelick

Story:
Roger Avary
Quentin Tarantino

Stunt Coordinator:
Ken Lesco

Stunt Double:
Terry Jackson

Stunts:
Cameron

Supervising ADR Editor:
Judee Flick

Supervising Sound Editor:
Stephen Hunter Flick

Swing:
Steve Ingrassia

Thanks:
Jennifer Beals
Lou Arkoff
Agnès B.
Linda R. Chen
Cathryn Jaymes
Stephen Martines
Ricardo Mestres
Mike Simpson
Scott Spiegel
Emanuel Steward
Lee Stollman
Bill Unger

Transportation Coordinator:
Derek Raser

Unit Publicist:
Deborah Wuliger

Wigmaker:
Bill Fletcher

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.