A work in constant progress (and occasional regress).
Release Date:
March 9, 1990
Original Title:
Love at Large
Genres:
Comedy | Drama | Mystery | Romance
Production Companies:
Orion Pictures
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 97
Vampish miss Dolan hires hardboiled P.I. Harry Dobbs to tail her shady boyfriend. Harry realizes that the man leads a double life but then his client disappears. Harry teams up with his own tail, P.I. Stella Wynkowski, to clear things up.
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ADR Editor:
Cliff Latimer
ADR Mixer:
Gary Gegan
Additional Camera:
Eric Alan Edwards
Randall S. Timmerman
Additional Photography:
James Glennon
Apprentice Sound Editor:
Melissa Lytle
Art Department Assistant:
Patty Backer
Linda Dixon
Tom DeWolf
Mary Ellen Deckelman
Art Direction:
Steve Karatzas
Assistant Art Director:
Nina Ruscio
John Ceniceros
Assistant Dialogue Editor:
Teresa Book
Assistant Editor:
Timothy Mozer
Assistant Hairstylist:
Doreen Vantyne
Assistant Location Manager:
Sara Burton
Assistant Makeup Artist:
Doreen Vantyne
Assistant Production Coordinator:
Shannon Smith
Assistant Property Master:
David Dunbar
Wayde Ferguson
Assistant Sound Editor:
Doug Kent
Associate Producer:
Stuart M. Besser
Best Boy Electric:
John Carney
Best Boy Grip:
Andreas Crawford
Boom Operator:
Laura Derrick
Cableman:
Rebecca Revak
Casting:
Patti Carns Kalles
Pam Dixon
Casting Associate:
Sarah Bartfield
Color Timer:
Mike Milliken
Construction Coordinator:
Charles T. Riggs
Costume Assistant:
Shari Griffin
Julia Bartholomew
Costume Design:
Ingrid Ferrin
Dialogue Editor:
Cliff Latimer
Karen G. Wilson
Director:
Alan Rudolph
Director of Photography:
Elliot Davis
Dolly Grip:
Richard Mall
Editor:
Lisa Zeno Churgin
Electrician:
Andy Day
Michael K. Davis
Joseph P. Clem
Bob Calnan
John Vecchio
Executive In Charge Of Production:
Larry Jackson
Executive Producer:
Dana Mayer
Extras Casting:
Jean Medley
Extras Casting Assistant:
Jeri Mata-Erickson
First Assistant Camera:
Frederick Iannone
First Assistant Director:
Jerry Ziesmer
First Assistant Editor:
Tatiana S. Riegel
Foley Artist:
Gary A. Hecker
Edward M. Steidele
Foley Mixer:
Gary Gegan
Gaffer:
Morris Flam
Grip:
Matthew Jacobsen
Gary Yahn
Thomas Crawford
Bruce Bellamy
Vince Onken
Hairstylist:
Kathy W. Estocin
Key Costumer:
Grania Preston
Key Grip:
Richard Mall
Leadman:
Fran Barth
Location Assistant:
Michael Sullivan
Location Casting:
Patti Carns Kalles
Location Manager:
Richard S. Wright
Charles Harrington
Makeup Artist:
Cynthia Barr
Original Music Composer:
Mark Isham
Post Production Assistant:
Sara Burton
Diane Michalek
Producer:
David Blocker
Production Accountant:
Michael Donner
Production Coordinator:
Janice Reynolds
Production Design:
Steven Legler
Production Secretary:
Stacy King
Merry-Beth Noble
Production Sound Mixer:
Susumu Tokunow
Property Master:
Tony Maccario
Scenic Artist:
Steven Eyrse
Script Supervisor:
Karen Thorndike
Seamstress:
Marychris Mass
Second Assistant Camera:
Ed Fine
Deirdre Arbucci
Second Assistant Director:
Michael-McCloud Thompson
Ricardo Méndez Matta
Set Decoration:
Susan Mina Eschelbach
Set Dresser:
Randy Eriksen
Miriam Seger
John Pearson-Denning
Sound Effects Editor:
Mark P. Stoeckinger
Michael Steinfeld
Sound Re-Recording Mixer:
Matthew Iadarola
Dale Strumpell
Sound Recordist:
Robin Johnston
Mark 'Frito' Long
Matt Patterson
Special Effects:
Frank Ceglia
Special Effects Assistant:
Vincent Montefusco
Stand In:
Todd Hermanson
John Oules
Angel Amend
Glenda Renzetti
Annette Osaka
Still Photographer:
Joyce Rudolph
Stunt Coordinator:
Greg Walker
Stunts:
Greg Walker
Daniel W. Barringer
Victoria Vanderkloot
Greg Wayne Elam
Grady Walker
Supervising Sound Editor:
Richard King
Swing:
Mike Denning
Marla Harper
David Saltzman
Benjamin Hayden
Anne Seward
Title Designer:
Christine Wilson
Transportation Captain:
Pat Stubbs
Transportation Coordinator:
Bruce Simballa
Unit Production Manager:
David Blocker
Unit Publicist:
Stanley Brossette
Writer:
Alan Rudolph
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.