Pulse (1988) [PG-13]

Release Date:
March 4, 1988

Original Title:
Pulse

Alternate Titles:
Choque Mortal
Corriente mortal
Danger haute tension
Pulse: Latido
Κίνδυνος Υψηλής Τάσης

Genres:
Horror | Science Fiction

Production Companies:
Aspen Film Society

Production Countries:
United States of America

Ratings / Certifications:
CZ: 18+  US: PG-13 

Runtime: 91

The ultimate shocker.

An intelligent pulse of electricity moves from house to house, terrorizing occupants through their own appliances. Having already destroyed one household in a quiet neighborhood, the pulse finds itself in the home of a boy and his divorced father.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

ADR Editor:
Becky Sullivan

Additional Editing:
Norman Buckley

Art Department Assistant:
Gregor Wilson

Art Department Coordinator:
Libet Arnold

Art Direction:
Maxine Shepard

Assistant Accountant:
Dea E. Hickox

Assistant Editor:
Tatiana S. Riegel

Assistant Makeup Artist:
Janeen Davis

Assistant Property Master:
Randy Weightman

Associate Producer:
Bob Edwards

Best Boy Electric:
John 'Fest' Sandau

Best Boy Grip:
Tom Bob West

Boom Operator:
Ken Beauchene

Camera Operator:
Daniel McKinney

Casting:
Irene Cagen
Meg Liberman

Casting Assistant:
Anthony Sepulveda

Casting Consultant:
Penny Perry

Color Timer:
Phil Downey

Construction Coordinator:
Douglas Dick

Construction Foreman:
David B. Long

Costume Designer:
Jacqueline SaintAnne

Dialogue Coach:
Alice Spivak

Director:
Paul Golding

Director of Photography:
Peter Lyons Collister

Editor:
Gib Jaffe

Electrician:
Charlie McIntyre
Ronald J. Pure Jr.

Executive Producer:
William E. McEuen

First Assistant Camera:
John Connell

First Assistant Director:
Mike Topoozian

Foley Artist:
John Roesch
Ellen Heuer

Foley Recordist:
Greg Orloff

Gaffer:
James R. Tynes

Grip:
Eric Whitehead
Ismael Araujo Jr.

Hairstylist:
Susan Kelber

Key Costumer:
Timothy D'Arcy

Key Grip:
J. Patrick Daily

Leadman:
Michael Muhlfriedel

Location Manager:
Tim Goldberg
Andrew Chapman

Makeup Artist:
Kathryn Fenton

Negative Cutter:
Brian Ralph

Original Music Composer:
Jay Ferguson

Pilot:
Harry Hauss

Post Production Coordinator:
Diane Seniw

Post Production Supervisor:
Gregory Goodman

Producer:
Patricia A. Stallone

Production Accountant:
Jennifer Zolten Freed

Production Coordinator:
Keith A. Baumgartner

Production Design:
Holger Gross

Production Manager:
Charles Skouras III

Production Sound Mixer:
Susumu Tokunow

Property Master:
Ian Scheibel

Scenic Artist:
Lucianne Lassalle

Script Supervisor:
Sharron Reynolds-Enriquez

Second Assistant Camera:
Sharon Wilson

Second Assistant Director:
Joe Camp III

Second Unit Director of Photography:
Gary Wagner

Set Costumer:
Paulette E. Holmon

Set Decoration:
Greta Grigorian

Set Dresser:
Bjorn Reddington
Christopher S. Nushawg
Laura Settlemier
Kathleen A. Moloney

Sound Designer:
Bob Edwards
Gordon Ecker

Sound Editor:
Jeffrey L. Sandler
Glenn T. Morgan
Richard E. Yawn
Karen G. Wilson
Marvin Walowitz
David A. Whittaker

Sound Re-Recording Mixer:
Steve Maslow
B. Tennyson Sebastian II
Gregg Landaker

Steadicam Operator:
Peter Jensen

Still Photographer:
Kelvin Jones

Storyboard Artist:
Joe Griffith
David J. Negrón Jr.

Studio Teacher:
Myra Rosenthal
Helen Merken

Stunt Coordinator:
Michael Cassidy

Supervising Music Editor:
Allan K. Rosen

Supervising Sound Editor:
Gordon Ecker

Third Assistant Director:
Kenneth Edward Brewer

Transportation Captain:
Brian Delahanty

Transportation Coordinator:
Chuck Clarke

Unit Publicist:
Ellen Levene

Writer:
Paul Golding

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.