A work in constant progress (and occasional regress).
Release Date:
March 4, 1988
Original Title:
Pulse
Alternate Titles:
Choque Mortal
Corriente mortal
Danger haute tension
Pulse: Latido
Κίνδυνος Υψηλής Τάσης
Genres:
Horror | Science Fiction
Production Companies:
Aspen Film Society
Production Countries:
United States of America
Ratings / Certifications:
CZ: 18+ US: PG-13
Runtime: 91
An intelligent pulse of electricity moves from house to house, terrorizing occupants through their own appliances. Having already destroyed one household in a quiet neighborhood, the pulse finds itself in the home of a boy and his divorced father.
ADR Editor:
Becky Sullivan
Additional Editing:
Norman Buckley
Art Department Assistant:
Gregor Wilson
Art Department Coordinator:
Libet Arnold
Art Direction:
Maxine Shepard
Assistant Accountant:
Dea E. Hickox
Assistant Editor:
Tatiana S. Riegel
Assistant Makeup Artist:
Janeen Davis
Assistant Property Master:
Randy Weightman
Associate Producer:
Bob Edwards
Best Boy Electric:
John 'Fest' Sandau
Best Boy Grip:
Tom Bob West
Boom Operator:
Ken Beauchene
Camera Operator:
Daniel McKinney
Casting:
Irene Cagen
Meg Liberman
Casting Assistant:
Anthony Sepulveda
Casting Consultant:
Penny Perry
Color Timer:
Phil Downey
Construction Coordinator:
Douglas Dick
Construction Foreman:
David B. Long
Costume Designer:
Jacqueline SaintAnne
Dialogue Coach:
Alice Spivak
Director:
Paul Golding
Director of Photography:
Peter Lyons Collister
Editor:
Gib Jaffe
Electrician:
Charlie McIntyre
Ronald J. Pure Jr.
Executive Producer:
William E. McEuen
First Assistant Camera:
John Connell
First Assistant Director:
Mike Topoozian
Foley Artist:
John Roesch
Ellen Heuer
Foley Recordist:
Greg Orloff
Gaffer:
James R. Tynes
Grip:
Ismael Araujo Jr.
Eric Whitehead
Hairstylist:
Susan Kelber
Key Costumer:
Timothy D'Arcy
Key Grip:
J. Patrick Daily
Leadman:
Michael Muhlfriedel
Location Manager:
Andrew Chapman
Tim Goldberg
Makeup Artist:
Kathryn Fenton
Negative Cutter:
Brian Ralph
Original Music Composer:
Jay Ferguson
Pilot:
Harry Hauss
Post Production Coordinator:
Diane Seniw
Post Production Supervisor:
Gregory Goodman
Producer:
Patricia A. Stallone
Production Accountant:
Jennifer Zolten Freed
Production Coordinator:
Keith A. Baumgartner
Production Design:
Holger Gross
Production Manager:
Charles Skouras III
Production Sound Mixer:
Susumu Tokunow
Property Master:
Ian Scheibel
Scenic Artist:
Lucianne Lassalle
Script Supervisor:
Sharron Reynolds-Enriquez
Second Assistant Camera:
Sharon Wilson
Second Assistant Director:
Joe Camp III
Second Unit Director of Photography:
Gary Wagner
Set Costumer:
Paulette E. Holmon
Set Decoration:
Greta Grigorian
Set Dresser:
Laura Settlemier
Christopher S. Nushawg
Kathleen A. Moloney
Bjorn Reddington
Sound Designer:
Gordon Ecker
Bob Edwards
Sound Editor:
Richard E. Yawn
Jeffrey L. Sandler
Glenn T. Morgan
Karen G. Wilson
David A. Whittaker
Marvin Walowitz
Sound Re-Recording Mixer:
B. Tennyson Sebastian II
Gregg Landaker
Steve Maslow
Steadicam Operator:
Peter Jensen
Still Photographer:
Kelvin Jones
Storyboard Artist:
Joe Griffith
David J. Negrón Jr.
Studio Teacher:
Helen Merken
Myra Rosenthal
Stunt Coordinator:
Michael Cassidy
Supervising Music Editor:
Allan K. Rosen
Supervising Sound Editor:
Gordon Ecker
Third Assistant Director:
Kenneth Edward Brewer
Transportation Captain:
Brian Delahanty
Transportation Coordinator:
Chuck Clarke
Unit Publicist:
Ellen Levene
Writer:
Paul Golding
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
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