A work in constant progress (and occasional regress).
Release Date:
January 27, 2016
Original Title:
The Finest Hours
Alternate Titles:
Czas Próby
Horas contadas
La hora decisiva
Las Horas Contadas
The Finest Hours
The Finest Hours - Rettung auf hoher See
TheFinestHours
ザ・ブリザード
Genres:
Action | Drama | History | Thriller
Production Companies:
Bergsten Music
Red Hawk Entertainment
Walt Disney Pictures
Whitaker Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BR: 10 DE: 12 DK: 11 ES: 7 FR: U GB: 12 GR: Κ HU: 16 IE: 12 JP: G NL: 12 PL: 16 RO: 12 RU: 12+ SE: 15 TR: 13A TW: 0+ US: PG-13
Runtime: 117
The Coast Guard makes a daring rescue attempt off the coast of Cape Cod after a pair of oil tankers are destroyed during a blizzard in 1952.
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Additional Still Photographer:
Seacia Pavao
Animation:
Aaron Deerfield
Ran Sieradzki
Shaila Tobin
Animation Supervisor:
Tom Goodenough
Art Department Coordinator:
J.M. Hunter
Assistant Art Director:
Samantha Avila
Assistant Editor:
Jered Zalman
Book:
Casey Sherman
Michael J. Tougias
CG Supervisor:
Chris Ryan
Adriano Rinaldi
Paul Wishart
Gong Myung Lee
Camera Operator:
Jamie Alac
Casting:
Mindy Marin
Casting Associate:
Kara Lipson
Choreographer:
Dan Marshall
Construction Coordinator:
Joseph Kearney
Costume Design:
Louise Frogley
Costume Supervisor:
Donna Casey-Aira
Dialogue Editor:
Daniel S. Irwin
Daniel Saxlid
Digital Intermediate:
Annie Johnson
Joe Ken
Stefan Sonnenfeld
Director:
Craig Gillespie
Director of Photography:
Javier Aguirresarobe
Editor:
Tatiana S. Riegel
Executive Producer:
Douglas C. Merrifield
First Assistant Editor:
Daniel Boccoli
Foley:
John T. Cucci
Dan O'Connell
John Sanacore
Foley Editor:
Luke Gibleon
Gaffer:
Scott D. Davis
Phil Darrell
Hair Department Head:
Mary L. Mastro
Hairstylist:
Paula Dion
Raul Hernandez
Brenda McNally
Rebecca Woodfork
Helicopter Camera:
Brian Heller
Leadman:
Cameron Matheson
Lighting Programmer:
Christopher Ferguson
Makeup Artist:
Desne J. Holland
Linda Kaufman
Juliet Loveland
Joe Rossi
Trish Seeney
Makeup Department Head:
Whitney James
Music Editor:
Adam Milo Smalley
Original Music Composer:
Carter Burwell
Producer:
Dorothy Aufiero
Jim Whitaker
Production Design:
Michael Corenblith
Property Master:
David Gulick
Researcher:
Stephani DeLuca
Rigging Gaffer:
Mark J. Casey
Screenplay:
Scott Silver
Eric Johnson
Paul Tamasy
Script Supervisor:
Diane Durant
Set Costumer:
Beau Desmond
Parrish Kennington
Aimee McCue
Set Decoration:
Susan Benjamin
Set Designer:
Lorrie Campbell
Robert Andrew Johnson
Bria Kinter
Masako Masuda
Steven M. Saylor
Clint Wallace
Sound Effects Editor:
Albert Gasser
Tim Walston
Sound Re-Recording Mixer:
Andy Koyama
Dean A. Zupancic
Special Effects Coordinator:
Craig Tex Barnett
Special Effects Supervisor:
Mark Hawker
Still Photographer:
Claire Folger
Stunt Double:
Tim Trella
Jodi Michelle Pynn
Airon Armstrong
Matt Emig
Edward Gabree
Pete Klein
Mariusz Kubicki
Thomas La Marche
Dave Reaves
Evan Dane Taylor
Caroline Vexler
Josh Vinyard
Stunts:
Aaron Vexler
Peter Epstein
Supervising ADR Editor:
Daniel S. Irwin
Supervising Art Director:
William Ladd Skinner
Supervising Sound Editor:
Mark P. Stoeckinger
Underwater Camera:
Peter Zuccarini
VFX Editor:
Garrett Wilson
Tom Driscoll
Visual Effects Editor:
Steve Bobertz
Danny Singh
Chris Kowal
Thomas MacKenzie
Visual Effects Producer:
Paul V. Molles
Felix Crawshaw
Visual Effects Supervisor:
Kevin T. Hahn
Seth Maury
Aaron Weintraub
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.