Antoni Corone

Alias:
Antoni Cornacchione
Antoni Carone

Birthplace:
Willoughby, Ohio, USA

Antoni Corone is an American actor and producer who lives in Hollywood, Florida. He was raised in Willoughby and Wickliffe, Ohio. When character player Corone launched his screen career in the mid-1980s, producers immediately foresaw a perfect niche for him, and started casting him as rugged, slightly imposing and domineering types - including club bouncers, security personnel, military men, and officers of the law. He bowed with a slate of roles in 1986, including the telemovie Charley Hannah, and eventually graduated to big-screen character actor with bit parts in such A-list Hollywood features as Blood and Wine, Striptease, Bad Boys II, and Out of Time. Corone rose to higher billing with a supporting turn in the Joaquin Phoenix/Mark Wahlberg crime saga We Own the Night. More recently, he can be seen in Reservation Road, 2008's Recount and the Paul Greengrass war drama, Green Zone.  Description above from the Wikipedia article Antoni Corone, licensed under CC-BY-SA, full list of contributors on Wikipedia

Additional information:

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Associate Producer:
2017  Ned Venture

Director:
2017  Ned Venture
2019  Brass Knuckles

About the Movie Section

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.