We Own the Night (2007) [R]

Release Date:
October 12, 2007

Original Title:
We Own the Night

Alternate Titles:
Dueños de la noche
Hakye wasiyan
Heiye huashiren
I nyhta einai diki mas
I nyhta mas anikei
Los dueños de la noche
Noaptea e a noastra
Nós Controlamos a Noite
Undercover
Wi oun deo nait
Yö kuuluu meille
萬惡夜總會

Genres:
Crime | Drama | Thriller

Production Companies:
2929 Productions
Nick Wechsler Productions

Production Countries:
United States of America

Ratings / Certifications:
AE: 15+  AR: 13  AU: MA15+  BR: 16  CH: 14  DE: 16  FR: TP|12  GB: 15  HK: IIB  HU: 16  IE: 15A   IT: VM14  JP: PG-12  KR: 18  MX: B15   NO: 15  PH: R-13  PT: M/16  RU: 16+  SE: 15  TW: R-18   US: R 

Runtime: 118

Two brothers on opposite sides of the law. Beyond their differences lies loyalty.

A New York nightclub manager tries to save his brother and father from Russian mafia hitmen.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

"B" Camera Operator:
Susan Starr

"C" Camera Operator:
Wayne Paull

ADR Mixer:
Alan Freedman

ADR Voice Casting:
Barbara Harris

Additional Second Assistant Director:
Les McDonough

Armorer:
Ryder Washburn

Art Department Coordinator:
Brianne Zulauf

Art Direction:
James C. Feng

Assistant Director:
Brian Kenyon
Patrick McDonald

Assistant Set Decoration:
Sarah E. McMillan
Sarah Dennis

Associate Producer:
Kevin Flatow

Best Boy Electric:
Brian McClean

Best Boy Grip:
Melvin Pukowsky

Boom Operator:
Sam Perry

Casting:
Douglas Aibel

Casting Associate:
Stephanie Holbrook

Co-Producer:
Couper Samuelson
Mike Upton

Color Timer:
Bob Fredrickson

Construction Coordinator:
Pierre Rovira
John J. Ciccimarro

Costume Design:
Michael Clancy

Director:
James Gray

Director of Photography:
Joaquín Baca-Asay

Editor:
John Axelrad

Executive Producer:
Mark Cuban
Anthony Katagas
Todd Wagner

First Assistant "A" Camera:
Eric Swanek

First Assistant "B" Camera:
Frank Rinato

First Assistant Director:
Doug Torres

First Assistant Editor:
Tom Cross

Foley Artist:
Andy Malcolm
Caoimhe Doyle

Hair Department Head:
Milton Buras

Hairstylist:
Mary Cooke
Dallas Hartnett
Jovan Vitagliano

Key Grip:
Billy Miller

Leadman:
Scott Rosenstock

Location Manager:
Gayle Vangrofsky

Location Scout:
Jimmy Price
Daniel Tresca

Makeup Artist:
Donald Mowat
Margot Boccia
Craig Lindberg
Jeong-Hwa Fonkalsrud

Makeup Department Head:
Kelly Gleason

Music Consultant:
Christopher Spelman

Music Coordinator:
Elizabeth Umstead

Music Editor:
Angie Rubin

Original Music Composer:
Wojciech Kilar

Post Production Supervisor:
Isabel Henderson
Peter Phillips

Producer:
Marc Butan
Mark Wahlberg
Nick Wechsler
Joaquin Phoenix

Production Accountant:
Kathi Scharer

Production Coordinator:
Kerin Ferallo

Production Design:
Ford Wheeler

Production Supervisor:
Janice Williams

Property Master:
Robert Currie

Screenplay:
James Gray

Script Supervisor:
Rebecca Fulton
Veronica Lupu

Second Assistant "A" Camera:
Greg Finkel

Second Assistant "B" Camera:
Alisa M. Colley
Lance Mayer

Second Assistant Director:
Patrick Mangan

Second Second Assistant Director:
Francisco Ortiz

Second Unit Director:
Craig Haagensen

Second Unit First Assistant Director:
Patrick Mangan

Set Decoration:
Catherine Davis

Set Dresser:
Jeff Naparstek
Mark Simon
Bill Kolpin
Justine M. Cote
Peter von Bartheld

Sound Designer:
Douglas Murray

Sound Effects Editor:
Robert Shoup
Samuel H. Hinckley

Sound Mixer:
Thomas Varga

Sound Re-Recording Mixer:
Gary Rizzo
Kent Sparling

Sound Recordist:
Ronald G. Roumas
Nathan Nance

Steadicam Operator:
Stephen Consentino

Still Photographer:
Anne Joyce

Storyboard Artist:
David Cooney

Stunt Driver:
John Cenatiempo

Stunts:
Samantha MacIvor
Aaron Vexler

Supervising Sound Editor:
Douglas Murray

Thanks:
J.J. Abrams
James Gunn

Transportation Captain:
Edward Iacobelli

Unit Production Manager:
Anthony Katagas

Visual Effects Supervisor:
Bradley Parker
Kelly Port

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.