A work in constant progress (and occasional regress).
Release Date:
February 4, 2010
Original Title:
I Love You Phillip Morris
Alternate Titles:
Colpo di fulmine - Il mago della truffa
Eu Amo-te Phillip Morris
Ich liebe Dich Phillip Morris
O Golpista do Ano
Phillip Morris ¡Te quiero!
Valloittava Phillip Morris
Я кохаю тебе, Філіпе Моррісе
娘子漢大丈夫
Genres:
Comedy | Crime | Drama | Romance
Production Companies:
EuropaCorp
Mad Chance
Production Countries:
France | United States of America
Ratings / Certifications:
BR: 16 CH: 16 DE: 16 DK: 11 FR: U GB: 15 JP: R18+ NL: 12 NO: 12 PL: 16 PT: M/16 SE: 11 US: R
Runtime: 98
Steven Russell leads a seemingly average life – an organ player in the local church, happily married to Debbie, and a member of the local police force. That is until he has a severe car accident that leads him to the ultimate epiphany: he’s gay and he’s going to live life to the fullest – even if he has to break the law to do it. Taking on an extravagant lifestyle, Steven turns to cons and fraud to make ends meet and is eventually sent to the State Penitentiary where he meets the love of his life, a sensitive, soft-spoken man named Phillip Morris. His devotion to freeing Phillip from jail and building the perfect life together prompts him to attempt (and often succeed at) one impossible con after another.
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ADR Mixer:
Michael Miller
ADR Recordist:
Courtney Bishop
Apprentice Sound Editor:
Lawrence Zipf
Art Direction:
Helen Harwell
Assistant Foley Artist:
Olivier Marlangeon
Assistant Sound Editor:
Lidia Tamplenizza
Associate Producer:
Linda Fields Hill
Jeffrey Harlacker
Boom Operator:
Jeff Cannon
Eric M. Moorman
CG Supervisor:
Yuval Levy
Cableman:
Chris Welcker
Casting:
Bernard Telsey
Co-Producer:
Bethany Bilsky
Miri Yoon
Costume Design:
David C. Robinson
Costume Supervisor:
Michael Adkins
Hartsell Taylor
Dialogue Editor:
Susan Dawes
Jac Rubenstein
Director:
Glenn Ficarra
John Requa
Director of Photography:
Xavier Grobet
Driver:
Chuck Graydon
Editor:
Thomas J. Nordberg
Executive Producer:
Luc Besson
Executive Visual Effects Producer:
Camille Geier
First Assistant Director:
Stephen E. Hagen
First Assistant Sound Editor:
Rick Chefalas
Foley Artist:
François Lepeuple
Grip:
Christopher Nash
Hairstylist:
Lana Heying
Scott H. Reeder
Key Hair Stylist:
Linda De Andrea
Key Makeup Artist:
Joel Harlow
Line Producer:
Richard Middleton
Makeup Artist:
Courtney Lether
Rose Librizzi
Makeup Department Head:
Ve Neill
Music Supervisor:
Gary Calamar
Original Music Composer:
Nick Urata
Producer:
Far Shariat
Andrew Lazar
Production Controller:
Donald Dowd
Production Design:
Hugo Luczyc-Wyhowski
Set Decoration:
Cynthia Anne Slagter
Sound Designer:
Paul Urmson
Sound Effects Editor:
Wyatt Sprague
Sound Mixer:
Mark Weber
Sound Re-Recording Mixer:
Paul Urmson
Sound Recordist:
Loïc Gourbe
Special Effects Coordinator:
David Waine
Special Effects Supervisor:
Neil Stockstill
Stunt Coordinator:
Tanner Gill
Eric Norris
Stunts:
Russell Towery
Supervising ADR Editor:
Donald Sylvester
Supervising Sound Editor:
Paul Urmson
Title Designer:
Richie Adams
Visual Effects Designer:
Marc Steinberg
Visual Effects Producer:
Cara Buckley
Visual Effects Production Manager:
Lauren Montuori
Visual Effects Supervisor:
Jim Rider
Writer:
John Requa
Glenn Ficarra
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.