A work in constant progress (and occasional regress).
Release Date:
September 13, 2007
Original Title:
Reservation Road
Alternate Titles:
Camino a la redención
Заповедная дорога
Genres:
Crime | Drama | Thriller
Production Companies:
Miracle Pictures
Nick Wechsler/Miracle Pictures
Volume One Entertainment
Production Countries:
Germany | United States of America
Ratings / Certifications:
AR: 16 BR: 12 DE: 12 NL: 18 PT: M/12 US: R
Runtime: 102
Two fathers' lives intersect when one of them is involved in a terrible and sudden hit-and-run car accident that leaves the other's son dead. In response, the two men react in unexpected ways as a reckoning looms in the near future.
"A" Camera Operator:
Stephen Consentino
ADR Editor:
Deborah Wallach
Art Department Coordinator:
Robert Zorella
Art Direction:
Kim Jennings
Assistant Costume Designer:
Rebecca Hofherr
Assistant Editor:
Jennifer Lilly
Best Boy Electric:
Derek Murphy
Best Boy Grip:
Glen Engels
Boom Operator:
Alfredo Viteri
Camera Loader:
Gus Limberis
Casting:
Amanda Mackey
Cathy Sandrich Gelfond
Construction Coordinator:
Richard Tenewitz
Costume Design:
Catherine George
Dialogue Editor:
Jac Rubenstein
Director:
Terry George
Director of Photography:
John Lindley
Dolly Grip:
Brent Poleski
Editor:
Naomi Geraghty
Executive Producer:
Dean M. Leavitt
Gina Resnick
First Assistant "A" Camera:
Tim Metivier
First Assistant "B" Camera:
Marc Hirschfeld
First Assistant Director:
Glen Trotiner
First Assistant Editor:
Arturo Sosa
Foley Artist:
Marko Costanzo
Foley Mixer:
George A. Lara
Gaffer:
Joseph Sciretta
Hair Department Head:
Jerry DeCarlo
Hairstylist:
Jacqueline Payne
Key Costumer:
Kate Quinlan
Key Grip:
Richard Guinness Jr.
Key Rigging Grip:
Billy Kerwick
Leadman:
Ray Fisher
Makeup Artist:
Sandra Linn Koepper
Makeup Department Head:
Lori Hicks
Music Editor:
Joseph S. DeBeasi
Music Supervisor:
Nora Felder
Budd Carr
Novel:
John Burnham Schwartz
Original Music Composer:
Mark Isham
Post Production Supervisor:
Kelley Cribben
Producer:
A. Kitman Ho
Nick Wechsler
Production Accountant:
Steve Guilbaud
Production Design:
Ford Wheeler
Production Sound Mixer:
Gary Alper
Property Master:
Jeffrey Rollins
Screenplay:
Terry George
John Burnham Schwartz
Script Supervisor:
Jessica Lichtner
Second Assistant "A" Camera:
Pierson Silver
Second Assistant "B" Camera:
Alexis van Kersen Li
Second Assistant Director:
Eddie Micallef
Second Unit Director:
A. Kitman Ho
Set Decoration:
Chryss Hionis
Sound Effects Editor:
Wyatt Sprague
Sound Re-Recording Mixer:
Tom Fleischman
Sound Recordist:
Lawrence Herman
Steadicam Operator:
Stephen Consentino
Still Photographer:
Macall B. Polay
Stunt Coordinator:
Stephen A. Pope
G. A. Aguilar
Stunts:
Eddie Micallef
Paul Marini
Bryan Farrell Wilson
Anthony Molinari
Peter Epstein
John Cenatiempo
Supervising Sound Editor:
Lewis Goldstein
Paul Urmson
Transportation Captain:
Charles Spillane
Unit Production Manager:
Lori Johnson
Unit Publicist:
Ernie Malik
Utility Sound:
Jason Stasium
Wardrobe Supervisor:
Michael Anzalone
Kathy Karbowski
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.