A work in constant progress (and occasional regress).
Release Date:
March 20, 1998
Original Title:
Wild Things
Alternate Titles:
Criaturas salvajes
Divlja igra
Laukines aistros
Metsikud
Nebezpecné hry
Sex Crimes
Wild Things 1
gикость
Дивље страсти
Дикі штучки
أشياء برية
वाइल्ड थिंग्स
玩盡殺絕
野东西
Genres:
Drama | Mystery | Thriller
Production Companies:
Columbia Pictures
Mandalay Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AT: 16 AU: MA15+ BE: R CZ: 15+ DE: 16 ES: 18 FR: U GB: 18 HU: 18 IE: 18 PT: M/16 US: R
Runtime: 115
When teen-socialite Kelly Van Ryan and troubled bad girl Suzie Toller accuse guidance counselor Sam Lombardo of rape, he's suspended by the school, rejected by the town, and fighting to get his life back. One cop suspects conspiracy, but nothing is what it seems...
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"B" Camera Operator:
Bruce MacCallum
Gregory J. Schmidt
ADR Editor:
Allen Hartz
ADR Mixer:
Jeff Gomillion
Alex Raspa
ADR Supervisor:
Susan Dudeck
Art Direction:
William Hiney
Assistant Sound Editor:
Andrew Bock
Craig Weintraub
Best Boy Grip:
Jamie Klein
Boom Operator:
Kevin Cerchiai
Cableman:
Scott Clements
Camera Operator:
Michael Genne
Casting:
John Brace
Linda Lowy
Chief Lighting Technician:
Dan Delgado
Color Timer:
Bob Putynkowski
Construction Coordinator:
Harold Collins
Construction Foreman:
Christopher Scheetz
Costume Design:
Kimberly A. Tillman
Costume Supervisor:
Allyson B. Fanger
Craft Service:
Nancy G. James
Director:
John McNaughton
Director of Photography:
Jeffrey L. Kimball
Dolly Grip:
Thomas Smaling
Editor:
Elena Maganini
Executive Producer:
Kevin Bacon
First Assistant Accountant:
John Uribe
First Assistant Camera:
Chaim Kantor
First Assistant Director:
Bruce Franklin
John R. Woodward
First Assistant Editor:
Michael L. Sale
Foley Artist:
Gary A. Hecker
Jeffrey Wilhoit
Foley Mixer:
Nerses Gezalyan
Foley Supervisor:
Mark Pappas
Greensman:
Henry Dando
Hairstylist:
Betty Lou Skinner
Key Costumer:
Mary Lou Byrd
Key Hair Stylist:
Kathe Swanson
Key Makeup Artist:
Jeni Lee Dinkel
Line Producer:
Steven Brown
Location Manager:
Elizabeth Elwell
Maria K. Chavez
Makeup Artist:
Jay Cannistraci
Rodger Jacobs
Music Editor:
Richard Whitfield
Mike Flicker
Negative Cutter:
Mo Henry
Orchestrator:
Suzie Katayama
Rick Giovinazzo
Original Music Composer:
George S. Clinton
Post Production Supervisor:
Nancy Kirhoffer
Producer:
Steven A. Jones
Rodney Liber
Production Accountant:
Terry Dunn
Production Design:
Edward T. McAvoy
Production Supervisor:
Taylor M. Favale
Property Master:
Nicholas J. Romanac
Script Supervisor:
Melinda Taksen
Second Assistant Camera:
Marvin Lee
Second Assistant Director:
Ty Arnold
Second Unit Director:
Artie Malesci
Second Unit Director of Photography:
Flemming Olsen
Set Decoration:
William A. Cimino
Set Designer:
Carlos A. Menéndez
Set Dresser:
Bobby Amor
Rod England
Mark Dane
Songs:
Sam Bettens
Sound Editor:
Alison Fisher
Michael Magill
Thom Brennan
Richard Burton
Drake Jenevein
Sound Mixer:
Peter J. Devlin
Sound Re-Recording Mixer:
Doug Hemphill
Paul Massey
Sound Recordist:
Matt Patterson
Dennis Johnson
Special Effects Coordinator:
Kevin Harris
Steadicam Operator:
Mark Emery Moore
Neal Norton
Still Photographer:
Jon Baronn Farmer
Storyboard Artist:
Raymond Consing
Stunt Double:
Kevin Ball
Jodi Lyn Brockton
Stunts:
C. Ransom Walrod
Mike Kirton
William Scharpf
J.C. Robaina
Butch Brickell
Jodi Lyn Brockton
Cort Hessler
Barbara Peterson-Malesci
Alex Edlin
Patrick Selts
Tom Bahr
Chick Bernhard
Supervising Sound Editor:
John Morris
Transportation Coordinator:
Charley Bob Burnham
Unit Production Manager:
Steven Brown
Unit Publicist:
Craig Bankey
Visual Effects:
Russell Frazier
Writer:
Stephen Peters
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.