Robert Richardson (b. 1955)

Alias:
Bob Richardson

Birthplace:
Hyannis, Massachusetts, USA

Born:
August 27, 1955

Robert Bridge Richardson, ASC (born August 27, 1955) is an American cinematographer.  Having collaborated with prestigious filmmakers like Oliver Stone, Martin Scorsese, and Quentin Tarantino, he's known for his trademark aggressively bright highlights and for exploring a variety of visual styles, both with film and digital cameras.  He is one of three people living here who have won the Academy Award for Best Cinematography three times, sharing the position with Vittorio Storaro and Emmanuel Lubezki.  Description above from the Wikipedia article Robert Richardson (cinematographer), licensed under CC-BY-SA, full list of contributors on Wikipedia.

Additional information:

The Search Form


Additional Photography:
1999  Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr.

Director of Photography:
1982  An Outpost of Progress
1986  Platoon
1986  Salvador
1987  Dudes
1987  Wall Street
1988  Eight Men Out
1988  Talk Radio
1989  Born on the Fourth of July
1991  City of Hope
1991  JFK
1991  The Doors
1992  A Few Good Men
1993  Heaven & Earth
1994  Natural Born Killers
1995  Casino
1995  Nixon
1997  Fast, Cheap & Out of Control
1997  U Turn
1997  Wag the Dog
1998  The Horse Whisperer
1999  Bringing Out the Dead
1999  Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr.
1999  Snow Falling on Cedars
2001  Powder Keg
2002  The Four Feathers
2003  Kill Bill: Vol. 1
2004  Kill Bill: Vol. 2
2004  The Aviator
2006  The Good Shepherd
2008  Shine a Light
2008  Standard Operating Procedure
2009  Inglourious Basterds
2010  Eat Pray Love
2010  Shutter Island
2011  Hugo
2011  Kill Bill: The Whole Bloody Affair
2012  Django Unchained
2013  Wild Horses
2015  The Hateful Eight
2016  Live by Night
2017  Breathe
2018  A Private War
2018  Adrift
2019  Once Upon a Time... in Hollywood
2021  JFK Revisited: Through the Looking Glass
2021  Venom: Let There Be Carnage
2022  Emancipation
2023  Air
2023  The Equalizer 3
2026  4 Kids Walk Into a Bank
????  Madden

Thanks:
1982  An Outpost of Progress
1986  Platoon
1986  Salvador
1987  Dudes
1987  Wall Street
1988  Eight Men Out
1988  Talk Radio
1989  Born on the Fourth of July
1991  City of Hope
1991  JFK
1991  The Doors
1992  A Few Good Men
1993  Heaven & Earth
1994  Natural Born Killers
1995  Casino
1995  Nixon
1997  Fast, Cheap & Out of Control
1997  U Turn
1997  Wag the Dog
1998  The Horse Whisperer
1999  Bringing Out the Dead
1999  Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr.
1999  Snow Falling on Cedars
2001  Powder Keg
2002  The Four Feathers
2003  Kill Bill: Vol. 1
2004  Kill Bill: Vol. 2
2004  The Aviator
2006  The Good Shepherd
2008  Shine a Light
2008  Standard Operating Procedure
2009  Inglourious Basterds
2010  Eat Pray Love
2010  Shutter Island
2011  Hugo
2011  Kill Bill: The Whole Bloody Affair
2012  Django Unchained
2013  Gravity
2013  Wild Horses
2015  The Hateful Eight
2016  Live by Night
2017  Breathe
2018  A Private War
2018  Adrift
2019  Once Upon a Time... in Hollywood
2021  JFK Revisited: Through the Looking Glass
2021  Venom: Let There Be Carnage
2022  Emancipation
2023  Air
2023  The Equalizer 3
2026  4 Kids Walk Into a Bank
????  Madden

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.