A work in constant progress (and occasional regress).
Release Date:
October 22, 1999
Original Title:
Bringing Out the Dead
Alternate Titles:
Do kraen predel
Između života i smrti
Laga'at B'Muv'it
Stavrodrómia tis Psychís
Vidas al Limite
Vidas al límite
Voskreshaya mertvetsov
À tombeau ouvert
Genres:
Drama | Thriller
Production Companies:
Cappa/De Fina Productions
Paramount Pictures
Scott Rudin
Scott Rudin Productions
Touchstone Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: R18+ CH: 16 CZ: 12+ DE: 16 FR: 12 GR: 16 IE: 18 KR: 18 US: R
Runtime: 121
Once called "Father Frank" for his efforts to rescue lives, Frank Pierce sees the ghosts of those he failed to save around every turn. He has tried everything he can to get fired, calling in sick, delaying taking calls where he might have to face one more victim he couldn't help, yet cannot quit the job on his own.
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ADR Editor:
Marissa Littlefield
ADR Recording Engineer:
David Boulton
ADR Recordist:
Alex Raspa
ADR Voice Casting:
Bruce Winant
Additional Grip:
Will Arnot
Additional Visual Effects:
Nick Seuser
Apprentice Sound Editor:
Debora Lilavois
Art Direction:
Robert Guerra
Assistant Camera:
Tracey Gudwin
Assistant Location Manager:
James D. Lee
Assistant Production Coordinator:
Karen Koula Sossiadis
Assistant Property Master:
James Bono
Assistant Sound Editor:
Kate Eales
Associate Producer:
Jeff Levine
Mark Roybal
Best Boy Electric:
Doug Dalisera
Best Boy Grip:
Glen Engels
Boom Operator:
Louis Sabat
Camera Loader:
Denise Schwab
Camera Operator:
Vincent Galindez
Carpenter:
James Cappello
Casting:
Ellen Lewis
Casting Associate:
Gayle Keller
Chef:
P.J. Haines
Co-Producer:
Eric Steel
Joseph P. Reidy
Color Timer:
Bob Kaiser
Compositing Supervisor:
Jon Alexander
Conductor:
Elmer Bernstein
Construction Coordinator:
Glen Pangione
Construction Grip:
Jay Halligan
Consulting Editor:
James Y. Kwei
Costume Design:
Rita Ryack
Dialogue Editor:
Fred Rosenberg
Laura Civiello
Digital Compositor:
Eric Person
Director:
Martin Scorsese
Director of Photography:
Robert Richardson
Dolly Grip:
Patrick McGrath
Driver:
Carlos Bernal
Editor:
Thelma Schoonmaker
Effects Supervisor:
Janos Pilenyi
Electrician:
John Billeci
Executive Producer:
Adam Schroeder
Bruce S. Pustin
Extras Casting Assistant:
Lee Genick
First Assistant Accountant:
Theresa Marsh
First Assistant Camera:
Gregor Tavenner
First Assistant Director:
Joseph P. Reidy
First Assistant Editor:
Scott Brock
Foley Artist:
Marko Costanzo
Foley Editor:
Benjamin Cheah
Foley Recordist:
George A. Lara
Foley Supervisor:
Will Ralston
Gaffer:
Russell Engels
Generator Operator:
Ronald Paul
Grip:
Howard Davidson
Hairstylist:
Scott W. Farley
Joseph Coscia
Intern:
Rueven Halevi
Key Construction Grip:
Thomas Yacuk
Key Costumer:
Kevin Ritter
Key Grip:
Richard Guinness Jr.
Key Hair Stylist:
William A. Farley
Key Makeup Artist:
Linda Grimes
Key Rigging Grip:
Billy Kerwick
Location Assistant:
Damon Michael Gordon
Location Manager:
Len Murach
Makeup Artist:
Leon Weisinger
Jane DiPersio
Music Editor:
Bobby Mackston
Novel:
Joe Connelly
Orchestrator:
Emilie A. Bernstein
Original Music Composer:
Elmer Bernstein
Payroll Accountant:
Penni Smith
Post Production Supervisor:
Kendall McCarthy
Producer:
Barbara De Fina
Scott Rudin
Production Assistant:
Erica Bamforth
Production Design:
Dante Ferretti
Production Intern:
Will Sweeney
Production Office Assistant:
Ashlee Burnette
Production Secretary:
Reid Warman
Production Supervisor:
Shell Hecht
Property Master:
James Mazzola
Publicist:
Marion Billings
Rigging Gaffer:
Ken Connors
Screenplay:
Paul Schrader
Script Supervisor:
Martha Pinson
Second Assistant Accountant:
Kellyann Wargo
Second Assistant Camera:
Jeanne Vienne
Second Assistant Director:
Christopher Surgent
Second Second Assistant Director:
Greg Hale
Set Decoration:
William F. Reynolds
Set Dresser:
Dennis Causey
Set Medic:
Rich Fellegara
Sound Effects Designer:
Eugene Gearty
Sound Mixer:
James Sabat
Sound Re-Recording Mixer:
Tom Fleischman
Special Effects Coordinator:
John Ottesen
Stand In:
Marco Kyris
Steadicam Operator:
Larry McConkey
Still Photographer:
Phillip V. Caruso
Story Editor:
Narges Takesh
Storyboard Artist:
John Davis
Stunt Coordinator:
G. A. Aguilar
Stunt Driver:
Jalil Jay Lynch
Conrad E. Palmisano
Stunts:
Chris Cenatiempo
Peter Epstein
Blaise Corrigan
Supervising ADR Editor:
Becky Sullivan
Supervising Sound Editor:
Philip Stockton
Technical Advisor:
Susan Callahan
Joe Connelly
Transportation Captain:
Timothy Shannon
Transportation Co-Captain:
Joseph Buonocore
Unit Production Manager:
Bruce S. Pustin
Unit Publicist:
Eric Myers
Visual Effects Coordinator:
Susan Greenhow
Visual Effects Editor:
John Bartle
Visual Effects Producer:
Jill Brooks
Visual Effects Production Assistant:
Erin Collins Butler
Visual Effects Supervisor:
Michael Owens
Wardrobe Supervisor:
Joanna Brett
Wigmaker:
Carol F. Doran
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.