A work in constant progress (and occasional regress).
Release Date:
December 21, 1988
Original Title:
Talk Radio
Alternate Titles:
Conversations nocturnes
Verdades Que Matam
Ток-радио
Genres:
Drama
Production Companies:
Cineplex-Odeon Films
Ten-Four Productions
Universal Pictures
Production Countries:
Canada | United States of America
Ratings / Certifications:
DE: 16 PT: M/12 US: R
Runtime: 110
A rude, contemptuous talk show host becomes overwhelmed by the hatred that surrounds his program just before it goes national.
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ADR Supervisor:
Joseph A. Mayer
Art Direction:
Milo
Assistant Art Director:
Barry Phillips
Associate Producer:
Diane Schneier
Neal Weisman
Book:
Stephen Singular
Casting:
Billy Hopkins
Risa Bramon Garcia
Co-Editor:
Joe Hutshing
Construction Foreman:
Chris Henry
Costume Design:
Ellen Mirojnick
Director:
Oliver Stone
Director of Photography:
Robert Richardson
Editor:
David Brenner
Executive In Charge Of Production:
Michael Flynn
Executive Producer:
Greg Strangis
Sam Strangis
First Assistant Director:
Joseph P. Reidy
Hairstylist:
Martha Marek Beresford
Leadman:
J. Grey Smith
Makeup Artist:
Sharon Ilson
Music Coordinator:
Nicola Freegard
Music Editor:
Carlton Kaller
Music Supervisor:
Budd Carr
Original Music Composer:
Stewart Copeland
Producer:
A. Kitman Ho
Edward R. Pressman
Production Design:
Bruno Rubeo
Production Manager:
Clayton Townsend
Property Master:
Mike Parsons
Props:
Joe Sharber
Rigging Gaffer:
Johnny Gutierrez
Scenic Artist:
Floyd Gentry
Screenplay:
Eric Bogosian
Oliver Stone
Script Supervisor:
Susan Malerstein
Second Assistant Director:
Vebe Borge
Set Decoration:
Derek R. Hill
Set Dresser:
Don "Tex" Clark
Craig Pittman
Sound Designer:
Scott Martin Gershin
Sound Mixer:
Tod A. Maitland
Still Photographer:
Joyce Rudolph
Supervising Sound Editor:
Wylie Stateman
Lon Bender
Theatre Play:
Eric Bogosian
Tad Savinar
Title Designer:
Dan Perri
Unit Manager:
Jane Bartelme
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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