A work in constant progress (and occasional regress).
Release Date:
December 20, 1991
Original Title:
JFK
Alternate Titles:
J.F.K.: Caso abierto
JFK - Affaire non classée
JFK - Un caso ancora aperto
JFK - avoin tapaus
JFK - saken fortsetter
JFK, i istoria pou harahtike sti mnimi mas
JFK: Dzonas F. Kenedis. Suviai Dalase
JFK: Kapanmayan Dosya
JFK:1991
John F. Kennedy - Tatort Dallas
Genres:
Drama | History | Thriller
Production Companies:
Alcor Films
Ixtlan Productions
Le Studio Canal+
Regency Enterprises
Warner Bros. Pictures
Production Countries:
France | United States of America
Ratings / Certifications:
AU: M BR: 14 CA: 14A DE: 12 DK: 15 ES: 12 FI: K-12 FR: TP GB: 15 HU: 16 IE: 15 JP: PG12 KR: 15 NL: 12 NO: 15 PL: 16 PT: M/12 SE: 11 US: R
Runtime: 189
Follows the investigation into the assassination of President John F. Kennedy led by New Orleans district attorney Jim Garrison.
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ADR Editor:
Jerelyn J. Harding
Mary Andrews
ADR Mixer:
Charleen Richards-Steeves
ADR Supervisor:
Avram D. Gold
Additional Camera:
J. Michael McClary
Jerry G. Callaway
Apprentice Sound Editor:
Judson Leach
Art Department Assistant:
Paul Etheredge
Art Department Coordinator:
Tana Bishop
Art Direction:
Alan Tomkins
Derek R. Hill
Assistant Art Director:
Margery Z. Gabrielson
Assistant Camera:
Michael Off
Assistant Chief Lighting Technician:
Frank Scheidbach
Assistant Costume Designer:
Lisa Lovaas
Assistant Editor:
Kate Crossley
Assistant Location Manager:
Gary Huckabay
Assistant Production Coordinator:
Margaret Lancaster
Assistant Sound Editor:
Robert Batha
Associate Editor:
Julie Monroe
Associate Producer:
Joseph P. Reidy
Best Boy Grip:
Jeff Kluttz
Boom Operator:
T.J. O'Mara
Camera Loader:
Richard Sobin
Camera Operator:
Philip C. Pfeiffer
Carpenter:
Derek Abernathy
Casting:
Risa Bramon Garcia
Billy Hopkins
Heidi Levitt
Casting Assistant:
Ann Goulder
Casting Associate:
Juel Bestrop
Chief Lighting Technician:
Reinhart Peschke
Color Timer:
David Orr
Construction Coordinator:
Rodney Armanino
Construction Foreman:
Jack Kostelnik
Costume Design:
Marlene Stewart
Mark Burchard
Costume Supervisor:
Dan Bronson
Costumer:
Fran Allgood
Craft Service:
Kayla Chaillot
Dialect Coach:
Brooks Baldwin
Dialogue Editor:
Dan M. Rich
Hugo Weng
Willy Allen
Richard Dwan Jr.
Christopher Assells
Alison Fisher
David A. Arnold
Mark Gordon
Bob Newlan
Director:
Oliver Stone
Director of Photography:
Robert Richardson
Dolly Grip:
Kenny Davis
Driver:
Patrick Hogan
Editor:
Pietro Scalia
Joe Hutshing
Electrician:
Michael F. Burke
Executive Music Producer:
Budd Carr
Executive Producer:
Arnon Milchan
First Assistant Camera:
Donald Carlson
First Assistant Director:
Joseph P. Reidy
First Assistant Editor:
F. Paul Benz
Foley Artist:
Dan O'Connell
Foley Editor:
Sandy Berman
Foley Mixer:
Greg Orloff
Grip:
Mark A. Hatley
Hairstylist:
Kelvin R. Trahan
Ron Scott
Bonnie Clevering
Deborah Mills-Whitlock
Martha Marek Beresford
Key Grip:
Chris Centrella
Key Hair Stylist:
Elle Elliott
Key Makeup Artist:
Ron Berkeley
Location Casting:
Sandra Dawes
Location Manager:
Patricia Anne Doherty
Makeup Artist:
Cassandra Scott
Craig Berkeley
Ron Berkeley
Elaine Thomas
Wade Daily
Music Editor:
Kenneth Wannberg
Musician:
Tim Morrison
Negative Cutter:
Donah Bassett
Orchestrator:
John Neufeld
Original Music Composer:
John Williams
Painter:
Dennis Collins
Picture Car Coordinator:
Tutt Esquerre
Post Production Supervisor:
William H. Brown
Producer:
Oliver Stone
A. Kitman Ho
Clayton Townsend
Production Assistant:
Michael Johnson
Jonathan M. Abrams
Production Coordinator:
Leeann Stonebreaker
Production Design:
Victor Kempster
Production Intern:
Romy Stevenson
Production Manager:
Clayton Townsend
Production Secretary:
Liam Finn
Production Sound Mixer:
Tod A. Maitland
Property Master:
J. Grey Smith
Props:
Barby Kirk
Publicist:
Dianne E. Collins
Research Assistant:
Thomas Hayslip
Rigging Gaffer:
John Shoemaker
Scenic Artist:
John A. Kelly
Screenplay:
Zachary Sklar
Oliver Stone
Script Supervisor:
Susan Malerstein
Second Assistant Camera:
Faires A. Sekiya
Second Assistant Director:
Joe Burns
Second Second Assistant Director:
Deborah Lupard
Second Unit Director:
Philip C. Pfeiffer
Set Buyer:
Carl Catanese
Set Decoration:
Crispian Sallis
Set Designer:
Mary Saisselin
Set Dresser:
Mandy Brou
Set Medic:
Charlie French
Set Production Assistant:
Daniel Burns
Sound Editor:
Joseph Holsen
Sound Effects Editor:
Scott Martin Gershin
Mark Lanza
Jay B. Richardson
Sound Engineer:
Joseph A. Brennan
Sound Mixer:
Bill Daly
Sound Re-Recording Mixer:
Gregg Landaker
Sound Recordist:
Mark 'Frito' Long
Special Effects:
Bob Shelley
Warren Keillor
Special Effects Coordinator:
Randy E. Moore
Special Effects Supervisor:
Margaret Johnson
Stand In:
Mark Thomason
Standby Painter:
Bill Darrow
Steadicam Operator:
J. Michael Muro
Still Photographer:
Sidney Ray Baldwin
Stunt Coordinator:
Webster Whinery
Stunt Driver:
Eddie Perez
Stunts:
Jamie Dierlam
Supervising Sound Editor:
Michael D. Wilhoit
Wylie Stateman
Swing:
Lance Cheatham
Technical Advisor:
John Stockwell
Numa V. Bertel Jr.
Transportation Captain:
William B. Borges
Transportation Coordinator:
Alvin L. Milliken Sr.
Unit Publicist:
Roger Armstrong
Utility Sound:
David M. Roberts
Utility Stunts:
Kevin Beard
Visual Effects:
Miller Drake
Wardrobe Assistant:
Andria Litto
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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