Eat Pray Love (2010) [PG-13]

Release Date:
August 12, 2010

Original Title:
Eat Pray Love

Alternate Titles:
Come Reza Ama
Come, reza, ama
Comer Orar Amar
Comer, Rezar, Amar
Eat Pray Love
Eat Pray Love - Spis Elsk Lev
Eat Pray Love - omaa tietä etsimässä
一辈子做女孩
享受吧!一个人的旅行
再单身游记
饭祷爱

Genres:
Drama | Romance

Production Companies:
Columbia Pictures
Plan B Entertainment
Red Om Films

Production Countries:
United States of America

Ratings / Certifications:
AU: M  BR: 12  CH: 16  CZ: 15+  DK: A  GB: PG|15  GR: 16  HU: 16  IE: 15  JP: G  KR: 15  PL: 18  PT: M/12  RO: 15  RU: 16+  SE: Btl  US: PG-13 

Runtime: 133

Let Yourself GO

Liz Gilbert had everything a modern woman is supposed to dream of having – a husband, a house and a successful career – yet like so many others, she found herself lost, confused and searching for what she really wanted in life. Newly divorced and at a crossroads, Gilbert steps out of her comfort zone, risking everything to change her life, embarking on a journey around the world that becomes a quest for self-discovery. In her travels, she discovers the true pleasure of nourishment by eating in Italy, the power of prayer in India and, finally and unexpectedly, the inner peace and balance of true love in Bali.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

"B" Camera Operator:
Larry McConkey

ADR Mixer:
Howard London

Actor's Assistant:
Maggie Pierson

Art Direction:
Charley Beal

Assistant Director:
Mauro Fiori
Federica Durigon
Marco Orsini

Assistant Editor:
Joe Leonard
Michel Aller

Assistant Production Coordinator:
Christian Giuliani

Assistant Production Manager:
Ravi Agnihotri

Assistant Sound Editor:
Lynn Sable
Eryne Prine

Boom Operator:
Alessandro Savino
Michael Primmer

Casting:
Francine Maisler

Casting Assistant:
Elizabeth Chodar

Casting Associate:
Ania O'Hare

Chief Lighting Technician:
Ian Kincaid

Choreographer:
Zachary Woodlee

Conductor:
Benjamin Wallfisch

Costume Design:
Michael Dennison

Costume Supervisor:
Augusto Grassi

Costumer:
Kristine Bellerud

Dialogue Editor:
David Williams

Digital Intermediate Colorist:
Yvan Lucas

Director:
Ryan Murphy

Director of Photography:
Robert Richardson

Dolly Grip:
Daniel Pershing

Driver:
Matteo Rubbio

Editor:
Bradley Buecker

Executive Producer:
Jeremy Kleiner
Brad Pitt
Stan Wlodkowski

Finance:
Michael Goosen

First Assistant "A" Camera:
Gregor Tavenner

First Assistant Accountant:
Jim DeMarco

First Assistant Director:
Scott Robertson

First Assistant Editor:
Doc Crotzer

Foley Artist:
Vincent Guisetti
Pamela Kahn

Foley Editor:
Solange S. Schwalbe

Foley Mixer:
Kyle Rochlin

Grip:
Marco Emidi
Cristiano Biagioli
Mauro Faina

Hair Department Head:
Aaron F. Quarles

Hairdresser:
Manolo García

Hairstylist:
Lyndell Quiyou

Key Grip:
Chris Centrella

Key Rigging Grip:
Mike Montgomery

Makeup Artist:
Alessandro Bertolazzi
Richard Dean

Makeup Department Head:
Eryn Krueger Mekash

Music Consultant:
Liza Richardson

Music Coordinator:
Maggie Rodford
Heather Guibert

Music Editor:
David Klotz
Dominick Certo

Music Supervisor:
P.J. Bloom

Musician:
Yelena Yegoryan
Jason Lippman
Rob Brophy
Radu Pieptea

Negative Cutter:
Mo Henry

Novel:
Elizabeth Gilbert

Orchestrator:
Benjamin Wallfisch

Original Music Composer:
Dario Marianelli

Painter:
Cristina Cecili

Payroll Accountant:
Cecilia Escobar

Producer:
Dede Gardner

Production Accountant:
Alex Starke

Production Assistant:
Daniele Fornaciari
Brendan Lee
Ganesh Singh Bist
Paul Kahil
Ridhima Sud

Production Coordinator:
Angela Quiles

Production Design:
Bill Groom

Production Runner:
Vishal Singh

Production Sound Mixer:
Drew Kunin

Property Master:
Peter Gelfman

Rigging Grip:
Tiziano Emidi

Scoring Mixer:
John Richards

Screenplay:
Jennifer Salt
Ryan Murphy

Script Supervisor:
Mary Cybulski

Second Assistant Camera:
Sarah Hendrick

Second Assistant Director:
Jonas Spaccarotelli

Second Second Assistant Director:
Karan Sidhu

Second Unit Director:
Alfonso Gomez-Rejon

Second Unit First Assistant Director:
Miguel Lombardi

Security:
Gideon Goodblatt
Gay Cobham
Spase Pejoski
Paolo Antonini

Set Decoration:
Letizia Santucci

Set Dresser:
Seth Williamson
Maia Rose

Sound Effects Editor:
Rickley W. Dumm
Daniel Pagan

Sound Re-Recording Mixer:
Laurent Boudaud
Michael Minkler
Tony Lamberti

Special Effects Technician:
Joseph Mortelliti

Steadicam Operator:
Larry McConkey

Still Photographer:
François Duhamel

Stunt Coordinator:
Ilyas Sheikh
Franco Maria Salamon
Jeff Habberstad

Stunt Driver:
Marco Pancrazi

Stunts:
Alessandro Novelli
Tabby Hanson
Jacqueline Freda
Ameen Arf
Ivano Silveri
Giorgio Antonini
Imran Sheikh
Myke Schwartz

Supervising ADR Editor:
Lisa J. Levine

Supervising Sound Editor:
Anthony J. Ciccolini III

Travel Coordinator:
Nick Jordan

Unit Production Manager:
Lyn Pinezich
Stan Wlodkowski

Unit Publicist:
Claire Raskind

Utility Sound:
Anthony Ortiz

Visual Effects Editor:
Adam Gerstel

Visual Effects Producer:
Ron Ames

Wardrobe Supervisor:
Kevin Ritter

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.