Matthew McConaughey (b. 1969)

Alias:
Меттью МакКонагей
Метью Макконагі
მეთიუ მაკკონაჰი
マシュー・デヴィッド・マコノヒー
マシュー・マコノヒー
馬修·麥康納

Birthplace:
Uvalde, Texas, USA

Born:
November 4, 1969

Matthew David McConaughey (born November 4, 1969) is an American actor. He first gained notice for his supporting performance in the coming-of-age comedy Dazed and Confused (1993), which was considered by many to be his breakout role. After a number of supporting roles in films including Angels in the Outfield (1994) and Texas Chainsaw Massacre: The Next Generation (1994), his breakthrough performance as a leading man came in the legal drama A Time to Kill (1996). He followed this with leading performances in the science fiction film Contact (1997), the historical drama Amistad (1997), the comedy-drama The Newton Boys (1998), the satire EDtv (1999), the war film U-571 (2000), and the psychological thriller Frailty (2001).  In the 2000s, McConaughey became best known for starring in romantic comedies, including The Wedding Planner (2001), How to Lose a Guy in 10 Days (2003), Failure to Launch (2006), Fool's Gold (2008), and Ghosts of Girlfriends Past (2009), establishing him as a sex symbol. After a two-year hiatus from film acting, McConaughey began to appear in more dramatic roles beginning with the legal drama The Lincoln Lawyer (2011). He was acclaimed for his supporting performances in Bernie (2011), Magic Mike (2012) and The Wolf of Wall Street (2013), and for his leading roles in Killer Joe (2011) and Mud (2012).  McConaughey's portrayal of Ron Woodroof, a cowboy diagnosed with AIDS, in the biopic Dallas Buyers Club (2013) earned him widespread praise and numerous accolades, including the Academy Award for Best Actor. In 2014, he starred as Rust Cohle in the first season of HBO's crime anthology series True Detective, for which he was nominated for the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series. His film roles since have included Interstellar (2014), The Sea of Trees (2015), Free State of Jones (2016), Gold (2016), The Dark Tower (2017), and The Gentlemen (2019), earning varying degrees of commercial and critical success, as well as voice work in Kubo and the Two Strings (2016), Sing (2016), and Sing 2 (2021).

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Executive Producer:
2005  Sahara

Producer:
2005  Sahara
2008  Surfer, Dude
2016  Gold
2020  The Gentlemen

Executive Producer:
2014  True Detective
2023  Agent Elvis

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.