A work in constant progress (and occasional regress).
Release Date:
February 7, 2008
Original Title:
Fool's Gold
Alternate Titles:
Amor y Tesoro
Ein Schatz Zum Verlieben
Kvailių auksas
L'Amour de l'or
O Tesouro Encalhado
Um Amor de Tesouro
Золото дураков
フールズ・ゴールド/カリブ海に沈んだ恋の宝石
Genres:
Adventure | Comedy | Romance
Production Companies:
Bernie Goldmann Productions
De Line Pictures
Warner Bros. Pictures
Production Countries:
Australia | Bahamas | United States of America
Ratings / Certifications:
AT: 12 AU: M BR: 12 CH: 12 CZ: 12+ DE: 12 DK: 11 ES: 7 FR: 12 GB: 12A HU: 16 IE: 12 JP: PG12 KR: 12 NL: 12 PL: 16 PT: M/12 RO: 12 US: PG-13
Runtime: 112
Treasure hunter Ben "Finn" Finnegan has sunk his marriage to Tess and his trusty boat in his obsessive quest to find the legendary Queen's Dowry. When he finds a vital clue that may finally pinpoint the treasure's whereabouts, he drags Tess and her boss, billionaire Nigel Honeycutt, along on the hunt. But Finn is not the only one interested in the gold; his former mentor-turned-enemy Moe Fitch, hired by rapper-turned-gangster Bigg Bunny, will stop at nothing to beat him to it.
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ADR Editor:
Laura Graham
ADR Mixer:
Doc Kane
Thomas J. O'Connell
ADR Supervisor:
David Bach
Kimberly Harris
Actor's Assistant:
John Chaney
Kayce Brown
Aerial Coordinator:
Gary Ticehurst
Aerial Director of Photography:
Hans Bjerno
Art Department Coordinator:
Maxine Dennett
Art Direction:
Damien Drew
Peter Russell
Assistant Art Director:
Michael Bell
Assistant Costume Designer:
Liz McGregor
Assistant Editor:
Kirsty Bruce
David Birrell
Assistant Property Master:
Kristin Reuter
Assistant Set Decoration:
Maya Gorman
Assistant Sound Editor:
Linda Yeaney
Andrew Bock
Assistant Unit Manager:
Kim glad
Associate Editor:
Matt Evans
Best Boy Electric:
Alex Laguna
Mark Watson
Anthony Tulloch
Best Boy Grip:
Jason McPhee
Maurice McKay
Boom Operator:
Rod Conder
Camera Operator:
Peter McCaffrey
Calum McFarlane
Casting:
Juel Bestrop
Seth Yanklewitz
Casting Assistant:
Freya Krasnow
Casting Associate:
Michele Berumen
Co-Producer:
Stephen Jones
Construction Coordinator:
Jack Watford
Construction Manager:
Andrew Gardiner
Costume Assistant:
Amy Mitchell
Sam Walker
Marada Manussen
Alecia de Marco
Costume Designer:
Ngila Dickson
Costume Supervisor:
Pip Lingard
Dialogue Editor:
Hugo Weng
Michael Magill
Allen Hartz
Digital Intermediate Colorist:
Skip Kimball
Director:
Andy Tennant
Director of Photography:
Don Burgess
Dolly Grip:
Brett McDowell
Damien Kwocksun
Leigh Tait
Editor:
Troy Takaki
Tracey Wadmore-Smith
Executive Producer:
Wink Mordaunt
James Dyer
Executive Producer's Assistant:
Sarah Romney
Tara Aucoin
Extras Casting:
Fiona McMaster
First Assistant Camera:
Colin Deane
Matt Windon
Jem Rayner
First Assistant Director:
Toby Pease
First Assistant Editor:
Bryan Lamoureux
Foley Artist:
John Roesch
Alyson Dee Moore
Foley Editor:
Michael Dressel
Jonathan Klein
Foley Supervisor:
Christopher Flick
Gaffer:
Shaun Conway
Paul Johnstone
Key Costumer:
Helen Maggs
Key Grip:
David Nichols
Pat Nash
Location Casting:
Christine King
Location Manager:
Duncan Jones
Karen Jones
Makeup & Hair:
Anita Morgan
Paige Badenoch
Dalia Fernandez
Makeup Artist:
Nadine Wilkie
Marine Coordinator:
Lance Julian
Music Editor:
Paul Rabjohns
Richard A. Harrison
Music Supervisor:
Julianne Jordan
Negative Cutter:
Mo Henry
Orchestrator:
Geoff Alexander
Original Music Composer:
George Fenton
Post Production Assistant:
Gabriel Diaz
Post Production Supervisor:
Carol Dantuono
Producer:
Jon Klane
Bernie Goldmann
Donald De Line
Producer's Assistant:
Chris Lemos
Lynsey Jones
Josh Levitan
Duncan Foster
Production Accountant:
Suzie Freeman
Production Controller:
Dean Hood
Production Coordinator:
Nicholas Copping
Production Design:
Charles Wood
Production Office Assistant:
Nathalia Rayfield
Production Office Coordinator:
Kerry Mulgrew
Production Secretary:
Jasmin Lyford
Merilyn Cook
Production Sound Mixer:
Paul 'Salty' Brincat
Property Master:
Jane Culverhouse
Rigging Gaffer:
Mick O'Brien
Screenplay:
John Claflin
Daniel Zelman
Andy Tennant
Script Supervisor:
Pamela Willis
Kristin Witcombe
Second Assistant Camera:
Helen Ward
Christian Luxton
Josh Flavell
Ben Plant
Second Assistant Director:
Paul Sullivan
Drew Bailey
Second Second Assistant Director:
Mark Bishop
Second Unit Director:
Alexander Witt
Second Unit Director of Photography:
Mike Thomas
Second Unit First Assistant Director:
Jamie Crooks
Set Decoration:
Brian Dusting
Set Production Assistant:
Nikko Mackintosh
Lisa Mitchell
Stuart Lynch
Gay Holmes-Browne
Rhonda Bostock
Bruce Rieck
Keiran Shelvin
Simon Vsn Oorde
Jason Rowling
Nathanial Purdon
Chris Sheen
Sound Designer:
Richard King
Sound Effects Editor:
Michael W. Mitchell
Paul Berolzheimer
Sound Re-Recording Mixer:
Doug Hemphill
Ron Bartlett
Rick Kline
Special Effects Coordinator:
Leanne Brooks
Special Effects Supervisor:
Brian Cox
Standby Art Director:
Katie Sharrock
Still Photographer:
Vince Valitutti
Story:
Daniel Zelman
John Claflin
Stunt Coordinator:
R.A. Rondell
Stunt Double:
Mark Norby
Stunts:
Eric Chambers
Mark Norby
Lee Adamson
Brett Praed
Malachi Waters
Shea Adams
Rene Perrin
Tove Petterson
Renee Bowen
Glenn Ruehland
Craig Hosking
Steve Daddow
Ric Anderson
Yasca Sinigaglia
Jimmy Waitman
Supervising Art Director:
Ray Chan
Supervising Music Editor:
Michael T. Ryan
Supervising Sound Editor:
Richard King
Third Assistant Director:
Michael Bate
Transportation Coordinator:
Aaron Burgers
Unit Manager:
Simon Lucas
Lehi Tahau
Unit Production Manager:
Jennifer Cornwell
James Dyer
Unit Publicist:
Fiona Searson
VFX Supervisor:
Chris Godfrey
David Nelson
Andrew Jackson
Visual Effects Coordinator:
Suzanne Evans-Booth
Jayne Herrmann
Danielle Rubin
Visual Effects Producer:
Holly Radcliffe
Fiona Crawford
Chad Malbon
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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