A work in constant progress (and occasional regress).
Release Date:
July 15, 1994
Original Title:
Angels in the Outfield
Alternate Titles:
Les anges frappent et courent
Άγγελοι στο Γήπεδο
Genres:
Comedy | Family | Fantasy
Production Companies:
Caravan Pictures
Walt Disney Pictures
Production Countries:
United States of America
Ratings / Certifications:
CA: PG FR: TP GB: U KR: ALL PR: PG US: PG VI: PG
Runtime: 102
Roger is a foster child whose irresponsible father promises to get his act together when Roger's favourite baseball team, the California Angels, wins the pennant. The problem is that the Angels are in last place, so Roger prays for help to turn the team around. Sure enough, his prayers are answered in the form of angel Al.
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ADR Editor:
Denise Horta
Jerelyn J. Harding
ADR Mixer:
Charleen Richards-Steeves
Jeff Courtie
ADR Voice Casting:
Barbara Harris
Art Designer:
Drew Struzan
Art Direction:
Thomas T. Taylor
Assistant Editor:
Scott K. Wallace
Deborah Cichocki
Mark L. Levine
Assistant Sound Editor:
Gidget Gallagher
Craig Weintraub
Thomas P. McNamara
Donny Miele
Associate Producer:
Holly Goldberg Sloan
Richard H. Prince
Boom Operator:
Marvin E. Lewis
Camera Loader:
Mark Santoni
Camera Operator:
Robert LaBonge
David E. Diano
Tom Connole
Horace Jordan
Casting:
Pam Dixon
Casting Associate:
Amy E. Gerber
Color Timer:
Dale E. Grahn
Costume Designer:
Rosanna Norton
Susan Nininger
Costume Supervisor:
Darryl M. Athons
Costumer:
Barbara Kassal
Joseph Roveto
Dialect Coach:
Suzanne Celeste
Dialogue Editor:
Ulrika Akander
Susan Dudeck
Gloria D'Alessandro
Director:
William Dear
Director of Photography:
Matthew F. Leonetti
Editor:
Bruce Green
Paul Dixon
James A. Brewer
Executive Producer:
Gary Stutman
First Assistant Camera:
Robert Del Boccio
Robert Morey
Patrick Riley
Gary Dunham
First Assistant Director:
L. Dean Jones Jr.
First Assistant Editor:
Paul Cichocki
Foley Artist:
Alicia Stevenson
Zane D. Bruce
Foley Editor:
Nancy Richardson
Mark Pappas
Foley Mixer:
David Jobe
Gaffer:
Pat Blymyer
Key Grip:
Craig Peiffer
Key Hair Stylist:
Paul Abascal
Key Makeup Artist:
Diane Hammond
Scott H. Eddo
Location Manager:
Véronique Vowell
Music Editor:
Joanie Diener
Negative Cutter:
Theresa Repola Mohammed
Original Music Composer:
Randy Edelman
Producer:
Joe Roth
Roger Birnbaum
Irby Smith
Production Coordinator:
Lark Bernini
Production Design:
J. Dennis Washington
Production Manager:
Richard H. Prince
Property Master:
Peter Bankins
Scoring Mixer:
Dennis Sands
Screenplay:
George Wells
Holly Goldberg Sloan
Dorothy Kingsley
Script Supervisor:
Joanie Blum
Seamstress:
Nancy Servin
Second Assistant Camera:
Carmen Bailey
Tim Metivier
Frank D. Parrish
Claire Sutherland
Phillip B. Bowen
Second Assistant Director:
Jay Smith
Shannon Wilson
Sazzy Lee Calhoun
Second Unit Director:
Irby Smith
Second Unit Director of Photography:
Robert LaBonge
Second Unit First Assistant Director:
Robert J. Mooney
Set Costumer:
Renee Alaina Sacks
Andrea Cooper
Set Decoration:
John Anderson
Sound Effects Editor:
Harry B. Miller III
Bruce Lacey
Andy Kopetsky
John Edwards-Younger
Gordon Davidson
Sound Mixer:
Willie D. Burton
Sound Re-Recording Mixer:
Steve Maslow
Gregg Landaker
Special Effects Assistant:
Geoff Heron
Special Effects Coordinator:
Frank W. Tarantino
Jan Aaris
Steadicam Operator:
Gregory Lundsgaard
Peter Jensen
Still Photographer:
Dean Williams
Stunt Coordinator:
Rocky Capella
Stunts:
Tim Meredith
Johnny Martin
Lisa Dempsey
Eversley Forte
Jeff Mosley
Mike Martinez
Kevin Bailey
Supervising Sound Editor:
John A. Larsen
Technical Advisor:
Carney Lansford
Title Designer:
Susan Bradley
Visual Effects Producer:
Jennifer Bell
Visual Effects Supervisor:
Giedra Rackauskas
Andrew Adamson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.