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Angels in the Outfield (1994) [PG]

Release Date:
July 15, 1994

Original Title:
Angels in the Outfield

Alternate Titles:
Les anges frappent et courent
Άγγελοι στο Γήπεδο

Genres:
Comedy | Family | Fantasy

Production Companies:
Caravan Pictures
Walt Disney Pictures

Production Countries:
United States of America

Ratings / Certifications:
CA: PG  FR: TP  GB: U  KR: ALL  PR: PG  US: PG  VI: PG 

Runtime: 102

Ya Gotta Believe!

Overview from TheMovieDB

Roger is a foster child whose irresponsible father promises to get his act together when Roger's favourite baseball team, the California Angels, wins the pennant. The problem is that the Angels are in last place, so Roger prays for help to turn the team around. Sure enough, his prayers are answered in the form of angel Al.

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Performers

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Production

ADR Editor:
Denise Horta
Jerelyn J. Harding

ADR Mixer:
Charleen Richards-Steeves
Jeff Courtie

ADR Voice Casting:
Barbara Harris

Art Direction:
Thomas T. Taylor

Assistant Editor:
Scott K. Wallace
Deborah Cichocki
Mark L. Levine

Assistant Sound Editor:
Gidget Gallagher
Craig Weintraub
Thomas P. McNamara
Donny Miele

Associate Producer:
Holly Goldberg Sloan
Richard H. Prince

Boom Operator:
Marvin E. Lewis

Camera Loader:
Mark Santoni

Camera Operator:
Robert LaBonge
David E. Diano
Tom Connole
Horace Jordan

Casting:
Pam Dixon

Casting Associate:
Amy E. Gerber

Color Timer:
Dale E. Grahn

Costume Designer:
Rosanna Norton
Susan Nininger

Costume Supervisor:
Darryl M. Athons

Costumer:
Barbara Kassal
Joseph Roveto

Dialect Coach:
Suzanne Celeste

Dialogue Editor:
Ulrika Akander
Susan Dudeck
Gloria D'Alessandro

Director:
William Dear

Director of Photography:
Matthew F. Leonetti

Editor:
Bruce Green
Paul Dixon
James A. Brewer

Executive Producer:
Gary Stutman

First Assistant Camera:
Robert Del Boccio
Robert Morey
Patrick Riley
Gary Dunham

First Assistant Director:
L. Dean Jones Jr.

First Assistant Editor:
Paul Cichocki

Foley Artist:
Alicia Stevenson
Zane D. Bruce

Foley Editor:
Nancy Richardson
Mark Pappas

Foley Mixer:
David Jobe

Gaffer:
Pat Blymyer

Key Grip:
Craig Peiffer

Key Hair Stylist:
Paul Abascal

Key Makeup Artist:
Diane Hammond
Scott H. Eddo

Location Manager:
Véronique Vowell

Music Editor:
Joanie Diener

Negative Cutter:
Theresa Repola Mohammed

Original Music Composer:
Randy Edelman

Producer:
Joe Roth
Roger Birnbaum
Irby Smith

Production Coordinator:
Lark Bernini

Production Design:
J. Dennis Washington

Production Manager:
Richard H. Prince

Property Master:
Peter Bankins

Scoring Mixer:
Dennis S. Sands

Screenplay:
George Wells
Holly Goldberg Sloan
Dorothy Kingsley

Script Supervisor:
Joanie Blum

Seamstress:
Nancy Servin

Second Assistant Camera:
Carmen Bailey
Tim Metivier
Frank D. Parrish
Claire Sutherland
Phillip B. Bowen

Second Assistant Director:
Jay Smith
Shannon Wilson
Sazzy Lee Calhoun

Second Unit Director:
Irby Smith

Second Unit Director of Photography:
Robert LaBonge

Second Unit First Assistant Director:
Robert J. Mooney

Set Costumer:
Renee Alaina Sacks
Andrea Cooper

Set Decoration:
John Anderson

Sound Effects Editor:
Harry B. Miller III
Bruce Lacey
Andy Kopetsky
John Edwards-Younger
Gordon Davidson

Sound Mixer:
Willie D. Burton

Sound Re-Recording Mixer:
Steve Maslow
Gregg Landaker

Special Effects Assistant:
Geoff Heron

Special Effects Coordinator:
Frank W. Tarantino
Jan Aaris

Steadicam Operator:
Gregory Lundsgaard
Peter Jensen

Still Photographer:
Dean Williams

Stunt Coordinator:
Rocky Capella

Stunts:
Tim Meredith
Johnny Martin
Lisa Dempsey
Eversley Forte
Jeff Mosley
Kevin Bailey
Mike Martinez

Supervising Sound Editor:
John A. Larsen

Technical Advisor:
Carney Lansford

Title Designer:
Susan Bradley

Visual Effects Producer:
Jennifer Bell

Visual Effects Supervisor:
Giedra Rackauskas
Andrew Adamson

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.