Contact (1997) [PG]

Release Date:
July 11, 1997

Original Title:
Contact

Alternate Titles:
Contact
Kontakt
コンタクト
コンタクト:1997
接触未来
超時空接觸

Genres:
Drama | Mystery | Science Fiction

Production Companies:
South Side Amusement Company
Warner Bros. Pictures

Production Countries:
United States of America

Ratings / Certifications:
AU: M  BG: C  BR: L  CH: 12  CZ: U  DE: 12  DK: 11  ES: 7  FI: K-12  FR: TP  GB: PG  HU: 12  IE: 12  IT: T  KR: 12  NL: 6|12  NZ: M  PL: 12  PT: M/12  SE: 7  US: PG 

Runtime: 150

Take a journey to the heart of the universe.

A radio astronomer receives the first extraterrestrial radio signal ever picked up on Earth. As the world powers scramble to decipher the message and decide upon a course of action, she must make some difficult decisions between her beliefs, the truth, and reality.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

24 Frame Playback:
Mark Marcum
Ira Toles
Mark Wineman

3D Animator:
Spencer Knapp
Dylan Robinson
Geoffrey Harvey

3D Artist:
Timothy Wilcox

ADR Editor:
Lindakay Brown

ADR Mixer:
Charleen Richards-Steeves

Additional Casting:
Judith Bouley

Additional Editing:
Harry Keramidas

Additional Sound Re-Recording Mixer:
Gary Rizzo

Additional Visual Effects:
Peter Jackson

Aerial Coordinator:
Kevin LaRosa

Art Department Assistant:
John B. Josselyn

Art Department Coordinator:
Beth Bernstein

Art Direction:
Bruce Crone
Lawrence A. Hubbs

Assistant Accountant:
Kevin Bowe

Assistant Art Director:
Doug J. Meerdink
Sally Thornton
Brad Ricker

Assistant Camera:
Clyde Miller

Assistant Chief Lighting Technician:
William Cueto

Assistant Costume Designer:
Jessica Fasman

Assistant Dialogue Editor:
Mary Works

Assistant Editor:
Jana Lynn Gold

Assistant Location Manager:
Kristin Dehnert

Assistant Property Master:
Clifton T. Cooper

Assistant Sound Editor:
Kent Brown
Andrew Cowitt
David Dresher
Karen Harding
Stephen Kearney
Susan Popovic
Mary Works

Associate Producer:
Steven J. Boyd
Rick Porras

Best Boy Grip:
Renton-Paul Medcalf

Boom Operator:
Earl Sampson

CG Artist:
Joel Aron
Gregor Lakner
Robert Weaver

CG Supervisor:
Matt Aitken
Ron Brinkmann
Jerome Chen

Cableman:
Peggy Names

Camera Operator:
Josh Bleibtreu
Robert LaBonge
Nick Phillips

Camera Technician:
Steven J. Winslow

Carpenter:
Thomas C. Mentzer

Casting:
Victoria Burrows

Casting Associate:
Scot Boland

Casting Coordinator:
Nikki Dalmau

Chief Lighting Technician:
Steven C. McGee

Co-Producer:
Carl Sagan
Ann Druyan

Color Timer:
Bob Putynkowski

Compositing Supervisor:
Bart Giovanetti
Stephen Kennedy
M. Scott McKee

Concept Artist:
Steve Burg

Conceptual Design:
George Denes Suhayda

Conceptual Illustrator:
Richard Kriegler

Construction Coordinator:
Michael Diersing

Construction Foreman:
Scott E. Handt
Jerrold F. Brooks

Costume Design:
Joanna Johnston

Costume Illustrator:
Robin Richesson

Costume Supervisor:
Betty Brikowski
Pamela Wise

Costumer:
Hope Slepak

Craft Service:
John Wright

Dialect Coach:
Tim Monich

Dialogue Editor:
Barbara McBane
Ewa Sztompke
Michael Silvers

Digital Color Timer:
John Nicolard

Digital Compositor:
John Rauh
Jeff Doran
Jean François Fontaine

Digital Compositors:
Tim Alexander

Digital Effects Producer:
Craig A. Mumma

Digital Effects Supervisor:
Victor Jimenez

Director:
Robert Zemeckis

Director of Photography:
Don Burgess

Dolly Grip:
Jeff 'Moose' Howery

Driver:
Dan Brizendine

Editor:
Arthur Schmidt

Electrician:
Dave Mikutsky
Douglas W. Smith

Executive Producer:
Joan Bradshaw
Lynda Obst

First Assistant Camera:
Michael Condro
Ned Martin
Tony Rivetti Sr.
Michael A. FauntLeRoy Sr.

First Assistant Director:
Bruce Moriarty

First Assistant Editor:
R. Orlando Duenas
Jeremiah O'Driscoll
Carin-Anne Strohmaier

First Assistant Sound Editor:
Cheryl Nardi

Foley Artist:
Catherine Harper
Dennie Thorpe

Foley Editor:
Sara Bolder
Bruce Lacey
Mary Helen Leasman

Foley Mixer:
Tony Eckert
Tony Sereno

Gaffer:
David Morton

Graphic Designer:
Doreen Austria

Greensman:
Frank McEldowney
Hap Weaver

Grip:
James Conroy

Hairstylist:
Frances Mathias
Audrey L. Anzures
Carolyn Elias
Janice Alexander
Vivian McAteer

Key Costumer:
Nigel Boyd

Key Grip:
Steve Smith

Key Hair Stylist:
Kathryn Blondell

Key Makeup Artist:
Hallie D'Amore

Leadman:
David Manhan

Location Assistant:
Primrose Fukuchi

Location Manager:
Luz Eneida Nuñez
Paul Pav
Peggy Pridemore

Location Scout:
Kathleen Beall

Makeup Artist:
Deborah La Mia Denaver
Roxanna Floyd
Margaret E. Elliott
Jean-Luc Russier
Barbara Lacy

Matchmove Supervisor:
Charlie Clavadetscher

Mechanical Designer:
Jeff Deyoe

Music Editor:
Kenneth Karman

Negative Cutter:
Mo Henry

Novel:
Carl Sagan

Orchestrator:
William Ross

Original Music Composer:
Alan Silvestri

Producer:
Steve Starkey
Robert Zemeckis

Production Accountant:
Allen E. Taylor

Production Assistant:
Nick Booth

Production Controller:
Allen E. Taylor

Production Coordinator:
Darcy Fray

Production Design:
Ed Verreaux

Production Office Coordinator:
Ines Mongil-Echandi

Production Secretary:
Carley A. Berkman

Production Sound Mixer:
William B. Kaplan

Production Supervisor:
Dawn Guinta

Projection:
Edward J. Ertel

Property Master:
Robin L. Miller

Propmaker:
Wayne Eaton

Prosthetic Makeup Artist:
Keith VanderLaan

Prosthetics:
Gary Archer

Pyrotechnician:
John P. Cazin

Rigging Grip:
Rand R. Vargas

Roto Supervisor:
Mary Nelson

Rotoscoping Artist:
Maura Alvarez
Gimo Chanphianamvong
Joanie Karnowski
Aaron Smith
Lisa Kahatriya

Screenplay:
James V. Hart
Michael Goldenberg

Script Supervisor:
Luca Kouimelis

Second Assistant Accountant:
Robert Cable

Second Assistant Camera:
Frank D. Parrish
Chad Rivetti

Second Assistant Director:
Cellin Gluck
Lucille OuYang

Second Second Assistant Director:
Darin Rivetti
Alison C. Rosa

Second Unit Director:
Steve Starkey

Senior Visual Effects Supervisor:
Michael L. Fink
Ken Ralston

Sequence Supervisor:
Kee-Suk 'Ken' Hahn
David Jones
Jay Redd
Sam Richards
Laurence Treweek

Set Buyer:
Carl Catanese

Set Costumer:
Patricia Bercsi
Steve Ellsworth
Kenn Smiley
Taryn Weaver

Set Decoration:
Michael Taylor

Set Designer:
Evelyne Barbier
Mariko Braswell
James F. Claytor Sr.
Josh Lusby
Kristen Pratt
Easton Michael Smith
Dean Wolcott

Set Dresser:
Sara Gardner-Gail

Set Medic:
Jeff Johnson

Set Production Assistant:
Michelle Vogler

Software Engineer:
Rob Engle

Sound Designer:
Randy Thom

Sound Effects Editor:
Steve Boeddeker
Teresa Eckton
Douglas Murray
Marian Wilde

Sound Re-Recording Mixer:
Tom Johnson
Gary Rizzo
Dennis S. Sands
Randy Thom

Sound Recordist:
Randolph Saucedo

Special Effects:
Marzette Bonar

Special Effects Assistant:
Charlie Bonilla

Special Effects Coordinator:
Eric Cook

Special Effects Supervisor:
Allen Hall

Special Effects Technician:
Roland Blancaflor

Stand In:
Michael Egan

Standby Painter:
Robert E. Denne

Steadicam Operator:
Mark O'Kane
Gregory Lundsgaard

Still Photographer:
François Duhamel
Michael Douglas Middleton

Story:
Carl Sagan
Ann Druyan

Storyboard Artist:
Darryl Henley

Stunt Coordinator:
Bud Davis

Stunts:
Jay Caputo
Kim Robert Koscki
Dan Plum
Lynn Salvatori
Jill Stokesberry

Supervising ADR Editor:
Sue Fox

Supervising Sound Editor:
Phil Benson

Swing:
Christopher Casey

Tailor:
Gerardo Rosette

Technical Supervisor:
Bill Feightner

Temp Sound Editor:
Mark Jan Wlodarkiewicz

Title Designer:
Nina Saxon

Transportation Captain:
Randy Cantor
Kirk A. Holland

Transportation Co-Captain:
David Diaz

Transportation Coordinator:
Joel Marrow

Travel Coordinator:
Judd Nissen

Unit Manager:
Nannette Rosa Collazo

Unit Production Manager:
Joan Bradshaw

Unit Publicist:
Jane E. Russell

VFX Director of Photography:
David Stump

Video Assist Operator:
Michael Noles
David Presley

Visual Effects Art Director:
Martin A. Kline

Visual Effects Compositor:
Kelly Granite

Visual Effects Coordinator:
Theresa Corrao

Visual Effects Editor:
Kosta Saric
Heather J. Morrison
Michael McGovern
J.W. Kompare
Dawn Llewellyn

Visual Effects Producer:
C. Marie Davis
Debbie Denise
Julia Frey
Mark S. Miller

Visual Effects Production Manager:
Mimi Medel

Visual Effects Supervisor:
Ariel Velasco-Shaw
Stephen Rosenbaum
Lauren Alexandra Ritchie
Joe Matza
Kenneth Jones

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.