A work in constant progress (and occasional regress).
Release Date:
July 24, 1996
Original Title:
A Time to Kill
Alternate Titles:
Aeg tappa
Cas za ubijanje
Czas zabijania
Die Jury
Ha ölni kell
Il momento di uccidere
Juryn
Juryn - A Time to Kill
Le Droit de tuer ?
Metas zudyti
Metas žudyti
Một Thời Để Giết
Non coupable
On aika tappaa
Tempo de Matar
Tid for hevn
Tiempo de matar
Tiempo para matar
Un temps pour tuer
Vremea razbunarii
Vrijeme ubijanja
Öldürme Zamanı
Čas zabiť
Čas zabíjet
Η ετυμηγορία
Време да убиваш
Време за убијање
Время убивать
殺戮時刻
評決のとき
타임 투 킬
Genres:
Crime | Drama | Thriller
Production Companies:
Regency Enterprises
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BE: 18 BR: 14 CH: 12 CZ: 15+ DE: 12 DK: 15 FI: K-16 FR: 12 GB: 15 HU: 18 IE: 15 IL: R KR: 15 MX: C NL: 16 NO: 15 PL: 18 PT: M/12 RO: 18+ SE: 15 År US: R
Runtime: 149
A young lawyer defends a black man accused of murdering two white men who raped his 10-year-old daughter, sparking a rebirth of the KKK.
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ADR Editor:
Zack Davis
Additional Editor:
Michael T. Wilson
Additional Second Assistant Camera:
Michelle Madison
Additional Second Assistant Director:
Darrell Woodard
Animal Wrangler:
Jerry Lousteau
Art Direction:
Richard Toyon
Assistant Art Director:
James F. Truesdale
Assistant Chief Lighting Technician:
Tom Anderson
Assistant Editor:
Robert W. Steinkamp
Assistant Location Manager:
Anna M. Elias
Assistant Property Master:
Joel McKee
Assistant Sound Editor:
Steven Gerrior
Associate Producer:
William M. Elvin
Best Boy Grip:
Dean M. King
Boom Operator:
Carl Fischer
Cableman:
D. G. Fisher
Camera Loader:
Suzanne Trucks
Camera Operator:
Randy Feemster
Casting:
Mali Finn
Casting Associate:
Emily Schweber
Color Timer:
Bob Putynkowski
Conductor:
Jonathan Sheffer
Construction Coordinator:
John H. Samson
Construction Foreman:
Jeffrey McMahon
Costume Design:
Ingrid Ferrin
Costume Supervisor:
Pamela Wise
Costumer:
Fran Allgood
Craft Service:
Nancy Mott
Dialect Coach:
Tim Monich
Dialogue Editor:
Robert Bradshaw
Digital Compositor:
Don Lee
Director:
Joel Schumacher
Director of Photography:
Peter Menzies Jr.
Dolly Grip:
Chuck Brown
Driver:
William Hogue
Editor:
William Steinkamp
Executive Assistant:
Bettina Rose
First Assistant Accountant:
John Alfred
First Assistant Camera:
William McConnell
First Assistant Director:
William M. Elvin
First Assistant Editor:
Debra L. Tennant
Foley Artist:
Hilda Hodges
Foley Editor:
Lee Lemont
Foley Mixer:
Mary Jo Lang
Gaffer:
Kevin Murphy
Grip:
Hugh McCallum
Hairstylist:
Robert L. Stevenson
Key Grip:
Chris Centrella
Key Hair Stylist:
Janine Rath-Thompson
Key Makeup Artist:
Marietta Carter-Narcisse
Key Production Assistant:
A. Welch Lambeth
Lighting Technician:
Eric Wycoff
Local Casting:
Jo Doster
Location Assistant:
Ash Taylor
Location Manager:
Scott Elias
Makeup Artist:
Pamela S. Westmore
Makeup Supervisor:
Ben Nye Jr.
Music Editor:
Michael Connell
Musician:
John Moses
Negative Cutter:
Mo Henry
Novel:
John Grisham
Orchestrator:
Robert Elhai
Original Music Composer:
Elliot Goldenthal
Painter:
Lucy Weber
Picture Car Coordinator:
Gary Duncan
Post Production Accountant:
Bill Daly
Producer:
Arnon Milchan
Hunt Lowry
John Grisham
Michael G. Nathanson
Production Accountant:
Julianna Arenson
Production Controller:
Bonnie Daniels
Production Design:
Larry Fulton
Production Secretary:
Rene Crowe
Property Master:
Brad Einhorn
Propmaker:
Ronald Cox
Rigging Gaffer:
Dennis J. Lootens
Rigging Grip:
Rex Anson Rhorer
Scenic Artist:
Michael Denering
Screenplay:
Akiva Goldsman
Script Supervisor:
Sharron Reynolds-Enriquez
Seamstress:
Zandra Harding
Second Assistant Camera:
Bill McConnell Jr.
Second Assistant Director:
Alan Edmisten
Second Second Assistant Director:
Eric Oliver
Set Costumer:
Wendy M. Craig
Set Decoration:
Dorree Cooper
Set Designer:
Keith P. Cunningham
Set Dressing Artist:
Asahel Cooper
Sound Designer:
Roland N. Thai
Sound Effects Editor:
Joe Divitale
Sound Mixer:
Petur Hliddal
Sound Re-Recording Mixer:
Adam Jenkins
Special Effects:
Dominik Dugandzic
Special Effects Assistant:
Steve Wolf
Special Effects Coordinator:
Steve Galich
Special Effects Technician:
Scott Mobley
Standby Painter:
Francis N. 'Lucky' Costello
Still Photographer:
Christine M. Loss
Studio Teacher:
Margaret L. Schlaifer
Stunt Coordinator:
Mickey Gilbert
Stunt Double:
Christian J. Fletcher
Stunts:
Troy Gilbert
Lance Gilbert
Supervising ADR Editor:
Fred Stafford
Supervising Sound Editor:
John Leveque
Title Designer:
Anthony Goldschmidt
Transportation Captain:
Lee Garibaldi
Transportation Co-Captain:
Ken Nevin
Transportation Coordinator:
Tommy Tancharoen
Unit Production Manager:
Bill Johnson
Unit Publicist:
Michael Singer
Utility Stunts:
Matt Byrne
Video Assist Operator:
Martin Weight
Visual Effects Supervisor:
Andrew Adamson
Wardrobe Assistant:
Joel Voorhies
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.