A work in constant progress (and occasional regress).
Birthplace:
New York City, New York, USA
Born:
March 17, 1971
James Chinlund (born March 17, 1971) is an American production designer. He was born and raised in New York City and studied fine art at CalArts in Los Angeles, with a focus on sculpture and large-scale installation artworks. After graduating, Chinlund returned to New York and started his career in film, first as a carpenter, before finding opportunities as a production designer on music videos and independent films. During this period he first worked with frequent collaborator Darren Aronofsky (Requiem for a Dream, The Fountain) in addition to other directors in the New York independent film world, including Todd Solondz (Storytelling), Paul Schrader (Auto Focus), and Spike Lee (25th Hour). After a short break from features to help care for his young daughter, Chinlund returned to the feature world in 2012 to work on The Avengers for Marvel, which set a record for the highest-grossing opening weekend ever. Since then he has been nominated six times for Art Directors Guild Awards. Two for his work on the Fox films Dawn of the Planet of the Apes and War for the Planet of the Apes, directed by Matt Reeves, and most recently for his work on The Lion King, directed by Jon Favreau, which was the first feature film ever shot entirely in virtual reality. Over the years, James has been active in the commercial and fashion worlds as well. Collaborators include Inez van Lamsweerde and Vinoodh Matadin, Rupert Sanders, Spike Jonze, Marc Forster, Lance Acord, Gus Van Sant, and Harmony Korine. James was a production designer on The Batman, directed by Matt Reeves, which was released on March 4, 2022. Description above from the Wikipedia article James Chinlund, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Art Direction:
1998 Bongwater
1998 Buffalo '66
Production Design:
1998 Bongwater
1998 Buffalo '66
2000 Requiem for a Dream
2001 Lift
2001 Storytelling
2002 25th Hour
2002 Auto Focus
2006 The Fountain
2008 Towelhead
2009 We Were Once a Fairytale
2011 D-Minus
2012 The Avengers
2014 Dawn of the Planet of the Apes
2017 War for the Planet of the Apes
2019 The Lion King
2022 The Batman
2025 The Smashing Machine
2026 Untitled Chronicles of Narnia Film #1
2027 Untitled The Batman Sequel
Production Designer:
1998 Bongwater
1998 Buffalo '66
2000 Requiem for a Dream
2001 Lift
2001 Storytelling
2002 25th Hour
2002 Auto Focus
2006 The Fountain
2008 Towelhead
2009 We Were Once a Fairytale
2010 Black Hole
2011 D-Minus
2012 The Avengers
2014 Dawn of the Planet of the Apes
2017 War for the Planet of the Apes
2019 The Lion King
2022 The Batman
2025 The Smashing Machine
2026 Untitled Chronicles of Narnia Film #1
2027 Untitled The Batman Sequel
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.