A work in constant progress (and occasional regress).
Release Date:
October 18, 2002
Original Title:
Auto Focus
Genres:
Crime | Drama
Production Companies:
Focus Puller Inc.
Good Machine
Propaganda Films
Production Countries:
United States of America
Ratings / Certifications:
CH: 18 CZ: 15+ DE: 16 FR: 12 GB: 18 HU: 18 IE: 18 JP: R15+ NL: 18 SE: 15 US: R
Runtime: 104
A successful TV star during the 1960s, former "Hogan's Heroes" actor Bob Crane projects a wholesome family-man image, but this front masks his persona as a sex addict who records and photographs his many encounters with women, often with the help of his seedy friend, John Henry Carpenter. This biographical drama reveals how Crane's double life takes its toll on him and his family, and ultimately contributes to his death.
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"A" Camera Operator:
Paul A. Edwards
"B" Camera Operator:
Jeffrey Greeley
ADR Editor:
Ken Cade
Accountant:
M. Ross-Michaels
Art Direction:
Seth Reed
Assistant Costume Designer:
Michael Dennison
Assistant Editor:
Hilary Peabody
Melissa Remenarich
Assistant Location Manager:
Eddie Merino
Hector Tinoco
Keura Alexander
Assistant Property Master:
Randy Gunter
Best Boy Electric:
Frank Endewardt
Best Boy Grip:
Thomas Crawford
Book:
Robert Graysmith
Boom Operator:
Chris Main
Casting:
Wendy Kurtzman
Casting Associate:
Caroline Liem
Co-Producer:
Brian Oliver
Color Timer:
Cathy Rait
Construction Coordinator:
Nick Rock
Costume Design:
Julie Weiss
Costume Supervisor:
Pamela Lee Incardona
Costumer:
Neil Tansey
Barbara Marko
Dialogue Editor:
David Drainie Taylor
Director:
Paul Schrader
Director of Photography:
Fred Murphy
Dolly Grip:
Andreas Crawford
Editor:
Kristina Boden
Electrician:
Michael Tolochko
Executive Producer:
Rick Hess
Trevor Macy
James Schamus
Extras Casting:
Kristan Berona
First Assistant "B" Camera:
James W. Apted
First Assistant Accountant:
Karen Yokomizo
First Assistant Camera:
Barry Idoine
First Assistant Director:
Aaron Barsky
Foley Artist:
John Sievert
Gaffer:
Michael Bauman
Graphic Designer:
William Eliscu
Hairstylist:
Cheryl Eckert
Candace Neal
Key Grip:
Richard Mall
Key Hair Stylist:
Melissa Yonkey
Key Makeup Artist:
Isabel Harkins
Leadman:
Grant Samson
Location Manager:
Nathan Polatin
Makeup Artist:
Rebecca DeHerrera
Makeup Effects:
Rob Hinderstein
Joel Harlow
Music Consultant:
Todd Rosken
Jim Dunbar
Danny Holloway
Music Coordinator:
Yvonne McDonald
Music Editor:
Tass Filipos
Music Supervisor:
G. Marq Roswell
Orchestrator:
Angelo Badalamenti
Andrew Barrett
Original Music Composer:
Angelo Badalamenti
Producer:
Scott Alexander
Alicia Allain
Patrick Dollard
Larry Karaszewski
Todd Rosken
Production Coordinator:
Michael Hubert
Production Design:
James Chinlund
Production Supervisor:
Cheryl Kurk
Property Master:
Rick Chavez
Script Supervisor:
Rebecca Poulos
Second Assistant Camera:
James W. Apted
Second Assistant Director:
Barbara M. Ravis
Set Costumer:
David Page
Set Decoration:
Gene Serdena
Set Designer:
Sam Page
Sound Assistant:
Timothy Mehlenbacher
Peter Kambasis
Sound Re-Recording Mixer:
Daniel Pellerin
Sound Recordist:
Steve C. Aaron
Special Effects:
John C. Hartigan
Stand In:
Kevin Beard
Ed Carney
Steadicam Operator:
Chris Squires
Still Photographer:
Frank Masi
Supervising Sound Editor:
Steve Munro
Title Designer:
Kenneth J. Ferris
Transportation Captain:
Thomas P. Donovan
Transportation Coordinator:
Robert Benjamin
Unit Production Manager:
Avi Levy
Visual Effects Producer:
Sarah Jackson-Seirafi
Visual Effects Supervisor:
Ziad Seirafi
Writer:
Michael Gerbosi
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.