A work in constant progress (and occasional regress).
Release Date:
December 19, 2002
Original Title:
25th Hour
Alternate Titles:
24 heures avant la nuit
La 25a ora
La 25e Heure
La 25ima ora
La hora 25
La venticinquesima ora
La última noche
一线曙光
转折一刻
Genres:
Crime | Drama
Production Companies:
25th Hour Productions
40 Acres and a Mule Filmworks
Gamut Films
Industry Entertainment
Touchstone Pictures
Production Countries:
United States of America
Ratings / Certifications:
AR: 13 AT: 16 AU: MA15+ BE: 16 BR: 14 CA: 14A CH: 14 CZ: 15+ DE: 12 DK: 15 ES: 12 FI: K-16 FR: TP GB: 15 GR: 15 HU: 16 IE: 15 IS: 12 IT: T KR: 15 NL: 16 NO: 15 NZ: R13 PE: 14 PH: R-18 PL: 16 PT: M/12 SE: 11 US: R
Runtime: 135
In New York City in the days following the events of 9/11, Monty Brogan is a convicted drug dealer about to start a seven-year prison sentence, and his final hours of freedom are devoted to hanging out with his closest buddies and trying to prepare his girlfriend for his extended absence.
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ADR Editor:
Hal Levinsohn
Marissa Littlefield
ADR Engineer:
David Boulton
ADR Recordist:
Alex Raspa
Art Department Coordinator:
Alexander Wei
Art Direction:
Nicholas Lundy
Assistant Art Director:
Ellen Waggett
Dan Kuchar
Charley Beal
Assistant Property Master:
Akeo Ihara
Assistant Set Decoration:
Alison Froling
Assistant Sound Editor:
Chris Fielder
Nani Schumann
Igor Nikolic
Associate Producer:
Jeff Sommerville
Best Boy Grip:
Chris Skutch
Boom Operator:
Stuart Deutsch
Camera Operator:
Christopher Norr
Jody Williams
Casting:
Aisha Coley
Charge Scenic Artist:
Roland Brooks
Construction Coordinator:
Richard Hebrank
Costume Design:
Sandra Hernandez
Costume Supervisor:
Joanna Brett
Sukari McGill
Dialogue Editor:
Fred Rosenberg
Director:
Spike Lee
Director of Photography:
Rodrigo Prieto
Dolby Consultant:
Thomas Kodros
Dolly Grip:
Gregory Cahill
Rick Marroquin
Editor:
Barry Alexander Brown
Executive Producer:
Nick Wechsler
First Assistant Camera:
Heather Norton
James R. Belletier
First Assistant Director:
Mike Ellis
First Assistant Editor:
K.A. Miille
Foley Artist:
David Warzynski
Marko Costanzo
Leslie Bloome
Foley Editor:
Frank Kern
Kam Chan
Foley Mixer:
Matthew Haasch
Foley Recording Engineer:
George A. Lara
Gaffer:
Robby Baumgartner
Hairstylist:
Fríða Aradóttir
Key Grip:
Lamont Crawford
Key Hair Stylist:
Mary Cooke
Key Makeup Artist:
Ellie Winslow
Key Rigging Grip:
Robert M. Andres
Leadman:
Robin Koenig
Makeup Artist:
Julie L. Pearce
Music Editor:
Todd Bozung
Negative Cutter:
Noëlle Penraat
Novel:
David Benioff
On Set Dresser:
Jeffrey Rollins
Original Music Composer:
Terence Blanchard
Payroll Accountant:
Joan Devilla
Post Production Supervisor:
Colin Cumberbatch
Paul Leonardo Jr.
Producer:
Jon Kilik
Spike Lee
Tobey Maguire
Julia Chasman
Production Coordinator:
Angela Quiles
Betty Chin
Production Design:
James Chinlund
Property Master:
Tim Oravetz
King Orba
Rigging Gaffer:
Peter Walts
Screenplay:
David Benioff
Script Supervisor:
Shari L. Carpenter
Second Assistant Camera:
Caesar S. Carnevale
Kris Enos
Second Assistant Director:
Tracey Hinds
Second Second Assistant Director:
Michael A. Pinckney
Set Decoration:
Ondine Karady
Sound Editor:
Jesse Ehredt
Sound Effects Designer:
Sean Garnhart
Sound Effects Editor:
Sean Garnhart
Sound Mixer:
Rolf Pardula
Sound Re-Recording Mixer:
Sean Garnhart
Michael Barry
Steadicam Operator:
Andrew Casey
Jim McConkey
Still Photographer:
David Lee
Stunt Coordinator:
Jeff Ward
Supervising Sound Editor:
Philip Stockton
Thanks:
Bruce Springsteen
Unit Production Manager:
Jon Kilik
Unit Publicist:
Jackie Bazan
Utility Sound:
Karl Wasserman
Visual Effects Supervisor:
Randall Balsmeyer
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.