A work in constant progress (and occasional regress).
Release Date:
November 8, 2001
Original Title:
Storytelling
Alternate Titles:
Cosas que no se olvidan
Untitled Todd Solondz Project
Genres:
Comedy | Drama
Production Companies:
Good Machine
Killer Films
New Line Cinema
Production Countries:
United States of America
Ratings / Certifications:
CH: 16 CZ: 15+ DE: 16 US: R
Runtime: 87
College and high school serve as the backdrop for two stories about dysfunction and personal turmoil.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Lisa J. Levine
Art Direction:
Judy Rhee
Boom Operator:
Michael Primmer
Camera Operator:
Patrick Capone
Casting:
Ann Goulder
Costume Design:
John Dunn
Dialogue Editor:
Mary Ellen Porto
Director:
Todd Solondz
Director of Photography:
Frederick Elmes
Editor:
Alan Oxman
Executive Producer:
Michael De Luca
David Linde
Amy Henkels
First Assistant Director:
Timothy Bird
Foley Artist:
Nancy Cabrera
Foley Mixer:
Matthew Fleece
Gaffer:
Jonathan Lumley
Key Makeup Artist:
Kyra Panchenko
Quentin Harris
Line Producer:
Declan Baldwin
Original Music Composer:
Nathan Larson
Post Coordinator:
Jay Van Hoy
Producer:
Christine Vachon
Ted Hope
Production Design:
James Chinlund
Production Sound Mixer:
Drew Kunin
Screenplay:
Todd Solondz
Second Assistant Director:
Leslie Garvin
Second Second Assistant Director:
Victoria Lang
Second Unit Director:
Alan Oxman
Set Decoration:
Jennifer Alex Nickason
Set Dresser:
Roman Greller
Byron K. Lovelace
Dana Neuwirth
Sound Re-Recording Mixer:
Andy Kris
Special Effects:
Mark Bero
Andrew Mortelliti
John Stifanich
Thomas Viviano
Special Effects Coordinator:
Drew Jiritano
Robert J. Scupp
Steadicam Operator:
Ray Collins
John Corso
Stunt Coordinator:
Peter Bucossi
Supervising Sound Editor:
Andy Kris
Visual Effects Supervisor:
Randall Balsmeyer
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.