A work in constant progress (and occasional regress).
Birthplace:
Manhattan, New York City, New York, USA
Born:
May 1, 1946
Arthur Max (born May 1, 1946) is an American production designer. The native New Yorker began his career as a stage lighting designer in the music industry following graduation from New York University in the late 1960s. Those assignments included work at Bill Graham's famous music venue The Fillmore East in New York's East Village, and the historic Woodstock Festival of 1969. During the following decade, he designed concert lighting and festival stages for many rock and jazz artists. He was Pink Floyd's lighting designer during the bands' tours in the US and worldwide in the early-1970s. After studying architecture in England (earning degrees in the early-1980s from the Polytechnic of Central London and the Royal College of Art), Max went on to do several architectural design projects in London including an award-winning lighting design for the stage of St John's Concert Hall, a former 18th Century church in the centre of Smith Square, Westminster, London. He entered the British film industry as an assistant to several English production designers. First for Stuart Craig on Hugh Hudson's "Greystoke: The Legend of Tarzan, Lord of the Apes" and "Cal" (both 1984), then for Ashetton Gorton on Hudson's "Revolution" the following year. He commenced his own production design career in TV commercials for ten years from 1985 to 1995 (for such clients as Pepsi, Nike, Jeep, Coke and Levi's), which led to his ongoing associations with directors Scott and Fincher.
Art Direction:
1985 Insignificance
2019 The Last Vermeer
Production Design:
1985 Insignificance
1995 Se7en
1997 G.I. Jane
2000 Gladiator
2001 Black Hawk Down
2002 Panic Room
2005 Kingdom of Heaven
2007 American Gangster
2008 Body of Lies
2010 Robin Hood
2012 Prometheus
2013 The Counselor
2014 Exodus: Gods and Kings
2015 The Martian
2017 All the Money in the World
2019 The Last Vermeer
2021 House of Gucci
2021 The Last Duel
2023 Napoleon
2024 Gladiator II
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.