A work in constant progress (and occasional regress).
Release Date:
November 2, 2007
Original Title:
American Gangster
Alternate Titles:
Amerikan · gyangusuta
Ameriški gangster
Gangestere Amrikayi
Gánster Americano
گانگستر آمریکایی
犯罪帝國
Genres:
Crime | Drama
Production Companies:
Film Rites
Imagine Entertainment
Relativity Media
Scott Free Productions
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
AR: +16 AU: MA 15+ BE: 18 BR: 18 CA: 18A CH: 14 CZ: 18+ DE: 16 DK: 15 ES: 18 FI: K-15 FR: TP|16 GB: 18 GR: 16 HK: IIB HU: 18 IE: 18 IL: 16 IN: A IT: VM14 JP: R15+ KR: 18 LT: N-13 MX: C NL: 16 NO: 15 PH: R-13 PL: 18 PT: M/16 RO: 18+ RU: 18+ SE: 15 SG: M18 TH: 18 TR: 18+ TW: 18+ US: R
Runtime: 157
Following the death of his employer and mentor, Bumpy Johnson, Frank Lucas establishes himself as the number one importer of heroin in the Harlem district of Manhattan. He does so by buying heroin directly from the source in South East Asia and he comes up with a unique way of importing the drugs into the United States. Partly based on a true story.
ADR Editor:
Michelle Pazer
Chris Hogan
ADR Mixer:
Beauxregard Neylon
Thomas J. O'Connell
Howard London
Douglas Murray
ADR Recordist:
Rick Canelli
Craig Kyllonen
Art Department Coordinator:
Julia G. Hickman
Art Direction:
Nicholas Lundy
Author:
Mark Jacobson
Boom Operator:
George Leong
Camera Operator:
Larry McConkey
Craig Haagensen
Casting:
Avy Kaufman
Casting Associate:
Elizabeth Greenberg
Co-Producer:
Jonathan Filley
Color Timer:
David Orr
Costume Design:
Janty Yates
Dialogue Editor:
Kimaree Long
Frederick H. Stahly
Director:
Ridley Scott
Director of Photography:
Harris Savides
Editor:
Pietro Scalia
Executive Producer:
Branko Lustig
Jim Whitaker
Michael Costigan
Nicholas Pileggi
Steven Zaillian
First Assistant Director:
Darin Rivetti
First Assistant Editor:
Billy Rich
Foley Artist:
Alyson Dee Moore
John Roesch
Foley Mixer:
Mary Jo Lang
Grip:
Matt Blades
Hair Department Head:
Kenneth Walker
Hairstylist:
Bert Reo Anderson
Makeup Artist:
Felice Diamond
Carl Fullerton
Music Editor:
Del Spiva
Music Supervisor:
Kathy Nelson
Original Music Composer:
Marc Streitenfeld
Post Production Supervisor:
Teresa Kelly
Producer:
Brian Grazer
Ridley Scott
Production Assistant:
Patrick Tendai Pfupajena
Production Coordinator:
Angela Quiles
Production Design:
Arthur Max
Production Sound Mixer:
William Sarokin
Property Master:
Peter Gelfman
Screenplay:
Steven Zaillian
Script Supervisor:
Mary A. Kelly
Second Assistant Director:
Noreen R. Cheleden
Second Unit Director:
Alexander Witt
Set Costumer:
Hartsell Taylor
Set Decoration:
Leslie E. Rollins
Beth A. Rubino
Set Dresser:
Christopher Heaps
Sound Effects Editor:
Peter Staubli
Jon Title
Christopher Assells
Dino DiMuro
Dan Hegeman
Sound Re-Recording Mixer:
Bob Beemer
Michael Minkler
Steadicam Operator:
Larry McConkey
Still Photographer:
David Lee
Stunt Coordinator:
G.A. Aguilar
Stunt Double:
Aja Frary
Stunt Driver:
Caroline Vexler
Stunts:
Aaron Vexler
Peter Epstein
David Gere
Jodi Michelle Pynn
Gabriel Hansen
Blaise Corrigan
Kimberly Shannon Murphy
Chris Cenatiempo
Lisa Cohen
Jill Brown
Jalil Jay Lynch
Janet Paparazzo
Supervising ADR Editor:
Chris Jargo
Supervising Sound Editor:
Per Hallberg
Karen Baker Landers
Thanks:
Joe Frazier
Muhammad Ali
Unit Publicist:
Rob Harris
Utility Stunts:
John Cenatiempo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.