A work in constant progress (and occasional regress).
Release Date:
September 22, 1995
Original Title:
Se7en
Alternate Titles:
Pecados Capitales
SE7EN
Se7en - Os Sete Crimes Capitais
Seitse
Seitsemän
Sev7n: Los siete pecados capitales
Seven
Seven - Los 7 pecados capitales
Seven - Os Sete Crimes Capitais
Siedem
The Seven Deadly Sins
Yeddi
Сім
Genres:
Crime | Mystery | Thriller
Production Companies:
Cecchi Gori Pictures
Juno Pix
New Line Cinema
Production Countries:
United States of America
Ratings / Certifications:
AR: 18 AU: R 18+ BE: KNT/ENA BR: 14|16 CA: 18A CH: 16 CZ: 15+ DE: 16 DK: 15 ES: 18 FI: K-16 FR: 12 GB: 18 HU: 18 ID: 21+ IE: 18 IN: A IT: T JP: R18+ KR: 19 MX: B-15 NL: 16 NO: 18 PH: R-18 PL: 18 PT: M/16 SE: 15 SG: M18 TR: 13+ US: R
Runtime: 127
Two homicide detectives are on a desperate hunt for a serial killer whose crimes are based on the "seven deadly sins" in this dark and haunting film that takes viewers from the tortured remains of one victim to the next. The seasoned Det. Sommerset researches each sin in an effort to get inside the killer's mind, while his novice partner, Mills, scoffs at his efforts to unravel the case.
ADR Editor:
Jeff Watts
Mark Levinson
Joan E. Chapman
ADR Mixer:
Thomas J. O'Connell
ADR Recordist:
Rick Canelli
ADR Supervisor:
Patrick Dodd
Additional Editing:
William Hoy
Additional Photography:
Harris Savides
Additional Second Assistant Director:
Leonard Bram
Aerial Camera:
Donald M. Morgan
Aerial Coordinator:
Charles A. Tamburro
Art Department Assistant:
John S. Dorsey
Art Department Coordinator:
Jan O'Connell
Art Department Production Assistant:
Craig Albrecht
Art Direction:
Gary Wissner
Assistant Art Director:
Barry Chusid
Assistant Dialogue Editor:
Erik R. Kraber
Assistant Editor:
Tom Barrett
Assistant Location Manager:
Flint Maloney
Assistant Production Coordinator:
John L. Anderson
Assistant Sound Designer:
Steve Boeddeker
Associate Producer:
Michele Platt
Best Boy Grip:
William E. Fitch
Boom Operator:
Marvin E. Lewis
Camera Loader:
David Sanchez
Camera Operator:
Michael A. Chavez
Conrad W. Hall
Camera Technician:
Michael Charbonnet
Casting:
Suzanne Smith Crowley
Kerry Barden
Billy Hopkins
Casting Assistant:
Jennifer McNamara
Kim Taylor-Coleman
Casting Associate:
Aisha Coley
Chef:
Jose Majica
Co-Executive Producer:
Richard Saperstein
Lynn Harris
Co-Producer:
Sanford Panitch
Stephen Joel Brown
Nana Greenwald
Color Timer:
Andrea Gargano
Yvan Lucas
Dale Caldwell
Concept Artist:
Jim Feldman
Conceptual Illustrator:
Patrick Tatopoulos
Conductor:
Lucas Richman
Construction Coordinator:
Robert Bonino
Construction Foreman:
William Davidson
Costume Design:
Michael Kaplan
Costume Supervisor:
Elinor Bardach
Costumer:
Marsha Bozeman
Craft Service:
Ronald E. Hairston
Dialogue Editor:
Francesca Dodd
John Nutt
Director:
David Fincher
Director of Photography:
Darius Khondji
Dolly Grip:
Michael Brennan
Driver:
George Alden
Bonnie Alden
Editor:
Richard Francis-Bruce
Electrician:
Michael S. Adler
Executive Assistant:
Maria Norman
Executive In Charge Of Post Production:
Joe Fineman
Executive In Charge Of Production:
Ted Zachary
Executive Producer:
Dan Kolsrud
Anne Kopelson
Gianni Nunnari
First Assistant Accountant:
Jerri Whiteman
First Assistant Camera:
Brad Edmiston
First Assistant Director:
Michael Alan Kahn
First Assistant Editor:
Robert C. Lusted
Foley Artist:
Marnie Moore
Margie O'Malley
Foley Editor:
Malcolm Fife
Foley Mixer:
Richard Duarte
Jeremy Molod
Gaffer:
Claudio Miranda
Grip:
Nico Bally
Hair Designer:
Becky Ochoa
Key Grip:
Michael J. Coo
Key Rigging Grip:
Larry J. Aube
Leadman:
Chris Gibbin
Lighting Technician:
Thomas P. Powell
Line Producer:
William C. Gerrity
Location Assistant:
Joe Johnston
Location Manager:
Paul Hargrave
Location Scout:
Fred Jove
Makeup Artist:
Monty Westmore
Michael Hancock
Makeup Effects Designer:
Rob Bottin
Makeup Supervisor:
Jean Ann Black
Medical Consultant:
Robert M. Rey
Music Consultant:
Rachel Flanagan
Music Coordinator:
Mark Kaufman
Music Editor:
Angie Rubin
Ellen Segal
Musician:
Armen Ksajikian
Tom Boyd
Negative Cutter:
Gary Burritt
Orchestrator:
Bert Dovo
John Lissauer
Original Music Composer:
Howard Shore
Painter:
Shawn Albro
Payroll Accountant:
Brad Davis
Post Production Assistant:
Ian Crockett
Post Production Supervisor:
Ric Keeley
Mark Graziano
Producer:
Phyllis Carlyle
Arnold Kopelson
Production Accountant:
Robert Grindrod
Production Assistant:
Gary A. Martin
Production Controller:
Paul Prokop
Production Coordinator:
Wendy Cox
Production Design:
Arthur Max
Production Illustrator:
Daren Dochterman
Production Secretary:
Janet Ingram
Production Sound Mixer:
Willie D. Burton
Property Master:
Roy 'Bucky' Moore
Propmaker:
Alan Alvarado
Prosthetics:
Gary Archer
Publicist:
François Frey
Rigging Grip:
Joseph Graham
Script Supervisor:
Cori Glazer
Sculptor:
Moto Hata
Second Assistant Camera:
Brent Beal
Second Assistant Director:
Frank Davis
Second Second Assistant Director:
Craig A. Pinckes
Set Costumer:
Larry Velasco
Set Decoration:
Clay A. Griffith
Set Decoration Buyer:
Elizabeth Ragali
Set Designer:
Elizabeth Lapp
Hugo Santiago
Lori Rowbotham
Set Dressing Artist:
Christopher Casey
Set Production Assistant:
Kenneth H. Frith Jr.
Sound Designer:
Ren Klyce
Sound Effects Editor:
Ren Klyce
Jennifer L. Ware
Kim B. Christensen
Sound Re-Recording Mixer:
Rick Hart
Robert J. Litt
Elliot Tyson
Sound Recordist:
Jack Keller
David Behle
Philip Rogers
Special Effects:
William B. Doane
Special Effects Coordinator:
Peter Albiez
Special Effects Supervisor:
Danny Cangemi
Stand In:
Thomas Brader
Standby Painter:
Nicholas C. John
Steadicam Operator:
Dale Myrand
David Emmerichs
Still Photographer:
Peter Sorel
Melodie McDaniel
Storyboard Artist:
Jacques Rey
Stunt Coordinator:
Chuck Picerni Jr.
Stunt Double:
Scott Wilder
Stunts:
Janet Brady
Kenny Endoso
Sandy Berumen
Kane Hodder
Charlie Picerni
Henry Kingi
Bob Brown
Tim A. Davison
LaFaye Baker
Supervising Sound Editor:
Patrick Dodd
Swing:
Bruce Bellamy
Thanks:
Vincent Landay
Ceán Chaffin
Title Designer:
Kyle Cooper
Transportation Captain:
Wayne Stone
Transportation Coordinator:
Russell McEntyre
Unit Production Manager:
Robert S. Mendelsohn
Allan Wertheim
Unit Publicist:
Susan Steinlauf-Pascal
Utility Sound:
Robert W. Harris
Visual Effects Coordinator:
Tim Thompson
Visual Effects Editor:
J.W. Kompare
Visual Effects Producer:
Peter Frankfurt
Visual Effects Supervisor:
Greg Kimble
Writer:
Andrew Kevin Walker
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.