A work in constant progress (and occasional regress).
Release Date:
September 11, 2019
Original Title:
The Last Vermeer
Alternate Titles:
Lyrebird
Последният Вермеер
最後的威猛
Genres:
Drama
Production Companies:
30WEST
Imperative Entertainment
Sony Pictures Classics
TriStar Pictures
Production Countries:
United States of America
Ratings / Certifications:
BR: 14 CA: R GB: 15 NL: 18 PL: 18 SK: 15 US: R|NR
Runtime: 118
A soldier and member of the Dutch resistance investigates stolen art in the wake of the Second World War, including a Vermeer sold to the Nazis by a flamboyant forger.
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Art Direction:
Arthur Max
Fabrice Spelta
Anthony Caron-Delion
Book:
Jonathan Lopez
Boom Operator:
Duncan Craig
Peter Polak
Hugh Sherlock
Casting:
Kate Ringsell
Co-Producer:
Richard Goodwin
Costume Designer:
Guy Speranza
Director:
Dan Friedkin
Director of Photography:
Remi Adefarasin
Editor:
Victoria Boydell
Executive Producer:
Ridley Scott
Peter Heslop
Gino Falsetto
First Assistant Director:
Richard Goodwin
Foley Artist:
Peter Burgis
Zoe Freed
Rebecca Heathcote
Foley Editor:
Lilly Blazewicz
Foley Mixer:
Glen Gathard
Jemma Riley-Tolch
Hairstylist:
Doone Forsyth
Leendert van Nimwegen
Line Producer:
Elwin Looije
Makeup Artist:
Doone Forsyth
Marjon Hoogendoorn
Chris Lyons
Eva Marieges Moore
Sara Meerman
Original Music Composer:
Johan Söderqvist
Producer:
Dan Friedkin
Sabine Brian
Ryan Friedkin
Bradley Thomas
Production Design:
Arthur Max
Screenplay:
John Orloff
Mark Fergus
Hawk Ostby
Set Decoration:
Judy Farr
Sound Designer:
Paul Carter
Sound Effects Editor:
Rob Turner
Sound Re-Recording Mixer:
Julien Paschal
Andrew Stirk
Stunts:
Aidan Brindle
Supervising Sound Editor:
Danny Sheehan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.