Billy Weber

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Alias:
William Weber

Birthplace:
Los Angeles, California, USA

​From Wikipedia, the free encyclopedia.  Billy Weber is an American film editor with more than twenty film credits dating from Days of Heaven (1978).  One of Weber's first editing roles was as associate editor (as William Weber) on Terrence Malick's first feature as a director, Badlands (1973). Badlands was edited by Robert Estrin; Weber edited Malick's next film Days of Heaven (1978). When Malick returned to film directing twenty years later with The Thin Red Line (1998); he once again hired Weber to edit it, along with Leslie Jones and Saar Klein. While Weber did not edit Malick's next film The New World, he was an associate producer on the project. Most recently, Weber was one of five collaborating editors on Malick's fifth feature, The Tree of Life (2011).  Beyond this notable collaboration with Malick, Weber has edited Beverly Hills Cop (directed by Martin Brest, 1984), Top Gun (Tony Scott, 1986) and Midnight Run (Brest, 1988).  Weber was nominated for the Academy Award for Film Editing for Top Gun; he was nominated again for an Academy Award, as well as for an ACE Eddie Award and the Satellite Award, for The Thin Red Line.  Weber has directed one movie, Josh and S.A.M. (1993), that was produced by Martin Brest.  Description above from the Wikipedia article Billy Weber, licensed under CC-BY-SA, full list of contributors on Wikipedia

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.