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The Thin Red Line (1998) [R]

Release Date:
December 23, 1998

Original Title:
The Thin Red Line

Alternate Titles:
Cienka Czerwona Linia
I lepti kokkini grammi
La delgada línea roja
Mince Ligne rouge
İnce Kırmızı Hatt
İncə Qırmızı Xətt

Genres:
Drama | History | War

Production Companies:
Fox 2000 Pictures
Geisler-Roberdeau Productions
George Stevens Jr. Productions
Phoenix Pictures

Production Countries:
United States of America

Ratings / Certifications:
AT: 16  BE: 18  CA: 14A  CZ: 12+  DE: 16  DK: 15  ES: 16  FI: K-16  FR: 12  GB: 15  HU: 16  KR: 15  NL: 16  NO: 15  PT: M/16  SE: 15  US: R 

Runtime: 171

Every man fights his own war.

Overview from TheMovieDB

The story of a group of men, an Army Rifle company called C-for-Charlie, who change, suffer, and ultimately make essential discoveries about themselves during the fierce World War II battle of Guadalcanal. It follows their journey, from the surprise of an unopposed landing, through the bloody and exhausting battles that follow, to the ultimate departure of those who survived.

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Trailer

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Performers

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Production

3D Animator:
Ian Brown

ADR Editor:
Karyn Foster
Lee Lemont

ADR Supervisor:
Hugh Waddell

Additional Music:
Francesco Lupica
John Powell

Additional Soundtrack:
Arvo Pärt

Aerial Coordinator:
Bruce Simpson

Armorer:
John Bowring
Peter Cogar
Amanda Kirby
Scott Warwick

Art Department Coordinator:
Jenny O'Connell

Art Direction:
Ian Gracie

Assistant Editor:
Laura Behary
Charles Bunn
Alicia Gleeson
Jenny Hicks
Mark Ellis

Camera Operator:
Mike Thomas
Stephen S. Campanelli
Leigh Mackenzie
Reuben Aaronson

Casting:
Dianne Crittenden

Casting Associate:
Barbara Collins

Construction Manager:
Greg Hajdu

Costume Design:
Margot Wilson

Costume Supervisor:
Kerry Thompson

Costumer:
Harold Crawford
James P. Cullen

Dialogue Editor:
Patrick J. Foley
John F. Reynolds
Virginia Cook-McGowan

Director:
Terrence Malick

Director of Photography:
John Toll

Dolly Grip:
Michael Vivian

Editor:
Leslie Jones
Saar Klein
Billy Weber

Electrician:
Paul Cumming
Stephen Gray
Miles Jones
Marcus Watson

Executive Producer:
George Stevens Jr.

Foley:
Hilda Hodges
John Roesch

Foley Editor:
David Horton Jr.

Gaffer:
Mick Morris
Randy Woodside
James F. Boyle
Brett Jarman

Hair Designer:
Vivien Mepham

Hairstylist:
Angela Conte
Toni Ffrench
Joan Petch
Chiara Tripodi

Key Grip:
David Nichols
Herb Ault
Paul E. Borchardt
Toby Copping

Makeup Designer:
Vivien Mepham

Marine Coordinator:
Lance Julian

Novel:
James Jones

Original Music Composer:
Hans Zimmer

Producer:
Robert Michael Geisler
Grant Hill
John Roberdeau
Sheila Davis Lawrence

Production Design:
Jack Fisk

Property Master:
Richie Dehne
William A. Petrotta

Screenplay:
Terrence Malick

Script Coordinator:
Emily Saunders

Script Supervisor:
Pamela Willis
Chris O'Connell

Second Unit Director of Photography:
Gary Capo

Set Decoration:
Richard Hobbs
Suza Maybury

Sound Effects Editor:
Christopher S. Aud
Jayme S. Parker
Andrew Somers
John Voss Bonds Jr.
Mark L. Mangino

Sound Re-Recording Mixer:
Anna Behlmer
Andy Nelson

Sound Recordist:
Robert Renga
Craig Heath
Greg Burgmann

Still Photographer:
Merie Weismiller Wallace

Stunts:
Gary Fry
Mike Smith

Supervising Sound Editor:
J. Paul Huntsman

Visual Effects Designer:
Simon Whiteley

Visual Effects Producer:
Fiona Chilton

Visual Effects Supervisor:
Chris Godfrey

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.