A work in constant progress (and occasional regress).
Release Date:
December 5, 1984
Original Title:
Beverly Hills Cop
Alternate Titles:
Beverly Drive
Beverly Hills Cop
Beverly Hills Cop 1
Beverly Hills Cop 1 - Ich lös den Fall auf jeden Fall
Superdetective en Hollywood
Un detective suelto en hollywood
Genres:
Action | Comedy | Crime
Production Companies:
Don Simpson/Jerry Bruckheimer Films
Eddie Murphy Productions
Paramount Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 12 DE: 12 DK: 15 ES: 12 FI: K-16 FR: 12 GB: 15 GR: 16 HU: 18 IE: 15 IT: T KR: 15 NL: 12 NO: 15 PL: 18 RO: 18 SE: 15 SK: 15 US: R
Runtime: 105
Fast-talking, quick-thinking Detroit street cop Axel Foley has bent more than a few rules and regs in his time, but when his best friend is murdered, he heads to sunny Beverly Hills to work the case like only he can.
2000 #63 |
100 Years: 100 LAUGHS
100 Funniest American Movies Of All Time |
ADR Editor:
Alan L. Nineberg
Art Direction:
James J. Murakami
Assistant Camera:
Michael D. Weldon
Jeff L. Miller
Assistant Editor:
John Haggar
Claudia Finkle
Assistant Property Master:
Mike Blaze
Assistant Sound Editor:
Carolyn Colwell
Daniel F. Finnerty
Assistant Unit Manager:
Janis Benjamin Collister
Associate Producer:
Linda Horner
Best Boy Grip:
John Davis
Frank McKane
Boom Operator:
William Gocke
Camera Operator:
Jack N. Green
Casting:
Margery Simkin
Rhonda Young
Casting Assistant:
Maggie Mills
Color Timer:
Richard Ritchie
Construction Coordinator:
Robert Mueller
Costume Design:
Tom Bronson
Costumer:
Michael J. Long
Chuck Velasco
Kathie Gale
Director:
Martin Brest
Director of Photography:
Bruce Surtees
Dolly Grip:
Peter J. Breen
Jim Rose
Editor:
Arthur Coburn
Billy Weber
Electrician:
Danny Marzolo
Francis X. Valdez III
Executive Producer:
Mike Moder
Eddie Murphy
First Assistant Director:
Peter Bogart
Foley Editor:
Pamela Bentkowski
Allan Bromberg
Gaffer:
Don Nygren
Hairstylist:
Barbara Lorenz
Key Grip:
Peter Wagner
Location Manager:
William Bowling
Laurie Allison
James Herbert
Makeup Artist:
Ben Nye Jr.
Leonard Engelman
Music Consultant:
Kathy Nelson
Music Editor:
Bob Badami
Original Music Composer:
Harold Faltermeyer
Keith Forsey
Producer:
Jerry Bruckheimer
Don Simpson
Producer's Assistant:
Carol Richmond
Barbara Weintraub
Scott Metcalfe
Production Design:
Angelo P. Graham
Property Master:
Tommy Tomlinson
Screenplay:
Daniel Petrie Jr.
Script Supervisor:
Betty Goldberg
Second Assistant Director:
Richard Graves
Second Company Grip:
Michael Liakos
Al Contreras
Second Unit Director:
Thomas J. Wright
Second Unit First Assistant Director:
Steve McRoberts
Set Decoration:
John M. Dwyer
Jeff Haley
Songs:
Glenn Frey
Patti LaBelle
Sound Editor:
Teri E. Dorman
Bruce Richardson
Bruce Lacey
Sound Mixer:
Charles M. Wilborn
Sound Re-Recording Mixer:
Gregg Landaker
Rick Kline
Donald O. Mitchell
Sound Recordist:
Gary Ritchie
Special Effects:
Ken Pepiot
Standby Painter:
John Hutchinson
Still Photographer:
Richard R. Robinson
Story:
Danilo Bach
Daniel Petrie Jr.
Stunt Coordinator:
Gary McLarty
Stunt Double:
Justin De Rosa
Alan Oliney
Stunts:
Michael W. Moore
Rex Pierson
Jay Fuller
Loren Janes
Tony Epper
Ron Ellis
Richard Epper
John C. Meier
Danny Rogers
Alan Oliney
Karen McLarty
Gene Hartline
Matt Johnston
Steve M. Davison
Kenny Endoso
Billy Hank Hooker
Harold Jones
Stephanie Epper
Christopher R. Adams
Vince Deadrick Jr.
Janet Brady
Mic Rodgers
Eddy Donno
Bobby McLaughlin
John Sistrunk
Danny Costa
Vince Deadrick Sr.
Tom Glass
Supervising Sound Editor:
Cecelia Hall
George Watters II
Technical Advisor:
Chuck Adamson
Theme Song Performance:
Harold Faltermeyer
Transportation Captain:
Sam Edelman
Transportation Coordinator:
Jay Fuller
Unit Production Manager:
Mike Moder
Unit Publicist:
Stanley Brossette
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.