Tariq Anwar (b. 1945)

Birthplace:
Delhi, British India

Born:
September 21, 1945

Tariq Anwar (born 21 September 1945) is an Indian-born British-American film editor whose credits include Center Stage, The Good Shepherd, Sylvia, Oppenheimer, and American Beauty, for which he was nominated for an Academy Award and won two BAFTA Awards. He has also been nominated for an Academy Award in 2011 for editing The King's Speech.  Description above from the Wikipedia article Tariq Anwar, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Additional information:

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Additional Editor:
2021  Worth

Assistant Editor:
1972  The Fiend
2021  Worth

Associate Editor:
1972  The Fiend
2001  Greenfingers
2021  Worth

Dialogue Editor:
1972  The Fiend
2001  Greenfingers
2004  Stage Beauty
2021  Worth

Editor:
1972  The Fiend
1977  Doctor Who: The Face of Evil
1981  Beloved Enemy
1981  Psy-Warriors
1983  Doctor Who: The Five Doctors
1985  Knockback: 1
1985  Knockback: 2
1987  Christine
1989  One Way Out
1991  Galahad of Everest
1991  Under Suspicion
1992  Doctor Who: Shada
1993  Harnessing Peacocks
1994  Doomsday Gun
1994  Fatherland
1994  The Madness of King George
1995  The Grotesque
1996  The Crucible
1997  The Wings of the Dove
1998  Cousin Bette
1998  The Object of My Affection
1999  American Beauty
1999  Tea with Mussolini
2000  Center Stage
2001  Focus
2001  Greenfingers
2002  Leo
2003  Sylvia
2004  Stage Beauty
2006  Alpha Male
2006  The Good Shepherd
2008  Alien Love Triangle
2008  Revolutionary Road
2008  The Other Man
2009  Law Abiding Citizen
2010  The King's Speech
2012  Great Expectations
2012  The American Tetralogy
2013  The Liberator
2014  Resurrection
2015  Curve
2015  The Lady in the Van
2016  Our Kind of Traitor
2017  Doctor Who: Shada
2017  Mark Felt: The Man Who Brought Down the White House
2018  Dead in a Week (Or Your Money Back)
2018  Farming
2020  Human Capital
2020  One Night in Miami...
2020  The Courier
2021  With/In Volume 1
2021  With/In Volume 2
2021  Worth
2024  The Supremes at Earl's All-You-Can-Eat
2025  William Tell
????  Vivaldi

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.