A work in constant progress (and occasional regress).
Release Date:
November 25, 1983
Original Title:
Doctor Who: The Five Doctors
Genres:
Action | Adventure | Science Fiction | TV Movie
Production Companies:
BBC Worldwide
Production Countries:
United Kingdom
Ratings / Certifications:
GB: U
Runtime: 102
Many incarnations of the Doctors and their old companions are taken out of time and deposited in the Death Zone on Gallifrey. There, they must battle the Master, Daleks, Cybermen and Yeti in order to reach the Dark Tower and discover the Tomb of Rassilon.
Art Designer:
Jean Peyre
Boom Operator:
John Taylor (UK)
Camera Operator:
John Baker
Camera Supervisor:
Alec Wheal
Cinematography:
Fintan Sheehan
Costume Design:
Colin Lavers
Creature Design:
John Humphreys
Director:
Peter Moffatt
Editor:
Tariq Anwar
M.A.C. Adams
Hugh Parson
Paul Vanezis
Floor Runner:
Pauline Seager
Graphic Designer:
Ian Hewett
Steve Broster
Lighting Technician:
Don Babbage
Makeup Artist:
Jill Hagger
Mix Technician:
Shirley Coward
Music Arranger:
Delia Derbyshire
Peter Howell
Music Score Producer:
Ron Grainer
Post Production Coordinator:
Shirley O'Mara
Producer:
Sue Kerr
John Nathan-Turner
Paul Vanezis
Production Assistant:
Jean Davis
June Collins
Production Consultant:
Ian Levine
Ralph Montagu
Production Design:
Malcolm Thornton
Production Manager:
Jeremy Silberston
Property Buyer:
Robert Fleming
Researcher:
Richard Molesworth
Script Editor:
Eric Saward
Sound:
Martin Ridout
John Gatland
Sound Effects Designer:
Brian Hodgson
Sound Mixer:
Benedict Peissel
Andy Freeth
Technical Supervisor:
Derek Thompson
Visual Effects:
Dave Chapman
Jo McGrogan
Alison Rickman
Steve Roberts
Visual Effects Assistant Editor:
Graham Brown
Visual Effects Designer:
John Brace
Mike Kelt
Writer:
Terrance Dicks
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.