A work in constant progress (and occasional regress).
Release Date:
April 17, 1998
Original Title:
The Object of My Affection
Alternate Titles:
Mucho mas que Amigos
Genres:
Comedy | Drama | Romance
Production Companies:
20th Century Fox
Production Countries:
United States of America
Ratings / Certifications:
DE: 6 GB: 15 KR: 18 PT: M/12 US: R
Runtime: 111
A pregnant New York social worker begins to develop romantic feelings for her gay best friend, and decides she'd rather raise her child with him, much to the dismay of her overbearing boyfriend.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Hal Levinsohn
Marissa Littlefield
Additional Photography:
David M. Dunlap
Apprentice Sound Editor:
Allan Zaleski
Art Department Coordinator:
Janice Irwin
Art Direction:
Patricia Woodbridge
Assistant Art Director:
Loren Weeks
Assistant Costume Designer:
Laura Jean Shannon
Assistant Hairstylist:
Milton Buras
Assistant Location Manager:
Paul Kramer
Assistant Makeup Artist:
Carla White
Assistant Production Coordinator:
Suzanne Landau
Assistant Property Master:
John McDonnell
Assistant Set Decoration:
Ellen Christiansen
Assistant Sound Editor:
Chris Fielder
Associate Producer:
Petra Alexandria
Best Boy Electric:
John G. Velez
Best Boy Grip:
Chris Skutch
Boom Operator:
Linda Murphy
Cableman:
Mark Goodermote
Camera Operator:
Florian Ballhaus
Camera Trainee:
Lee Kazista
Casting:
Daniel Swee
Casting Associate:
Kathleen Chopin
Choreographer:
Jerry Mitchell
Co-Producer:
Diana Pokorny
Color Timer:
Dave Pultz
Construction Coordinator:
Fred Merusi
Costume Design:
John Dunn
Dialogue Editor:
Dan Korintus
Magdaline Volaitis
Director:
Nicholas Hytner
Director of Photography:
Oliver Stapleton
Dolly Grip:
Richard C. Kerekes
Editor:
Tariq Anwar
First Assistant Camera:
Susan Starr
First Assistant Director:
Sam Hoffman
Foley Artist:
Marko Costanzo
Foley Editor:
Frank Kern
Kam Chan
Gaffer:
Andy Day
Head Carpenter:
George Hugel
Key Costumer:
Iris Horta Lemos
Tim McKelvey
Key Grip:
Robert M. Andres
Key Hair Stylist:
Angel De Angelis
Leadman:
Dave Weinman
Location Manager:
Michael Stricks
Makeup Designer:
Naomi Donne
Music Supervisor:
Alex Steyermark
Negative Cutter:
Noƫlle Penraat
Novel:
Stephen McCauley
Orchestrator:
Jeff Atmajian
Simon Chamberlain
Original Music Composer:
George Fenton
Producer:
Laurence Mark
Production Accountant:
Andrea Isaacs
Production Coordinator:
John DeSimone
Production Design:
Jane Musky
Property Master:
Robert Griffon Jr.
Rigging Grip:
Craig Vaccaro
Screenplay:
Wendy Wasserstein
Script Supervisor:
Sheila Paige
Second Assistant Camera:
Heather Norton
Second Assistant Director:
Julie A. Bloom
Set Decoration:
Susan Bode Tyson
Set Dresser:
Damian J. Costa
Dennis Freeborn
Daniel K. Grosso
Eric Lewin
Chris Vogt
Richard Nelson
Sound Effects Editor:
Eugene Gearty
Sound Mixer:
Michael Barosky
Sound Re-Recording Mixer:
Michael Barry
Steadicam Operator:
Jim McConkey
Kyle Rudolph
Still Photographer:
Barry Wetcher
Storyboard Artist:
Brick Mason
Stunt Coordinator:
G.A. Aguilar
Stunts:
Bob Colletti
Supervising Dialogue Editor:
Fred Rosenberg
Supervising Sound Editor:
Philip Stockton
Transportation Coordinator:
Michael Hyde
Unit Publicist:
Marsha Robertson
Wardrobe Coordinator:
Sharon Globerson
Wardrobe Supervisor:
Mark Burchard
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.