Home

The Madness of King George (1994) [PG-13]

Release Date:
December 28, 1994

Original Title:
The Madness of King George

Alternate Titles:
As Loucuras do Rei George
Den gale kong George
Den galne kung George
Hullu kuningas
King George – Ein Königreich für mehr Verstand
Kongens galskap
Kral George'un Deliliği
La Folie du roi George
La Locura del Rey Jorge
La pazzia di Re Giorgio
Ludilo kralja Džordža
Nebunia regelui George
Szaleństwo króla Jerzego
Šílenství krále Jiřího
Безумие короля Георга
Божевілля короля Георга
Лудостта на крал Джордж
瘋狂喬治王
神經大帝
英国万歳!

Genres:
Comedy | Drama | History

Production Companies:
Close Call Films
Film4 Productions
Samuel Goldwyn Company

Production Countries:
United Kingdom

Ratings / Certifications:
DE: 12  GB: PG  KR: 15  US: PG-13 

Runtime: 107

His Majesty was all powerful and all knowing. But he wasn't quite all there.

Overview from TheMovieDB

Aging King George III of England is exhibiting signs of madness, a problem little understood in 1788. As the monarch alternates between bouts of confusion and near-violent outbursts of temper, his hapless doctors attempt the ineffectual cures of the day. Meanwhile, Queen Charlotte and Prime Minister William Pitt the Younger attempt to prevent the king's political enemies, led by the Prince of Wales, from usurping the throne.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

Art Department Assistant:
Jane Henwood
Sabrina Lamonica

Art Direction:
John Fenner

Assistant Costume Designer:
Irene Bohan

Assistant Dialogue Editor:
Pat Gilbert

Assistant Editor:
Adrian Trent

Assistant Foley Artist:
Graham Parrow

Assistant Makeup Artist:
Deborah Taylor

Assistant Sound Editor:
Elaine 'Chucks' Thomas

Best Boy Electrician:
Ronnie Rampton

Camera Trainee:
Philip Hill

Casting:
Celestia Fox

Conductor:
Nicholas Kraemer

Controller:
Liz Barron

Costume Assistant:
Stephen Miles
Steve Pokol
Frank Simon
Victoria Harwood

Costume Design:
Mark Thompson

Costume Mistress:
Anna Kot

Costume Supervisor:
Sue Honeyborne

Dialogue Editor:
Jim Shields

Director:
Nicholas Hytner

Director of Photography:
Andrew Dunn

Draughtsman:
Dennis Bosher
John Siddall

Dressing Prop:
Danny Skundric

Editor:
Tariq Anwar

Electrician:
Paul Wood
Danny Young
John Turner
George White

First Assistant Camera:
Patricia Vanover

First Assistant Director:
Mary Soan

First Assistant Editor:
Christopher Lloyd

Foley Artist:
Roy Baker
Jean Sheffield

Foley Editor:
Stan Fiferman

Gaffer:
Jim Beeby

Grip:
Mike House

Hair Designer:
Lisa Westcott

Line Producer:
Mark Cooper

Location Manager:
Rachel Neale

Makeup Artist:
Helen Barrett

Makeup Designer:
Lisa Westcott

Music:
Keith Grant

Music Supervisor:
Eliza Thompson

Original Music Composer:
George Fenton

Producer:
David Parfitt
Stephen Evans

Production Coordinator:
Vivien Jordan

Production Design:
Ken Adam

Production Sound Mixer:
David Crozier

Property Buyer:
Leith Boler

Property Master:
Jamie Wilkinson
Maurice Jones

Props:
Doug Purdy

Researcher:
Miles Barton

Screenplay:
Alan Bennett

Script Supervisor:
Jean Bourne

Second Assistant Camera:
Nick Penn

Second Assistant Director:
Finn McGrath

Set Decoration:
Carolyn Scott

Sound Engineer:
Clive Copland

Sound Re-Recording Mixer:
Dominic Lester
Robin O'Donoghue

Sound Recordist:
John Casali

Standby Art Director:
Mark Raggett

Standby Property Master:
Jim Parker
Malcolm Benstead

Steadicam Operator:
Nigel Kirton

Still Photographer:
Keith Hamshere
Alex Bailey

Storyboard Artist:
Paul Garner
Jane Clark

Supervising Art Director:
Martin Childs

Supervising Sound Editor:
Christopher Ackland

Theatre Play:
Alan Bennett

Third Assistant Director:
Stuart Renfrew

Video Assist Operator:
David Toft

Wardrobe Master:
Anthony Brookman

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.