A work in constant progress (and occasional regress).
Alias:
Eva de la Caridad Méndez
اوا مندس
Birthplace:
Miami, Florida, USA
Born:
March 5, 1974
Eva de la Caridad Méndez (/ˈmɛndɛz/, Spanish:[ˈeβa ðe la kaɾiˈðað ˈmendes]; born March 5, 1974), known professionally as Eva Mendes, is an American retired actress. Her acting career began in the late 1990s with a series of roles in films such as Children of the Corn V: Fields of Terror (1998) and Urban Legends: Final Cut(2000). Mendes's performance in Training Day (2001) marked a turning point in her career and led to parts in the commercially successful films 2 Fast 2 Furious (2003) and Hitch (2005). She starred in Ghost Rider (2007) and The Spirit (2008), both film adaptations of comics, and ventured into more dramatic territory with We Own the Night(2007), Bad Lieutenant: Port of Call New Orleans(2009), Last Night (2010), and The Place Beyond the Pines (2012). Her other films include Out of Time (2003), The Women (2008), The Other Guys (2010), and Girl in Progress (2012). Mendes has appeared in several music videos for artists such as Will Smith and has also been an ambassador for brands including Calvin Klein, Cartier, Reebok, Pantene shampoo, and Peek & Cloppenburg. She has designed for New York & Company and is the creative director of CIRCA Beauty, a makeup line sold at Walgreens. Description above from the Wikipedia article Eva Mendes, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director:
2011 California Romanza
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.