A work in constant progress (and occasional regress).
Release Date:
October 12, 2007
Original Title:
We Own the Night
Alternate Titles:
Dueños de la noche
Hakye wasiyan
Heiye huashiren
I nyhta einai diki mas
I nyhta mas anikei
Los dueños de la noche
Noaptea e a noastra
Nós Controlamos a Noite
Undercover
Wi oun deo nait
Yö kuuluu meille
萬惡夜總會
Genres:
Crime | Drama | Thriller
Production Companies:
2929 Productions
Columbia Pictures
Mandate International
Nick Wechsler Productions
Production Countries:
United States of America
Ratings / Certifications:
AE: 15+ AR: 13 AU: MA15+ BR: 16 CH: 14 DE: 16 DK: 15 FI: K-16 FR: TP|12 GB: 15 HK: IIB HU: 16 IE: 15A IT: VM14 JP: PG-12 KR: 18 MX: B15 NL: 16 NO: 15 PH: R-13 PT: M/16 RU: 16+ SE: 15 TW: R-18 US: R
Runtime: 118
A New York nightclub manager tries to save his brother and father from Russian mafia hitmen.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"B" Camera Operator:
Susan Starr
"C" Camera Operator:
Wayne Paull
ADR Mixer:
Alan Freedman
ADR Voice Casting:
Barbara Harris
Additional Second Assistant Director:
Les McDonough
Armorer:
Ryder Washburn
Art Department Coordinator:
Brianne Zulauf
Art Direction:
James C. Feng
Assistant Director:
Brian Kenyon
Patrick McDonald
Assistant Set Decoration:
Sarah E. McMillan
Sarah Dennis
Associate Producer:
Kevin Flatow
Best Boy Electric:
Brian McClean
Best Boy Grip:
Melvin Pukowsky
Boom Operator:
Sam Perry
Casting:
Douglas Aibel
Casting Associate:
Stephanie Holbrook
Co-Producer:
Mike Upton
Couper Samuelson
Color Timer:
Bob Fredrickson
Construction Coordinator:
John J. Ciccimarro
Pierre Rovira
Costume Design:
Michael Clancy
Director:
James Gray
Director of Photography:
Joaquín Baca-Asay
Editor:
John Axelrad
Executive Producer:
Anthony Katagas
Mark Cuban
Todd Wagner
First Assistant "A" Camera:
Eric Swanek
First Assistant "B" Camera:
Frank Rinato
First Assistant Director:
Doug Torres
First Assistant Editor:
Tom Cross
Foley Artist:
Caoimhe Doyle
Andy Malcolm
Hair Department Head:
Milton Buras
Hairstylist:
Mary Cooke
Jovan Vitagliano
Dallas Hartnett
Key Grip:
Billy Miller
Leadman:
Scott Rosenstock
Location Manager:
Gayle Vangrofsky
Location Scout:
Daniel Tresca
Jimmy Price
Makeup Artist:
Craig Lindberg
Margot Boccia
Jeong-Hwa Fonkalsrud
Donald Mowat
Makeup Department Head:
Kelly Gleason
Music Consultant:
Christopher Spelman
Music Coordinator:
Elizabeth Umstead
Music Editor:
Angie Rubin
Original Music Composer:
Wojciech Kilar
Post Production Supervisor:
Peter Phillips
Isabel Henderson
Producer:
Marc Butan
Mark Wahlberg
Nick Wechsler
Joaquin Phoenix
Production Accountant:
Kathi Scharer
Production Coordinator:
Kerin Ferallo
Production Design:
Ford Wheeler
Production Supervisor:
Janice Williams
Property Master:
Robert Currie
Screenplay:
James Gray
Script Supervisor:
Veronica Lupu
Rebecca Fulton
Second Assistant "A" Camera:
Greg Finkel
Second Assistant "B" Camera:
Alisa M. Colley
Lance Mayer
Second Assistant Director:
Patrick Mangan
Second Second Assistant Director:
Francisco Ortiz
Second Unit Director:
Craig Haagensen
Second Unit First Assistant Director:
Patrick Mangan
Set Decoration:
Catherine Davis
Set Dresser:
Jeff Naparstek
Bill Kolpin
Mark Simon
Justine M. Cote
Peter von Bartheld
Sound Designer:
Douglas Murray
Sound Effects Editor:
Samuel H. Hinckley
Robert Shoup
Sound Mixer:
Thomas Varga
Sound Re-Recording Mixer:
Kent Sparling
Gary Rizzo
Sound Recordist:
Nathan Nance
Ronald G. Roumas
Steadicam Operator:
Stephen Consentino
Still Photographer:
Anne Joyce
Storyboard Artist:
David Cooney
Stunt Driver:
John Cenatiempo
Stunts:
Samantha MacIvor
Aaron Vexler
Supervising Sound Editor:
Douglas Murray
Thanks:
J.J. Abrams
James Gunn
Transportation Captain:
Edward Iacobelli
Unit Production Manager:
Anthony Katagas
Visual Effects Supervisor:
Kelly Port
Bradley Parker
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.