A work in constant progress (and occasional regress).
Release Date:
August 6, 2010
Original Title:
The Other Guys
Alternate Titles:
The B Team
The Back Ups
Genres:
Action | Comedy | Crime
Production Companies:
Columbia Pictures
Gary Sanchez Productions
Mosaic Media Group
Production Countries:
United States of America
Ratings / Certifications:
AT: 12 AU: M BG: C BR: 12 CZ: 18+ DE: 12 DK: 11 ES: 7 GB: 12 HU: 12 IE: 15 JP: G NL: 12 PL: 18 PT: M/12 RO: 18 US: PG-13|NR
Runtime: 116
Unlike their heroic counterparts on the force, desk-bound NYPD detectives Gamble and Hoitz garner no headlines as they work day to day. When a seemingly minor case turns out to be a big deal, the two cops get the opportunity to finally prove to their comrades that they have the right stuff.
"A" Camera Operator:
Joe Chess
"B" Camera Operator:
David Knox
ADR Editor:
Joe Schiff
ADR Mixer:
Howard London
Additional Sound Re-Recording Mixer:
Marc Fishman
Art Direction:
Jim Gloster
Assistant Chief Lighting Technician:
John Leigh
Assistant Costume Designer:
Ellen Falguiere
Emily Gunshor
Assistant Location Manager:
Ryan Ferguson
Associate Producer:
William M. Connor
Rizelle Mendoza
Best Boy Grip:
Jared Sturner
Boom Operator:
Frank Graziadei
Camera Loader:
Jeff Pinette
Casting:
Allison Jones
Chief Lighting Technician:
Russell Engels
Co-Producer:
Jessica Elbaum
Josh Church
Costume Design:
Carol Ramsey
Dialogue Editor:
James Matheny
Larry Kemp
Director:
Adam McKay
Director of Photography:
Oliver Wood
Dolly Grip:
Johnny Erbes-Chan
Chris Gamiello
Editor:
Brent White
Executive Producer:
David B. Householter
Kevin J. Messick
Chris Henchy
First Assistant "A" Camera:
Maricella Ramirez
First Assistant "B" Camera:
Chris Silano
First Assistant Director:
William M. Connor
Foley Artist:
Sarah Monat
Robin Harlan
Foley Mixer:
Randy Singer
Hair Department Head:
Bridget Cook
Hairstylist:
Johnny Villanueva
Key Costumer:
Kimmie Dellechiaie
Key Grip:
Dennis Gamiello
Key Hair Stylist:
Jerry DeCarlo
Key Makeup Artist:
Don Kozma
Key Rigging Grip:
Anthony F. Gamiello
Leadman:
Gerald DeTitta
Location Manager:
Michael Kriaris
Makeup Artist:
Margot Boccia
Adam Brandy
Donald Mowat
Makeup Department Head:
Bernadette Mazur
Music Supervisor:
Erica Weis
Original Music Composer:
Jon Brion
Producer:
Jimmy Miller
Patrick Crowley
Will Ferrell
Adam McKay
Production Accountant:
Tamara Bally
Production Coordinator:
Meghan K. Wicker
Production Design:
Clayton Hartley
Production Sound Mixer:
Tom Nelson
Property Master:
James Mazzola
Rigging Gaffer:
Doug Dalisera
Screenplay:
Adam McKay
Chris Henchy
Script Supervisor:
Cate Hardman
Second Assistant "A" Camera:
Joseph Metzger
Second Assistant "B" Camera:
Travis Cadalzo
Second Assistant Director:
Kristen Ploucha
Second Second Assistant Director:
Derek Wimble
Second Unit Director:
Conrad E. Palmisano
Set Decoration:
George DeTitta Jr.
Sound Effects Editor:
Lee Gilmore
Cindy Marty
Sound Re-Recording Mixer:
Scott Millan
Michael Keller
Special Effects Coordinator:
Jeff Brink
Special Effects Supervisor:
Danny Cangemi
Mark Hawker
Still Photographer:
Macall B. Polay
Stunt Coordinator:
Brad Martin
Stunt Double:
Tanoai Reed
Tina Mckissick
Stunt Driver:
Joanna Shelmidine
Stunts:
Clay Cullen
Shawnna Thibodeau
Conrad E. Palmisano
Peter Epstein
Blaise Corrigan
Vanessa Motta
Hank Amos
Jack Gill
John Cenatiempo
Chris Cenatiempo
Jill Brown
Supervising ADR Editor:
Tammy Fearing
Supervising Sound Editor:
George H. Anderson
Unit Production Manager:
Patrick Crowley
Daniel M. Stillman
Unit Publicist:
Amy Leigh Johnson
Utility Stunts:
Joanne Lamstein
Video Assist Operator:
Darren Ryan
Visual Effects Producer:
Ginger Theisen
Visual Effects Supervisor:
Jake Morrison
Wardrobe Supervisor:
Marcia Patten
Kate Edwards
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.