A work in constant progress (and occasional regress).
Release Date:
June 5, 2003
Original Title:
2 Fast 2 Furious
Alternate Titles:
+Rápido +Furioso
+rápido +furioso
2 Fast 2 Furious: A todo gas 2
2 מהיר 2 עצבני
Bŭrzi i yarostni 2
Dvoynoy forsazh
F&F2 - 2 Fast 2 Furious
Fast & Furious 2
Fast & Furious 2 - 2 Fast 2 Furious
Fast And Furious 2 - 2 Fast 2 Furious
Forsaj 2
Halálosabb iramban
Hızlı ve Öfkeli 2
Mais Velozes Mais Furiosos
Más rápido, más furioso
Oi Machités ton Drómon 2
Podviynyy forsazh
Prebrzi i prežestoki
Quá Nhanh Quá Nguy Hiểm 2
The Fast and the Furious II: 2 Fast 2 Furious
Velozes e Furiosos
Wild Speed X2
Za Szybcy, za Wściekli
Паклене улице 2
เร็ว...แรงทะลุนรก: เร็วคูณ 2 ดับเบิ้ลแรงท้านรก
ワイルド・スピードX2:2003
狂野時速2
玩命關頭2:飆風再起
速度与激情2:飙风再起
Genres:
Action | Crime | Thriller
Production Companies:
Ardustry Entertainment
Mikona Productions
Original Film
Universal Pictures
Production Countries:
Germany | United States of America
Ratings / Certifications:
AU: M BE: 16 BR: 14 CA: 14A CH: 16 CZ: 12+ DE: 16 DK: 11 ES: 12 FI: K-16 FR: 12 GB: 15 GR: PG HU: 16 IE: 15 KR: 12 MX: B NL: 12 NO: 15 PL: 16 PT: M/12 RO: 18 RU: 12+ SE: 11 TR: 13+ US: PG-13
Runtime: 108
It's a major double-cross when former police officer Brian O'Conner teams up with his ex-con buddy Roman Pearce to transport a shipment of "dirty" money for shady Miami-based import-export dealer Carter Verone. But the guys are actually working with undercover agent Monica Fuentes to bring Verone down.
3D Supervisor:
Michael Kory
ADR Mixer:
Dean Drabin
ADR Recordist:
Philip Rogers
ADR Voice Casting:
Barbara Harris
Accountant:
Janette Evans
Additional Camera:
David Norris
Additional First Assistant Camera:
T. Michael McLean
Additional Second Assistant Director:
Brian Moon
Aerial Coordinator:
Charles A. Tamburro
Art Department Assistant:
Xelinda Yancy
Art Department Coordinator:
Alexa Marino
Art Direction:
Lawrence A. Hubbs
Assistant Accountant:
Gino Falla
Assistant Art Director:
Liba Daniels
Assistant Camera:
Andrew Fisher
Assistant Chief Lighting Technician:
Pat Fitzpatrick
Assistant Costume Designer:
E. Melanie Moore
Assistant Director:
Frank Davis
Assistant Editor:
Scott Janush
Assistant Location Manager:
Shawn Boyachek
Assistant Makeup Artist:
Selena Evans-Miller
Assistant Production Coordinator:
Jason Tamez
Associate Editor:
Justin Bourret
Boom Operator:
Douglas Shamburger
CG Artist:
John Cassella
Camera Loader:
Jarquin
Camera Operator:
David S. Campbell
Casting:
Kimberly Hardin
Casting Assistant:
Billy Murphy
Casting Associate:
Leah Daniels-Butler
Characters:
Gary Scott Thompson
Chef:
Larry Donahue
Co-Producer:
Heather Lieberman
Color Timer:
Jeff Smithwick
Construction Coordinator:
Hugh Conlon
Costume Design:
Sanja Milković Hays
Costume Supervisor:
Camille Argus
Costumer:
Yaa Boaa Aning
Craft Service:
Bob 'Smitty' Smith
Dialogue Editor:
Michael Hertlein
Digital Compositor:
Aliza Corson Chameides
Chris Flynn
Digital Effects Supervisor:
Constance Bracewell
Digital Intermediate:
Ntana Key
Digital Intermediate Colorist:
Michael Eaves
Director:
John Singleton
Director of Photography:
Matthew F. Leonetti
Driver:
Brian Allen
Editor:
Bruce Cannon
Dallas Puett
Electrician:
Thomas M. Allen
Epk Producer:
Jim Bacon
Executive Assistant:
Russell Brown
Executive Producer:
Michael Fottrell
Lee R. Mayes
Extras Casting:
Jonathan Cruz
First Assistant "B" Camera:
Mike McGowan
First Assistant Camera:
Christopher M. Fisher
First Assistant Sound Editor:
Bob Bowman
Foley Artist:
James Moriana
Foley Mixer:
Nerses Gezalyan
Gaffer:
Barry Gross
Genetator Operator:
Scotty Goudreau
Greensman:
Robert Crowley
Grip:
Tim Black
Hair Designer:
Rod Ortega
Hairstylist:
Donna Battersby Greene
Helicopter Camera:
Ron Goodman
I/O Supervisor:
Daniel Birnbaum
Key Hair Stylist:
Pauletta O. Lewis
Key Set Costumer:
Lorenzo Hearns Jr.
Lighting Technician:
Thomas P. Powell
Location Assistant:
Brian Bentham
Location Coordinator:
Kirsten Vetter
Location Manager:
Elizabeth Elwell
Location Scout:
Rita Duffey
Makeup Artist:
Carla Antonino
Music Coordinator:
Paul Stewart
Music Editor:
Jordan Corngold
Negative Cutter:
Gary Burritt
Original Music Composer:
David Arnold
Payroll Accountant:
Todd Spears
Picture Car Coordinator:
John Feinblatt
Post Production Supervisor:
Lisa Rodgers
Elizabeth Dean
Producer:
Neal H. Moritz
Production Accountant:
Chris Furia
Production Assistant:
Niki Yoblonski
Production Coordinator:
Jane Everett
Production Design:
Keith Brian Burns
Production Driver:
Brian Bailey
Production Manager:
Tom Slovick
Production Runner:
Donald Dowd
Production Secretary:
Lisa L. Martin
Production Sound Mixer:
Walter Anderson
Production Supervisor:
Matthew Binns
Property Master:
Kevin Long
Propmaker:
James P. Crapser
Rigging Gaffer:
Michael J. Schwartz
Rigging Grip:
Kurt Beckler
Scenic Artist:
Roger Sherman
Scoring Mixer:
Michael Farrow
Screenplay:
Michael Brandt
Derek Haas
Script Supervisor:
Alicia Accardo
Second Assistant Accountant:
Lisa Furia
Second Assistant Camera:
Greg Faysash
Second Assistant Director:
Jason Roberts
Second Second Assistant Director:
Diane Calhoun
Second Unit Director:
Terry Leonard
Second Unit Director of Photography:
Michael St. Hilaire
Set Costumer:
Valerie Fusaro
Set Decoration:
Rick Simpson
Jon Danniells
Set Designer:
Nicholas Scott
Set Dressing Artist:
Stephen P. Durante
Set Medic:
George Schoendorfer
Set Production Assistant:
Christian Labarta
Sound Designer:
Tom Ozanich
Sound Editor:
Ben Wilkins
Sound Effects Editor:
Edmond J. Coblentz Jr.
Sound Engineer:
Jeff Glueck
Sound Mixer:
Mark Weber
Sound Recordist:
Bill Meadows
Special Effects Coordinator:
Bob Graham
Special Effects Technician:
Jon Bethke
Stand In:
Adam Klitzner
Steadicam Operator:
John S. Moyer
Story:
Michael Brandt
Gary Scott Thompson
Derek Haas
Storyboard Artist:
Brian McGee
Stunt Coordinator:
Troy Brown
Artie Malesci
Stunt Double:
Oakley Lehman
Chick Bernhard
Kevin Ball
Stunt Driver:
Jodi Lyn Brockton
James Cheek
Courtney Paige Kramer
Bobby Talbert
Dave Kramer
Amy Tomberlin Cheek
Joop Katana
Ed McDermott II
Bobby Aldridge
Stunts:
Grady Allen Bishop
Matt Baker
Debbie Evans
Jeannie Epper
Chick Bernhard
Ted White
David D. Darling
Kevin L. Jackson
J.C. Robaina
John-Clay Scott
Frank Ferrara
Butch Brickell
Stacy Courtney
Jim Pratt
Lincoln Simonds
Kerry Rossall
George A. Sack Jr.
Annie Ellis
Billy Bates
Tony Brubaker
Stanton Barrett
Bob Brown
Jeremiah Vaughn
Teri Garland
Kurtis Epper
Thomas Robinson Harper
Matt Leonard
Brian Burrows
R.J. Chambers
John D. Sarviss
Joe Stone
Glenn R. Wilder
Dennis Deveaugh
David S. Lomax
Alex Edlin
Freddie Hice
Rick LeFevour
Tommie Turvey
Steve Holladay
Oakley Lehman
William Scharpf
Eric Chambers
Denise Gallo
Malosi Leonard
Bob Minor
Scott Workman
Hal Burton
Clifford Happy
Jim Wilkey
Tina Mckissick
Troy Robinson
Supervising ADR Editor:
Bobbi Banks
Supervising Sound Editor:
Greg Hedgepath
Technical Advisor:
Craig Lieberman
Telecine Colorist:
Kostas Theodosiou
Transportation Captain:
Duke Foster
Transportation Co-Captain:
Duke Foster
Transportation Coordinator:
Joyce M. Lark
Unit Production Manager:
Terry Miller
Unit Publicist:
Tammy Sandler
Utility Stunts:
Tom Bahr
VFX Artist:
Joe Mangione
Video Assist Operator:
Luciano Blotta
Visual Effects:
Syd Dutton
Visual Effects Coordinator:
Collin Fowler
Visual Effects Editor:
Sharon Smith Holley
Visual Effects Producer:
Crystal Dowd
Visual Effects Supervisor:
Michael J. Wassel
Johnny Alves
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.