A work in constant progress (and occasional regress).
Birthplace:
Rome, Lazio, Italy
Born:
June 24, 1940
Vittorio Storaro, A.S.C., A.I.C. (born 24 June 1940) is an Italian cinematographer widely recognized as one of the best and most influential in Cinema history, for his work on numerous classic films including The Conformist, Apocalypse Now, and The Last Emperor. In the course of over fifty years, he has collaborated with directors such as Bernardo Bertolucci, Francis Ford Coppola, Warren Beatty, Woody Allen and Carlos Saura. He has received three Academy Awards for Best Cinematography for the films Apocalypse Now (1979), Reds (1981), and The Last Emperor (1987), and is one of three living persons who has won the award three times, the others being Robert Richardson and Emmanuel Lubezki. Description above from the Wikipedia article Vittorio Storaro, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Assistant Camera:
1961 The Laws of War
1964 Before the Revolution
Camera Operator:
1961 Fists, Girls and Sailors
1961 His Women
1961 The Laws of War
1962 Appuntamento in Riviera
1962 Attack of the Normans
1964 Before the Revolution
1966 Our Husbands
2007 Caravaggio
Cinematography:
1961 Fists, Girls and Sailors
1961 His Women
1961 The Laws of War
1962 Appuntamento in Riviera
1962 Attack of the Normans
1963 Un delitto
1964 Before the Revolution
1966 Our Husbands
2007 Caravaggio
2007 La traviata in Paris
2010 Flamenco Flamenco
Director of Photography:
1961 Fists, Girls and Sailors
1961 His Women
1961 The Laws of War
1962 Appuntamento in Riviera
1962 Attack of the Normans
1963 Un delitto
1964 Before the Revolution
1966 Our Husbands
1969 The Rage Within
1969 Youth March
1970 The Bird with the Crystal Plumage
1970 The Conformist
1970 The Spider's Stratagem
1971 'Tis Pity She's a Whore
1971 The Fifth Cord
1972 Body of Love
1972 Last Tango in Paris
1973 Brothers Blue
1973 Giordano Bruno
1973 Malicious
1974 Identikit
1975 Footprints on the Moon
1976 1900
1976 Submission
1979 Agatha
1979 Apocalypse Now
1979 Luna
1981 One from the Heart
1981 Reds
1985 Ladyhawke
1986 Captain EO
1987 Ishtar
1987 The Last Emperor
1988 Tucker: The Man and His Dream
1989 New York Stories
1990 Dick Tracy
1990 The Sheltering Sky
1993 Little Buddha
1996 Taxi
1998 Bulworth
1998 Tango
1999 Goya in Bordeaux
2000 Mirka
2000 Picking Up the Pieces
2004 Exorcist: The Beginning
2004 Zapata: The dream of a hero
2005 All the Invisible Children
2005 Dominion: Prequel to The Exorcist
2007 Caravaggio
2007 La traviata in Paris
2009 I, Don Giovanni
2010 Flamenco Flamenco
2010 L'imbroglio nel lenzuolo
2015 Muhammad: The Messenger of God
2016 Café Society
2017 Wonder Wheel
2019 A Rainy Day in New York
2020 A Rose in Winter
2020 Rifkin’s Festival
2021 The King of All The World
2023 Coup de Chance
Cinematography:
1975 The Frenzy of Orlando
Director of Photography:
1971 Eneide
1975 The Frenzy of Orlando
1983 Wagner
1986 Peter the Great
2000 Frank Herbert's Dune
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.