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Tucker: The Man and His Dream (1988) [PG]

Release Date:
August 12, 1988

Original Title:
Tucker: The Man and His Dream

Alternate Titles:
Takerio svajonė
Tucker - Ein Mann und sein Traum
Tucker - En man och hans dröm
Tucker - En mand og hans drøm
Tucker - Mies ja unelma
Tucker - Um Homem e seu Sonho
Tucker: Omul şi visul său
Tucker: Un hombre y su sueño
‎Tucker ve Rüyasi

Genres:
Drama

Production Companies:
American Zoetrope
Lucasfilm Ltd.

Production Countries:
United States of America

Ratings / Certifications:
AR: Atp  AT: 12  AU: PG  DE: 12  DK: 7  ES: APTA  FR: U  GB: PG  GR: 13  IT: T  JP: G  KR: 15  NL: 12|AL  PT: M/12  US: PG 

Runtime: 111

The true story of Preston Tucker.

Overview from TheMovieDB

Ypsilanti, Michigan, 1945. Engineer Preston Tucker dreams of designing the car of future, but his innovative envision will be repeatedly sabotaged by his own unrealistic expectations and the Detroit automobile industry tycoons.

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Trailer

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Performers

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Production

ADR Editor:
Tom Bellfort
Louise Rubacky

Additional Music:
Carmine Coppola

Art Direction:
Alex Tavoularis

Assistant Accountant:
Linda Knechtli

Assistant Costume Designer:
Judianna Makovsky

Assistant Editor:
Roderick W. Finney

Assistant Hairstylist:
Terry Baliel

Assistant Location Manager:
Jonathan Shedd
Susan Griffin

Assistant Makeup Artist:
Karen Bradley

Assistant Property Master:
Douglas T. Madison

Assistant Sound Designer:
Mildred Iatrou

Assistant Sound Editor:
Paige Sartorius
Michele Perrone
Clare C. Freeman
Martha Pike
E. Jeane Putnam
Nicole Boris

Associate Producer:
Teri Fettis-D'Ovidio

Boom Operator:
D. G. Fisher

Camera Operator:
Jamie Anderson

Casting:
Janet Hirshenson
Jane Jenkins

Choreographer:
Paula Tracy-Smuin

Construction Coordinator:
John J. Rutchland Jr.

Costume Designer:
Milena Canonero

Costume Supervisor:
Winnie D. Brown

Dialogue Editor:
Melissa Dietz

Director:
Francis Ford Coppola

Director of Photography:
Vittorio Storaro

Dolly Grip:
Leo Loverro
David Heron

Editor:
Priscilla Nedd-Friendly

Executive Producer:
George Lucas

First Assistant Camera:
Billy Clevenger
Michael Santy

First Assistant Director:
H. Gordon Boos

First Assistant Editor:
Louise Rubacky

Foley Artist:
Dennie Thorpe

Foley Editor:
Diana Pellegrini
Sandina Bailo-Lape

Gaffer:
Pat Fitzsimmons

Grip:
Dennis Pope

Hairstylist:
Lyndell Quiyou

Key Costumer:
Anne Polland
Jill Maley
Louis Infante

Key Grip:
Richard Dova Spah

Leadman:
Doug von Koss

Location Casting:
Aleta Chappelle

Location Manager:
Rory Enke

Makeup Artist:
Richard Dean

Music Editor:
Mark Adler

Negative Cutter:
Donah Bassett

Original Music Composer:
Joe Jackson

Producer:
Fred Fuchs
Fred Roos
Francis Ford Coppola

Production Accountant:
Joe Murphy

Production Coordinator:
Maureen Murphy

Production Design:
Dean Tavoularis

Production Secretary:
Kimberly Nelson

Production Sound Mixer:
Michael Evje

Property Master:
Douglas E. Madison

Researcher:
Anahid Nazarian

Screenplay:
Arnold Schulman
David Seidler

Script Supervisor:
Wilma Garscadden-Gahret

Second Assistant Camera:
Doug Hunt
Deborah Morgan

Second Assistant Director:
L. Dean Jones Jr.
Daniel R. Suhart

Second Unit Director:
Buddy Joe Hooker

Set Decoration:
Armin Ganz

Set Designer:
Bob Goldstein
Jim Pohl

Sound Designer:
Richard Beggs

Sound Effects Editor:
Robert Shoup
Tim Holland

Sound Re-Recording Mixer:
Richard Beggs
Randy Thom
Tom Johnson

Special Effects Supervisor:
David Pier

Still Photographer:
Ralph Nelson Jr.

Stunt Coordinator:
Buddy Joe Hooker

Stunts:
Steve M. Davison
Tim A. Davison
Gary McLarty
Jimmy Nickerson
Dick Ziker

Supervising Sound Editor:
Gloria S. Borders

Technical Advisor:
Enrico Umetelli

Transportation Coordinator:
Steve Collins

Unit Production Manager:
Ian Bryce

Unit Publicist:
Susan Landau Finch

Visual Effects:
Robert Finley Jr.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.