Home

Reds (1981) [PG]

Release Date:
December 25, 1981

Original Title:
Reds

Alternate Titles:
Comrades
John Reed: The Ten Days That Shook the World
Les rouges
Reds - Ein Mann kämpft für Gerechtigkeit
Reds: The John Reed Story
Rojos
The John Reed and Louise Bryant Story

Genres:
Drama | History | Romance

Production Companies:
Barclays Mercantile Industrial Finance
JRS Productions
Paramount Pictures

Production Countries:
United States of America

Ratings / Certifications:
AR: ATP  AU: M  BE: 16  DE: 12  FI: K-16  GB: 15  IE: 15  IT: T  NL: 12  SE: 11  US: PG 

Runtime: 195

Not since Gone with the Wind has there been a great romantic epic like it!

Overview from TheMovieDB

An account of the revolutionary years of the legendary American journalist John Reed, who shared his adventurous professional life with his radical commitment to the socialist revolution in Russia, his dream of spreading its principles among the members of the American working class, and his troubled romantic relationship with the writer Louise Bryant.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

American Film Institute (AFI)
2002
#55 		100 Years: 100 PASSIONS
100 Greatest Love Stories Of All Time
2008
#9 		Top 10: EPIC
10 Greatest EPIC Films of All Time

Performers

Click the heading above to show or hide the list.

Production

Additional Editing:
Gerald B. Greenberg
Richard Marden
Richard Hiscott

Additional Music:
Dave Grusin

Additional Writing:
Elaine May

Art Direction:
Simon Holland
Vesa Tapola
Fernando González

Assistant Accountant:
Rosalie King
Alan John

Assistant Art Director:
Ros Shingleton

Assistant Camera:
Giorgio Urbinelli
Mauro Marchetti

Assistant Director:
Carl Mesterton
Simon Relph

Assistant Editor:
Marty Levenstein
Jill Savitt
Claire Simpson
Joan Metzger
Karen I. Stern
Eric L. Beason
Ray Hubley
Leslie Gaulin
William S. Scharf

Assistant Sound Editor:
Jeffrey Stern
Thomas A. Gulino
Yvette Nabel
Harry Peck Bolles
Marshall Grupp
Darrell Hanzalik
Brunilda Torres
Fred Rosenberg
Jane McCulley
Bruce Kitzmeyer
Randall Coleman

Associate Editor:
Brian Peachey
Angelo Corrao

Associate Producer:
David L. MacLeod

Best Boy Electric:
Martin Evans

Boom Operator:
David Stephenson

Camera Operator:
Camillo Bazzoni
Enrico Umetelli

Carpenter:
Peter Verard
Bert Long
Dick Brown

Casting:
Patsy Pollock
Noel Davis
Marion Dougherty
Gretchen Rennell
Kathy Talbert
Jane Jenkins
Nancy Foy
Jeremy Zimmermann

Choreographer:
Gillian Gregory
Stefan Wenta

Clapper Loader:
David Watkins
Jeremy Gee

Conductor:
Paul Gemignani

Construction Manager:
Jack Carter

Costume Assistant:
Linda Burtenshaw

Costume Design:
Shirley Russell

Costume Supervisor:
Richard La Motte

Director:
Warren Beatty

Director of Photography:
Vittorio Storaro

Draughtsman:
John King
Buzz Stephens

Dressing Prop:
Denis Hopperton

Editor:
Dede Allen
Craig McKay

Editorial Services:
Katherine Wenning

Executive Producer:
Dede Allen
Simon Relph

Extras Casting:
Beverley Keogh

First Assistant Director:
Kuki López Rodero
Alan Hopkins
James Quinn
Robert Birnbaum

First Assistant Editor:
Cindy Kaplan Rooney

Focus Puller:
Roberto Alberti

Gaffer:
Laurie Shane
Filippo Cafolla

Grip:
Alfredo Marchetti
Mario Marchetti
Tony Cridlin

Hairstylist:
Carolyn Elias
Phil Naso
Barry Richardson
Joan Carpenter

Location Manager:
Redmond Morris
Juan Clemente Prosper
Simon Bosanquet

Makeup Artist:
William Turner
Fern Buchner
Paul Engelen
Bob Lawrance

Music Editor:
Ted Whitfield
Michael Tronick

Music Supervisor:
Paul Gemignani

Negative Cutter:
Donah Bassett

Original Music Composer:
Stephen Sondheim
Dave Grusin

Post Production Accountant:
Sandy Varga

Post Production Coordinator:
Sherri Taffel Brown

Producer:
Warren Beatty

Production Accountant:
Jak King

Production Assistant:
Vicki Deason

Production Consultant:
Åke Lindman

Production Design:
Richard Sylbert

Production Manager:
Vicente Escrivá hijo
Kaj Holmberg
Jack Terry
A. Kitman Ho
Nigel Wooll

Property Master:
George Ball

Props:
Eddie Francis
Mickey Pugh

Scenic Artist:
Bob Spencer

Screenplay:
Warren Beatty
Trevor Griffiths

Script Supervisor:
Karen Hale Wookey
Zelda Barron

Second Assistant Director:
Enrique Gabriel
Lauri Törhönen
Joseph J. Kontra
Tom Seidman
Robert E. Warren
Michael Green
Peter Waller

Second Unit Director:
Craig R. Baxley

Set Buyer:
Jill Quertier

Set Decoration:
Thomas L. Roysden
Paul Hefferan

Set Dresser:
Michael Seirton

Sound Editor:
David Ray
Peter Odabashian
Kate Hirson
Louis Cerborino
Peter C. Frank
Stan Bochner
Hal Levinsohn
Maurice Schell
Marjorie Deutsch
Jay Dranch
Dan Lieberstein

Sound Engineer:
David Allen

Sound Mix Technician:
Des Edwards

Sound Mixer:
Al Mian
Bruce Bisenz
Simon Kaye

Sound Re-Recording Mixer:
Tom Fleischman
Dick Vorisek

Special Effects:
Bob Dawson
Ian Wingrove
Antonio Parra

Still Photographer:
David Appleby

Stunt Coordinator:
Craig R. Baxley

Supervising Sound Editor:
Richard P. Cirincione

Third Assistant Director:
Michael Zimbrich

Title Designer:
Wayne Fitzgerald

Unit Manager:
Toivo Lehmusvirta

Visual Effects Editor:
Sam Fine

Wardrobe Assistant:
Cath Halloran
Nicolas Ede

Wardrobe Master:
Martín Díaz Porras
William Loger
Marilyn Putnam
Rebecca Breed

Wardrobe Supervisor:
Richard Pointing

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.