A work in constant progress (and occasional regress).
Alias:
Christopher Messina
کریس مسینا
克里斯·梅西納
Birthplace:
New York City, New York, USA
Born:
August 11, 1974
Christopher Messina (born August 11, 1974) is an American actor, director, writer, and producer. He is best known for starring as Danny Castellano in the series The Mindy Project (2012–2017), which earned him two nominations for the Critics' Choice Television Award for Best Actor in a Comedy Series. He has appeared in films such as Vicky Cristina Barcelona (2008), Julie & Julia (2009), Devil (2010), Argo (2012), Ruby Sparks (2012), Celeste and Jesse Forever (2012), Cake (2014), Birds of Prey (2020), I Care a Lot (2020), Call Jane (2022), Air (2023) and The Boogeyman (2023). Messina wrote, executive produced, and starred in the comedy film Fairhaven (2012). He also directed and starred in the drama film Alex of Venice (2014). On television, Messina appeared as Ted Fairwell in the HBO drama series Six Feet Under (2005), Chris Sanchez in the Audience Network legal thriller series Damages (2011–2012), Reese Lansing in the HBO political drama series The Newsroom (2012–2014), Richard Willis in the HBO miniseries Sharp Objects (2018), Nick Haas in the USA Network crime drama series The Sinner (2020), Angelo Lano in the Starz political miniseries Gaslit (2022), and as Nathan Bartlett in the Peacock comedy thriller Based on a True Story (2023). Description above from the Wikipedia article Chris Messina, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director:
2015 Alex of Venice
Executive Producer:
2012 28 Hotel Rooms
2013 Fairhaven
2015 Alex of Venice
Thanks:
2012 28 Hotel Rooms
2013 Fairhaven
2015 Alex of Venice
2019 Light of My Life
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.