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Light of My Life (2019) [R]

Release Date:
August 9, 2019

Original Title:
Light of My Life

Alternate Titles:
La luz de mi vida
라이트 오브 마이 라이프

Genres:
Drama | Science Fiction

Production Companies:
Black Bear Pictures
Sea Change Media

Production Countries:
United States of America

Ratings / Certifications:
CZ: 12+  DE: 12  ES: 12  FR: TP|10  GR: Κ-15  NL: 16  RU: 18+  US: R 

Runtime: 119

Her world is a deadly place

Overview from TheMovieDB

Parent and child journey through the outskirts of society a decade after a pandemic has wiped out half the world's population. As a father struggles to protect his child, their bond—and the character of humanity—is tested.

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Additional information:

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Trailer

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Performers

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Production

"B" Camera Operator:
Norbert Kaluza
Simon Chapman

ADR Recordist:
Jeffrey Roy

Additional Editor:
Bob Benedict

Art Department Coordinator:
Sharon Thompson

Art Direction:
Tara Arnett

Assistant Accountant:
Veronika Skarlandtova

Assistant Costume Designer:
Jennifer Louise Tillery

Assistant Editor:
Monty Bass
Rahul Das
Sophie Dick

Assistant Location Manager:
David Konkin

Assistant Production Coordinator:
Jerami Pergel

Best Boy Electric:
Brett Bird

Best Boy Grip:
Melissa Beaupre

Boom Operator:
Blair Dykes

Casting:
Avy Kaufman

Casting Associate:
Leeba Zakharov

Co-Producer:
Geoffrey Quan
Geoff Linville

Construction Coordinator:
Michael Osborn

Construction Foreman:
Dan Snelgrove

Costume Design:
Malgosia Turzanska

Dialogue Editor:
Kimberly Lambert

Digital Intermediate Colorist:
Katie Jordan

Digital Intermediate Producer:
Amy Redfern

Director:
Casey Affleck

Director of Photography:
Adam Arkapaw

Editor:
Christopher Tellefsen
Dody Dorn

Executive Producer:
Ben Stillman
Michael Heimler
Whitaker Lader

Extras Casting:
Sandra-Ken Freeman

First Assistant "A" Camera:
Luke Thomas

First Assistant "B" Camera:
Spiro Grant

First Assistant Director:
Liz Tan

Foley Artist:
Christopher Moriana
Alyson Dee Moore

Foley Mixer:
John Sanacore

Gaffer:
John Dekker

Grip:
Julian Chapdelaine

Hair Department Head:
Robert A. Pandini

Key Grip:
Reid Cohoon

Location Coordinator:
Anthony Wittrock

Location Manager:
Braden Jennings

Makeup Department Head:
Monica Huppert

Original Music Composer:
Daniel Hart

Post Production Accountant:
Erica Kolsrud

Producer:
Teddy Schwarzman
Casey Affleck
John Powers Middleton

Production Accountant:
Tina Dawson

Production Coordinator:
Morgan Brady

Production Design:
Sara K. White

Production Manager:
Jill Christensen

Script Supervisor:
Kimi Webber

Second Assistant Director:
Lorie Gibson

Set Decoration:
Zoe Jirik

Sound Mixer:
Graham Timmer

Sound Re-Recording Mixer:
Zach Seivers

Special Effects Coordinator:
Gary Minielly

Still Photographer:
Doane Gregory
Cate Cameron

Storyboard Artist:
Colin Lorimer

Studio Teacher:
Jenny Dent

Stunt Coordinator:
Scott J. Ateah
Brett Armstrong
Paul Wu

Supervising Sound Editor:
George Pereyra
Zach Seivers

Thanks:
Floriana Lima
David Lowery
Chris Messina
Indiana Affleck

Title Designer:
Kristyn Hume

Unit Manager:
Nicole Shizuka Oguchi

VFX Supervisor:
Eran Barnea

Video Assist Operator:
Barry Kaiser
David McKnight

Writer:
Casey Affleck

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.