A work in constant progress (and occasional regress).
Release Date:
September 7, 2012
Original Title:
Arthur Newman
Alternate Titles:
Arthur & Mike
Arthur and Mike
Ein tolles Leben
Meus Dias IncrÃveis
Genres:
Drama
Production Companies:
Cross Creek Pictures
Vertebra Films
Production Countries:
United States of America
Ratings / Certifications:
AU: R18+ CA: R FR: 12 GB: 15 IE: 15 RU: 16+ US: R
Runtime: 101
A story of a man who fakes his own death and assumes a new identity in order to escape his life, who then moves in with a woman who is also trying to leave her past behind.
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Art Direction:
Quito Cooksey
Co-Producer:
Stefan Sonnenfeld
Costume Design:
Nancy Steiner
Director:
Dante Ariola
Director of Photography:
Eduard Grau
Editor:
Olivier Bugge Coutté
Executive Producer:
Helen Cappuccino
Eric Greenfeld
James A. Holt
Natalie G. Hill
Andy Cappuccino
Lisa Bruce
First Assistant Director:
Jason Blumenfeld
Gaffer:
James Plannette
Hair Department Head:
Jo Jo Stephens
Hairstylist:
Kari Delaney
Mandy Lyons
Key Grip:
Logan R. Berkshire
Location Manager:
Rachael Tartell
Makeup Artist:
Evelyne Noraz
Erin Keith
Makeup Department Head:
Rick Pour
Original Music Composer:
Nick Urata
Post Production Supervisor:
Michael Tinger
Producer:
Alisa Tager
Becky Johnston
Brian Oliver
Mac Cappuccino
Production Design:
Christopher Glass
Production Supervisor:
Tai Burkholder
Script Supervisor:
Trudy Ramirez
Second Assistant Director:
Paul B. Uddo
Second Second Assistant Director:
Scott Hardwick
Set Decoration:
Chuck Potter
Sound Editor:
Hector C. Gika
Kami Asgar
Sound Mixer:
Jeffree Bloomer
Sound Supervisor:
Will Riley
Sean McCormack
Special Effects Coordinator:
William Purcell
Special Effects Technician:
Phil H. Fravel
Stunt Double:
Jessica Merideth
Stunt Driver:
Grady Allen Bishop
Unit Production Manager:
Lisa Bruce
Visual Effects Coordinator:
Anastasia Von Rahl
Chelsea Kammeyer
Visual Effects Producer:
P. Whitney Gearin
Visual Effects Supervisor:
Sean Andrew Faden
Writer:
Becky Johnston
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.